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Movie Review: WolfCop

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WolfCop, written and directed by Lowell Dean, has the feel of an early 90s direct-to-video horror film. Its sensibilities and production value fall somewhere between Troma and Full Moon.

In some ways this works wonderfully, while in others it doesn’t quite. On the one hand, WolfCop is exactly what one might expect it to be. On the other, it doesn’t quite deliver on the level I was hoping that it would. Perhaps with some tweaks to the script and the effects it could’ve gotten closer.

The effects are serviceable at times (and the WolfCop himself is just fine for what he is), but are cringe-worthy at others, particularly toward the finale. Also, the WolfCop character is pretty much exactly what he should be. It just would have been nice to have a more engaging movie for him to run with. Perhaps a sequel could take things up a notch.

Ultimately, I feel like WolfCop might have worked better as a fake trailer. After all, the actual trailer was awesome. The werewolf even somewhat resembles a Nazi wolf soldier from Rob Zombie’s faux trailer Werewolf Women of the SS, particularly once the the machine gun firing starts.

There are definitely some entertaining scenes, but for a movie called WolfCop, I was hoping they weren’t quite so few and far between, particularly since the run-time is just shy of 80 minutes.

The film does pay homage to various werewolf films of the past, and I appreciate that these include titles like the original Teen Wolf and Ginger Snaps. In fact, Ginger Snaps actor Jesse Moss is even in the movie.

There are enough face and throat rippings to keep it from lacking too much in the gore department, but the comedic tone never quite gels in any particularly funny ways in my opinion. Of course, humor is subjective.

I do feel that WolfCop would have played nicely on USA Up All Night, which certainly represents a time of my life I remember very fondly. Something tells me that if it were actually from that period I’d have a better connection with it, so that probably says more about me than it does the actual movie.

It doesn’t quite have the feel of a Syfy original, but I would definitely have no problem imagining it playing on the channel in the 90s.

At times, the music is reminiscent of something you’d hear in Sons of Anarchy, but not in a good way.

I can’t honestly say I’d recommend WolfCop to people unless they’re looking for a very specific type of low budget horror cheese, but fortunately, that’s likely the film’s intended audience. I can say, however, that if someone cares in the first place about watching a movie called WolfCop, I wouldn’t stop them from giving it a chance. As 79 minutes of mindless entertainment, you could do a lot worse. There is, at least, some fun to be had here. Maybe just not quite as much as you’re hoping for.

Either way, the trailer and poster are still bad ass.

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wolfcopposter

I realize this review is kind of all over the place, but that’s pretty much a direct reflection of how I felt while watching the movie.

WolfCop is due out on DVD on March 10.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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