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Review: David Bruckner’s ‘The Ritual’ is a Merciless Creature Feature

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The Ritual

“If a shortcut were a shortcut, they wouldn’t call it a shortcut, they’d call it a route”  – Dom

The Ritual is David Bruckner’s seventh feature to his credit and fifth film in which he directed, adapted from the 2011 novel of the same name by Adam Nevill. If you’ve seen the film, read the excerpt below and you will note that the filmmakers didn’t stray far from the novel’s story and atmosphere.

Excerpt from the book:

“Something responsible for the bestial presence that follows their every step. And as the four friends stagger in the direction of salvation, they learn that death doesn’t come easy among these ancient trees…” 

Film synopsis:

“Reuniting after the tragic death of their friend, four college pals set out to hike through the Scandinavian wilderness. A wrong turn leads them into the mysterious forests of Norse legend, where an ancient evil exists and stalks them at every turn.”

I’ve watched The Ritual four times since it was released on Netflix and – in all honesty – I love this movie. To be fair, I have a strong affinity for creature features so maybe I’m a little biased. But… that being said, I found this particular addition to the sub-genre to be a cut above the rest.

What sets The Ritual apart:

First of all, Bruckner’s direction took a relatively simple concept – A group of friends lost in the woods find that isolation and exposure to the elements is the least of their problems, when they discover a superior being with nefarious intentions – and elevates it through his use of tracking shots and stunning cinematography.

You may be familiar with director David Bruckner from his work on the first segment from the original VHS anthology, Amateur Night. In Bruckner’s short, three college friends – one equipped with glasses which includes a camera – ditch their hotel for a night on the town in the hopes of bringing women back to their room to make an impromptu and secretive sex tape. They meet a woman named Lilly who turns out to be nothing short of terrifying, and their night takes an unexpected turn.

Bruckner’s short was so effective that in 2016 it was adapted into a feature film titled Sirendirected by Gregg Bishop. While The Ritual is dramatically different in tone, it’s clear that Bruckner is a name to watch out for.

The image below incorporates Bruckner’s specific style – at least in respect to The Ritual. He specializes in tracking shots of ominous locations in the wilderness that may or may not be hiding something (look closely at the image below… there’s a monster in there).       

Related image

The Loneliness of the Dog Guides

There’s something about real-world locations in place of sets or studios that makes the horror so much more effective. As far as I can tell, the majority of The Ritual was shot on location in the Scandinavian wilderness.

If you remove the monster and the terror that comes from becoming lost, those woods are extremely creepy. This specific setting paired with an ominous score and the primeval and cosmic sound design of the titular monster creates a unique and crushing atmosphere.

What I found to be quite notable was the acting and story. It may sound generic, but the performances and dialogue felt so genuine that I wouldn’t be surprised if a vast majority of it was improved.

All of the characters are distinct and serve a necessary purpose. In the short on-screen time span there are specific character developments between the two primary characters, Luke and Dom. Both start out as pretty unlikable characters, but by the climax of the film they’re completely changed for the better due to their horrific experiences in the woods.

Related image

via horrorfreaknews

The Monster:

The entity described in the film is called a “Jötunn“, a bastard child of Loki, although the creature’s morphology is potentially more directly inspired by other Norse legends.

For instance, the creature’s unique and grotesque physiology sounds like the “Nuckelavee” which is a half-horse and half-human entity. In the image above, the creature clearly resembles a very large elk or moose, while the head appears to be made up of two fused human torsos. The “head” is submerged within the torso where only the eyes are visible.

The design is mesmerizing and haunting.

 

The Ritual can be streamed on Netflix, and I strongly recommend that anyone who loves horror and appreciates mythology should check it out.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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