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‘John Wick: Chapter 3 – Parabellum’ Rips and Tears to New Action Heights

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Wick

Some people want enormous showdowns featuring their favorite Marvel characters, I on the other hand wait with anticipation to see someone give John Wick a gun. And boy does he get a gun or two in the runtime of John Wick: Chapter 3 – Parabellum.

The story takes off like a bullet from where John Wick 2 left off. Wick is running through the streets of NY making strategic moves to assist in his upcoming excommunicado sentence, during which he will receive no assistance from anyone under The High Table. As Wick fans recall, Wick broke some very important rules on Continental grounds that lead to an impending contract on his life.

The film takes no time getting into the nitty-gritty world of headshots and and constantly cool choreographed violence. This time however, Wick is up against the clock and in constant survival mode as opposed to his usual just and vengeful self. The Baba Yaga’s biggest enemy this time around is time itself.

Director, Chad Stahelski brings that trademark flare back to the Wick series once again. Combining the genius and timing of Buster Keaton with masterful martial arts and gun-fu of East meets West. This time around, Stahelski steers heavily into inspiration from High Noon, complete with homages to clocks ticking down to inevitable final moments and subsequent consequential action. Stahelski elevates his already deep understanding of the language of cinema and generously gives us the action we have come to expect from the series and then raises the bar he set.

Wick’s nemesis this time around lies in the deadly hands of Mark Dacascos, who brings a very interesting take on his approach to lethal assassin, Zero. Dacascos is the real deal in the world of martial arts and that lends to his character here with his precise approach to action. The interesting thing that Dacascos does here is to turn his character into a genuine John Wick fanboy. Sure, he needs to kill Wick, but that doesn’t stop his childlike wonder while attempting it. The third act moments between Zero and Wick are well-done outright hilarious.

Wick

Through a series of events, I will avoid spoiling, Wick ends up partnered with Sofia (Halle Berry) in a some sequences that viciously doubles the action of what we have seen in previous John Wick films. What you have to remember, especially during these scenes, is that they are doing all this shit for real. Reeves and Berry unleash a slew of bullets paired with an intense duo of dogs who in turn unleash their own hell onto the baddies. The result is bloody and magical. The stunt work that went into this stuff is fuckin’ legendary and I’m still in complete awe.

Reeves is Wick. Wick is Reeves. The dude pours himself into the role once again and has a profound understanding of exactly what to bring to Stahelski’s table of action. Well-versed in gun fu and kung fu and everything in between, Reeves is a craftsman whose blood, sweat and tears lies in each frame of the film to mesmerizing results.

One of the best things about this series outside of the outstanding action has always been the world that John Wick created from the get go. Secret code, double speak, gold coins, keys and an underground that we hadn’t seen previous to these films is absolutely rich. Chapter 3 takes us further down that alluring rabbit hole. New locations, characters and big and game changing reveals are made throughout, never taking away from action set pieces.

While a lot of action films are just that. The rich world of John Wick is busting at the seams with symbolism. The historical, philosophical and even religious undertones are everywhere and throughout. This time around that substance is capitalized on with bits of those symbols bleeding into the narrative to satisfying and well earned results.

For me it is hard to rate any of the Wick films. They are all equally fantastic and I’ve loved every single badass second with them. From start to finish this series has been a masterpiece and we are lucky enough to have witnessed it. Wick maintains the lightning in the bottle sensation that It has always been and still promises more of this vicious ballet, and I for one am entirely here for that.

‘John Wick: Chapter 3 – Parabellum’ is out now in theaters.

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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