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“The Limehouse Golem” is the Nostalgic Whodunit You Didn’t Know You Needed

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In an age of big special effects, over the top monsters, and all too shallow plotlines, it’s easy to forget that really good stories not only exist but can still thrill viewers in unexpected ways.  Luckily, from time to time, a film like The Limehouse Golem comes along to remind us of that very fact.

Directed by Juan Carlos Medina with a script by Jane Goldman (who also wrote the screenplay for The Woman in Black) based on the novel by Peter Ackroyd, The Limehouse Golem tells the story of Lizzie Cree (Olivia Cooke) a former music hall actress who’s accused of murdering her husband (Sam Reid).  At the time of his death, however, there’s a much larger case that’s rocked an entire community.  A killer known only as the Limehouse Golem has committed a series of brutal murders, the last including an entire family.  Inspector John Kildare (Bill Nighy) from Scotland Yard has been brought in to solve the case, and to serve as a fall guy for the Yard if he cannot.

Kildare soon realizes the two cases are inextricably linked but discovering the killer’s identity may put more at risk than his career.

It’s a beautiful throwback film, embracing the tropes of the great British mysteries that came before it.  No one is completely innocent and guilt lies not only on the killer but on the people who helped create them.  The streets are just a little too clean, and the poor just a little too healthy looking, for it to all be completely believed, and yet we do.  It is mystery theater at its best, inviting the audience to put the pieces of the puzzle together having no idea what the larger picture truly is.

Bill Nighy (Underworld, Pirates of the Caribbean) turns in a brilliant, understated performance as Kildare consciously choosing a subtle approach to this intelligent and caring man.  Interestingly enough, Alan Rickman was originally cast in the role, but when his health began to deteriorate he had to leave the production.  Nighy stepped in, and while one cannot help but imagine Rickman in the role, it is undeniable that the film did not suffer in the least with the substitution.

Cooke (“Bates Motel”, The Quiet Ones), an undeniably talented actress, is serviceable in the role of Lizzie, at once strong and vulnerable, and yet there were times where her performance was overwhelmed by those around her.  About half the movie passes before she finds her even footing with Nighy and some of her co-stars.  That firm footing locks into place, and the second half of the film is the better for it.

It is Douglas Booth (Pride and Prejudice and Zombies, Jupiter Ascending) who steals this show, however.  As music hall performer Dan Leno, Booth is magnetic, radiating sex, mystery, and danger.  He is beautifully ambiguous in his desires and commanding on stage in 19th century drag, and the screen sizzled with his charisma each time he appeared.

Medina, who I was surprised to find only had four directing credits to his name on IMDb, directs his cast beautifully with an innate ability to balance silence with dialogue and stillness with action to fully tell the story of The Limehouse Golem.  Many a horror director could take lessons from Medina in the realm of gore.  His murder scenes are seriously gory, but he doesn’t linger.  He gives us just enough to take in the scene before cutting away quickly leaving an afterimage for the viewer to process.  The method is extremely effective.

The Limehouse Golem releases September 8, 2017 in theaters and on demand from Number 9 Films in associate with RLJ Entertainment and Lionsgate among others.  Check out the trailer below!

 

 

TITLE: THE LIMEHOUSE GOLEM
IN THEATERS AND AVAILABLE ON VOD AND DIGITAL HD: September 8, 2017
DIRECTOR: Juan Carlos Medina
WRITERS: Jane Goldman, based on the novel “Dan Leno and the Limehouse Golem” by Peter Ackroyd
CAST: Bill Nighy, Olivia Cooke, Douglas Booth, Daniel Mays, and Eddie Marsan
SYNOPSIS: The city of London is gripped with fear as a serial killer – dubbed The Limehouse Golem – is on the loose and leaving cryptic messages written in his victim’s blood. With few leads and increasing public pressure, Scotland Yard assigns the case to Inspector Kildare (Bill Nighy) – a seasoned detective with a troubled past and a sneaking suspicion he’s being set up to fail. Faced with a long list of suspects, including music hall star Dan Leno (Douglas Booth), Kildare must get help from a witness who has legal troubles of her own (Olivia Cooke), so he can stop the murders and bring the killer to justice.
GENRE: Thriller
DISTRIBUTOR: RLJ Entertainment

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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