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Review: ‘The Haunting of Sharon Tate’ Makes a Bold Choice
It’s a bold move to create a film about a real-life murder with a new concept based on a curious interview comment, but I guess that makes Daniel Farrands a bold man.
The Haunting of Sharon Tate – written and directed by Farrands – begins with a recreation of an interview between Sharon Tate and Fate magazine in which she recalls a dream she had (a premonition?) that sounds eerily similar to the circumstances of her own murder.
From there, the film follows the very pregnant Tate (as played by Hilary Duff of Lizzie McGuire fame) in the days leading up to the Manson Family murders. She senses that there’s something amiss – there are several bits of dialogue about fate, changing fate, and being trapped by fate – and things gradually get a little creepy around the house. Ghostly figures, odd sounds, hallucinations, the whole nine yards.
Unfortunately, the “haunting” elements feel – at times – tacked-on for the sake of the scare. The most effective scenes generate tension with some genuine horror-movie moments, but their conclusion just makes that build-up fall flat. As for the story itself, the script takes some extreme creative license with the progression of events.
The concept for the film is – as mentioned – a bold move, but it’s a creative way to approach a story we’re all familiar with. Is it in poor taste? Arguably, yes. There’s one particular scene about halfway through the film that feels more than a shade exploitative. But, regardless, The Haunting of Sharon Tate dives right in and refuses to look back.
From a technical standpoint, the film has an appropriately dreamy quality to it. Color filters amplify every radiant tone, and regular close-ups feel like that single-point focus that often happens in dreams. Bits of dialogue that were re-done in post-production sound isolated and unnatural — which is occasionally distracting — but it really adds to that dreamlike aura of the film. It’s easy to get lost in the unreality of it all.
The film really meditates on the aforementioned theme of fate and often questions Tate’s credibility as a reliable narrator. She’s haunted by vivid nightmares and becomes increasingly paranoid about the sincerity and support of those around her. Her friends — who believe that she’s just overstressed — wave off her outbursts and concerns. The very pregnant Tate is soothed, dismissed, and placated; it’s reminiscent of the gaslighting in Rosemary’s Baby, but the effect isn’t quite the same.
There’s an earnest effort from the actors — including Duff, who clearly cares about her character –- but their interactions come off as a bit stilted. Perhaps it’s the ADR, or perhaps it’s the dialogue, but their performances sometimes feel like they’re not all acting in the same movie.
Wisely, Farrands trusts in his audience’s knowledge of the case and uses it to smooth out (some) heavy-handed exposition. He’ll allude to facts of the case (for example, that Manson believed the home was still inhabited by a record producer, Terry Melcher, who he was trying to contact), but the fictional side takes a large, heavy-handed jump, forcing you to drop the details and just go on this journey with them.
The effect is a curious one. The Haunting of Sharon Tate unapologetically takes the audience on a wild ride that puts a spin on a horrific and well-known real-world event. It’s a film that takes bold liberties, injecting its own philosophical twist into the mix. What you have to decide — as an audience — is if this concept works for you.
You can see it in theaters and on demand as of April 5, 2019.
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Movies
’28 Years Later’ Trilogy Taking Shape With Serious Star Power
Danny Boyle is revisiting his 28 Days Later universe with three new films. He will direct the first, 28 Years Later, with two more to follow. Deadline is reporting that sources say Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes have been cast for the first entry, a sequel to the original. Details are being kept under wraps so we don’t know how or if the first original sequel 28 Weeks Later fits into the project.
Boyle will direct the first movie but it’s unclear which role he will take on in the subsequent films. What is known is Candyman (2021) director Nia DaCosta is scheduled to direct the second film in this trilogy and that the third will be filmed immediately afterward. Whether DaCosta will direct both is still unclear.
Alex Garland is writing the scripts. Garland is having a successful time at the box office right now. He wrote and directed the current action/thriller Civil War which was just knocked out of the theatrical top spot by Radio Silence’s Abigail.
There is no word yet on when, or where, 28 Years Later will start production.
The original film followed Jim (Cillian Murphy) who wakes from a coma to find that London is currently dealing with a zombie outbreak.
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Watch ‘The Burning’ At The Location Where It Was Filmed
Fangoria is reporting that fans of the 1981 slasher The Burning will be able to have a screening of the film at the location where it was filmed. The movie is set at Camp Blackfoot which is actually the Stonehaven Nature Preserve in Ransomville, New York.
This ticketed event will take place on August 3. Guests will be able to take a tour of the grounds as well as enjoy some campfire snacks along with the screening of The Burning.
The film came out in the early ’80s when teen slashers were being churned out in magnum force. Thanks to Sean S. Cunningham’s Friday the 13th, filmmakers wanted to get in on the low-budget, high-profit movie market and a casket load of these types of films were produced, some better than others.
The Burning is one of the good ones, mostly because of the special effects from Tom Savini who had just come off of his groundbreaking work on Dawn of the Dead and Friday the 13th. He declined to do the sequel because of its illogical premise and instead signed on to do this movie. Also, a young Jason Alexander who would later go on to play George in Seinfeld is a featured player.
Because of its practical gore, The Burning had to be heavily edited before it received an R-rating. The MPAA was under the thumb of protest groups and political bigwigs to censor violent films at the time because slashers were just so graphic and detailed in their gore.
Tickets are $50, and if you want a special t-shirt, that will cost you another $25, You can get all the information by visiting the On Set Cinema webpage.
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Movies
‘Longlegs’ Creepy “Part 2” Teaser Appears on Instagram
Neon Films released an Insta-teaser for their horror film Longlegs today. Titled Dirty: Part 2, the clip only furthers the mystery of what we are in for when this movie is finally released on July 12.
The official logline is: FBI Agent Lee Harker is assigned to an unsolved serial killer case that takes unexpected turns, revealing evidence of the occult. Harker discovers a personal connection to the killer and must stop him before he strikes again.
Directed by former actor Oz Perkins who also gave us The Blackcoat’s Daughter and Gretel & Hansel, Longlegs is already creating buzz with its moody images and cryptic hints. The film is rated R for bloody violence, and disturbing images.
Longlegs stars Nicolas Cage, Maika Monroe, and Alicia Witt.
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