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REVIEW: DOOM Is Visceral, Hardcore and Genius

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Doom

DOOM is finally upon us. I have to admit, we were a bit worried when Bethesda decided to not send out review copies until the release day. (Usually a bad sign) However, we were pleased to find a very, very, very good game that will make any DOOM fanboy happy.

DOOM was one of the first shooters that I played as a kid. I remember blasting Nine Inch Nails and Ministry over my stereo while playing through the night ; tearing through legions of hell spawn on varying difficulty levels while chugging cases of Mountain Dew was pure perfection.

So how much of that nostalgia was rewarded with the recent release of DOOM? The answer is, every single bit. Well, minus the cases of Mountain Dew.

DOOM puts you back in the Praetor suit of “DoomGuy,” the space marine with no spoken words. When you begin the game you are thrust face first into the action with hell and all of its inhabitants spilling over into our dimension. Fanatical zealot, Olivia Pierce is trying her damnedest to open up a permanent portal from hell to our world.

Much like the classic DOOM, this one takes place at a mining facility on Mars. The Union Aerospace Corporation (UAC) is mining argent energy. You soon discover that argent energy is an insidious source and it is up to you to destroy it as well as Olivia Pierce.

DOOM has some fast, polished and liquid gameplay. You move much faster than you do in most first person shooters and that change is a welcome and rewarding one. The controller responsiveness is a match for the fast-pacing and a much needed tool when dealing with the amount of enemies that the game throws at you in the later missions.

Weapon and Praetor suit power ups are one of the biggest and most welcome changes to DOOM. You are now able to upgrade parts of your weapons that allow for things like explosive shotgun rounds, lock-on missiles, sniper scope and a whole lot more. Your suit is also upgradable with things like added protection from explosions, a better radar, (helps to locate secret areas) better equipment usage and a more. Secret areas also offer collectible DoomGuy figures, each one of these are different variations of the Praetor suit.

Glory Kills are one of my favorite new additions in DOOM. This allows you to rip stunned enemies to pieces in varying violent ways. Once blasted a certain amount of times demons will begin to blink, signaling you to move in for the Glory Kill. These range from ripping demons jaws open, ripping an arm off and beating them to death with it and curb stomping all hell out of them. There are a variety of Glory Kills that you can perform, depending on which body part you are aiming at when you initiate them. Glory Kills don’t just looks awesome, they also cause the enemy to drop health or ammo. That health might come in handy in a pinch. I know it has saved my butt more times than I can count.

Chainsaw

Rune Trials allow you to equip Runes that can do things like increase ammo, and make some abilities last longer. Rune Trials take you briefly into another dimension where you are tasked with a timed challenge. For example, killing 30 enemies within the time limit or killing a certain amount of demons with a special move if you are able to complete the challenge you are rewarded with a new rune to help you in the fight.

For the first time in a long time, secrets and challenges are imperative to getting full enjoyment out of the game. Weapon and Praetor suit points are rewarded when you discover a secret location or when you complete a challenge. These power ups go a long way to enabling you with more ammo, weapon attachments, more health and more armor. They aren’t a necessary part of the game but seeking them out will help out in later missions, especially if you are aiming to finish the game on a harder difficulty setting.

Bethesda and id took everything that you loved about the original DOOM and did the wisest thing they could have done with it. They kept it all intact. All the hell spawn you remember are all accounted for. Yep, that one too. They updated it for the current gen and the results are jaw-dropping, Mars and Hellscapes are works of art. Looking out at a vista are all wallpaper worthy scenes. Taking the original game and not changing the core elements, enemies or DoomGuy already makes this game a blast. Add in the fact that you can upgrade weapons and armor and this give us the best DOOM single player campaign we have seen.

There is a forgotten art at work here too. With recent shooters gamers have become accustom to grabbing some cover popping up, shooting and ducking back behind cover while waiting to regain health. DOOM takes you back to the days of needing to pickup health in order to heal. It also encourages you to run around and use movement as an ally instead of cover. If you stand still you die. It creates a sense of constant urgency and white-knuckle, sweaty palm action.

The games score is a perfect match as well and gives us a hardcore, synth-driven ambience that adds a kick-ass sound for you to rip and tear demons apart to. It gets to the point later in that game that when you hear that music cue up you invite the hoards in a very “bring it on” fashion. The music helps you become invincible, or at least think you are until DOOM decides to throw hells kitchen sink and five Hell Baron’s at you.

I wasn’t sure if going back to this nostalgic place in my heart was possible, but I was wrong. DOOM is enough of a perfect mix of old and new to cater to hardcore DOOM fans and newcomers alike. The developers really stuck to their guns on this one. They could have easily gone for the pop and shoot ways of current first person shooters; by doing things in the classic vein they have managed to reinvent the wheel again. DOOM is brilliant, bloody and visceral, it takes you to the depths of hell and gives the most badass metal experience you are likely to have this year in an FPS.

Look for our review of DOOM’s multiplayer and SnapMap up soon.

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New Windswept Action Trailer for ‘Twisters’ Will Blow You Away

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The summer movie blockbuster game came in soft with The Fall Guy, but the new trailer for Twisters is bringing back the magic with an intense trailer full of action and suspense. Steven Spielberg’s production company, Amblin, is behind this newest disaster film just like its 1996 predecessor.

This time Daisy Edgar-Jones plays the female lead named Kate Cooper, “a former storm chaser haunted by a devastating encounter with a tornado during her college years who now studies storm patterns on screens safely in New York City. She is lured back to the open plains by her friend, Javi to test a groundbreaking new tracking system. There, she crosses paths with Tyler Owens (Glen Powell), the charming and reckless social-media superstar who thrives on posting his storm-chasing adventures with his raucous crew, the more dangerous the better. As storm season intensifies, terrifying phenomena never seen before are unleashed, and Kate, Tyler and their competing teams find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.”

Twisters cast includes Nope’s Brandon Perea, Sasha Lane (American Honey), Daryl McCormack (Peaky Blinders), Kiernan Shipka (Chilling Adventures of Sabrina), Nik Dodani (Atypical) and Golden Globe winner Maura Tierney (Beautiful Boy).

Twisters is directed by Lee Isaac Chung and hits theaters on July 19.

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Travis Kelce Joins Cast on Ryan Murphy’s ‘Grotesquerie’

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Football star Travis Kelce is going Hollywood. At least that is what Dahmer Emmy award-winning star Niecy Nash-Betts announced on her Instagram page yesterday. She posted a video of herself on set of the new Ryan Murphy FX series Grotesquerie.

“This is what happens when WINNERS link up‼️ @killatrav Welcome to Grostequerie[sic]!” she wrote.

Standing just out of frame is Kelce who suddenly steps in to say, “Jumping into new territory with Niecy!” Nash-Betts appears to be in a hospital gown while Kelce is dressed as an orderly.

Not much is known about Grotesquerie, other than in literary terms it means a work filled with both science fiction and extreme horror elements. Think H.P. Lovecraft.

Back in February Murphy released an audio teaser for Grotesquerie on social media. In it, Nash-Betts says in part, “I don’t know when it started, I can’t put my finger on it, but it’s different now. There’s been a shift, like something’s opening up in the world — a kind of hole that descends into a nothingness…”

There hasn’t been an official synopsis released regarding Grotesquerie, but keep checking back to iHorror for further details.

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’47 Meters Down’ Getting Third Movie Called ‘The Wreck’

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Deadline is reporting that a new 47 Meters Down installment is heading into production, making the shark series a trilogy. 

“Series creator Johannes Roberts, and screenwriter Ernest Riera, who wrote the first two films, have co-written the third installment: 47 Meters Down: The Wreck.” Patrick Lussier (My Bloody Valentine) will direct.

The first two films were a moderate success, released in 2017 and 2019 respectively. The second film is titled 47 Meters Down: Uncaged

47 Meters Down

The plot for The Wreck is detailed by Deadline. They write that it involves a father and daughter trying to repair their relationship by spending time together scuba diving into a sunken ship, “But soon after their descent, their master diver has an accident leaving them alone and unprotected inside the labyrinth of the wreck. As tensions rise and oxygen dwindles, the pair must use their newfound bond to escape the wreck and the relentless barrage of bloodthirsty great white sharks.”

The filmmakers are hoping to present the pitch to the Cannes market with production starting in the fall. 

47 Meters Down: The Wreck is the perfect continuation of our shark-filled franchise,” said Byron Allen, founder/chairman/CEO of Allen Media Group. “This film will once again have moviegoers terrified and on the edge of their seats.”

Johannes Roberts adds, “We can’t wait for audiences to be trapped underwater with us again. 47 Meters Down: The Wreck is going to be the biggest, most-intense film of this franchise.”

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