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iHorror Reflects on Stephen King’s works

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Today we celebrate Stephen King’s 70th birthday!  It has been 43 years since his first novel, Carrie, was published in 1974 and he is still making readers and movie goers alike terrified to this day.  It seems King only gains more and more popularity as years roll on.  Whether it’s a new novel or a novel to movie adaptation King’s name is always on the lips of horror fans, and this year is no exception!  With the remake of IT, Netflix’s release of Gerald’s Game on September 29th, and the first installment of The Dark Tower series which hit theaters earlier this summer, this has certainly been the year of Stephen King!

It nearly came to a bout of fisticuffs when the writers here at iHorror realized it was the Godfather of Horror’s birthday, and who would be the lucky one to cover the event?  However, I can happily report without spilling a single blood drop we peacefully decided to all share why we love King by detailing a piece that has shaped not only our love of the genre, but also horror culture as we know it today.

Enjoy our selections from the iHorror family!

iHorror writer Justin Eckert tells us like why he loves Stephen King’s novel The Shining.

While this may come as no big surprise, Stephen King is one of my favorite authors, and not just for his work in the horror genre. King has been the mastermind behind several of my favorite books including The Shining. Everything from the description of the Overlook Hotel, to the slow transformation of Jack into a monster, are so efficient in creating a mental image that will leave long lasting scars on the reader.

While Danny and Wendy are both equally important characters, King’s writing had truly resonated with me while Jack took center stage. As a recovering alcoholic Jack tries desperately to prove his love and dedication to both his wife and young son. Unfortunately his weaknesses are exploited by the evil that calls the Overlook their home.

Even after four decades since the book’s release The Shining can still scare new readers thanks to its use of an oppressive atmosphere, memorable characters and shocking moments, and finally an antagonist who you can’t help but to pity by the time you turn the final pages of the novel. The Shining is a story of love, insanity, and in its final moments, redemption.

iHorror writer James Jay Edwards tells us why he loves the film adaptation Cujo based off of Stephen King’s book of the same title.

There are two mains reasons why I love Cujo.  First, it has the most sympathetic antagonist of any horror movie I have ever seen.  I’m a big dog lover (and I mean BIG dogs – I have a 90 pound boxer), and although the book develops the character of the pre-rabies Cujo much better, the movie still does a great job at turning the big fluffy cuddler into a foaming, snarling monster.

The second reason is the performance of everyone’s favorite horror mom Dee Wallace.  The fierce protective spirit that Wallace embodies when her son’s life is at stake makes her the perfect foil to the mad dog.  It’s the unstoppable force of a huge rabid Saint Bernard against the immovable object of a mother’s love for her child, and that triggers the kind of emotional response that a lot of movies these days don’t get from me.  And I love it.

iHorror writer D.D. Crowley tells us why she loves the movie Creepyshow.

As I admitted in my most recent ‘Late to the Party’, I am not the most schooled in the ways of King, but there was one movie that I have loved since I was a child. When I was about 6-years-old I saw the movie Creepshow.

I loved how it looked like a comic book, and it terrified me! There were so many cameos which added an element of fun to the horror.  Also, the fact that it was an anthology made it impossible to get bored as you watched the events unfold on the screen. It kept my attention as a child, and it still gives me the creeps (see what I did there) as an adult.

The style was unlike anything King had ever done before or since, and it was a co-op with George A. Romero, and as a Romero fan (R.I.P.) I was hooked. My favorite story during the anthology was the one that King himself starred in. A lone yokel hears a meteor fall from the sky one night. He goes and touches it for some damn reason, and all of a sudden grass starts growing anywhere he touched the meteor, then anything he touched afterward. His acting was great and the story was silly. I loved it! The cockroach installment on the other hand is my worst nightmare, and I still can’t watch it without turning away.

iHorror writer Piper Minear tells us why she loves the novel Pet Sematary.

The beauty behind many of the Stephen King books I have read is that the most horrifying aspects aren’t necessarily the monsters under your bed or hiding in your closet, but the flesh and blood human characters that are put in extraordinary situations with the supernatural or paranormal.

In Pet Sematary Louis Creed is given a very real world problem when his daughter’s beloved cat Church dies while she is away, but instead of letting her deal with the natural process of grief we, something we all must learn to accept, he chooses to spare her of that pain.  Unlike the rest of us, he actually has a tool at his disposal to bring her cat back and prevent her from experiencing those feelings.  By burying Church in the sour ground of the Native American burial site he can bring the beloved pet back.  However, in time he realizes the cat doesn’t come back right.

He then tries again with his son to spare his family from the pain of losing their toddler who died in a horrible accident.  Yet once again his son, Gage, is not the same little boy he was in life.  Something is wrong, something inside his brain has changed, and all he wants is to kill.  By now creed is dissolving into his own insanity and desperation and when his wife is killed at the hands of her son that Creed brought back from the dead he once again takes her to the cursed ground to bring her back.

The reason this movie resonates so deeply with me is because initially Creed makes the most selfish of decisions for the best of intentions, but as they say “the road to hell is paved with good intentions,” and hell is exactly where Creed is headed as the book progresses.  However, he is much to deluded in his own intentions and selfish goals to realize that sometimes dead is better.

 

iHorror writer Shaun Horton tells us why he loves the Stephen King novel Salem’s Lot.

Vampires have existed in fiction for well over a hundred years now, stretching back to John Palidori’s The Vampyre, published in 1819. In all that time, they’ve morphed into tragic heroes, romantic lovers, and even managed to…sparkle?

No. Real vampires are supposed to be scary. They stalk you in the dead of night, their bite draining you of blood and transforming you into one of them, doomed to wander in search of people to feed on yourself. That means stories like Nosferatu, Dracula, and Stephen King’s masterpiece, Salem’s Lot.

Only King’s second novel, Salem’s Lot, is his take on the story of Dracula and vampires, introducing them to the new world through the small town of Jerusalem’s Lot, Maine. The story is focused on Ben Mears, who returns to Jerusalem’s Lot years after leaving as a child to write a book about the abandoned mansion call the Marsten House. Arriving at the same time is an Austrian immigrant by the name of Kurt Barlow. Not long after people start disappearing, then reappearing in the dark depths of the night, thirsting for the blood of their family, friends, and community members. It falls on Ben, Susan Norton, a college grad, Father Callahan, and a young boy by the name of Mark Petrie to discover the source of the evil and battle it.

Salem’s Lot isn’t just my favorite. The year after it was released, in 1976, it was nominated for the World Fantasy Best Novel award. Stephen King even said himself in an interview with Playboy in 1983 that it was his favorite. (In an interview with Rolling Stone in 2014, though, his answer changed to Lisey’s Story.) It also regularly breaches the top five in lists of King’s best works, and has over 80,000 five star reviews on the book review site Goodreads.com.

This is more than just a horror novel about vampires. It’s a time capsule of classic Americana, at least before the vampires overrun the town, and an example of a book which is nearly perfect on all the cylinders of plot, characterization, and description. It’s an example of some of the best that writing can be, and a book that anyone with any interest at all in horror or vampires should read.

If you disagree, I hope little Danny Glick comes tapping on your window in the dark of night. He’ll be able to convince you far better than I.

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Thrills and Chills: Ranking ‘Radio Silence’ Films from Bloody Brilliant to Just Bloody

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Radio Silence Films

Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

#1. Abigail

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.

Abigail

#2. Ready or Not

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

Ready or Not

#3. Scream (2022)

While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Scream (2022)

#4 Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

Southbound

#5. V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

V/H/S

#6. Scream VI

Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

Scream VI

#7. Devil’s Due

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.

Devil’s Due

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Perhaps the Scariest, Most Disturbing Series of The Year

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You may have never heard of Richard Gadd, but that will probably change after this month. His mini-series Baby Reindeer just hit Netflix and it’s a terrifying deep dive into abuse, addiction, and mental illness. What is even scarier is that it’s based on Gadd’s real-life hardships.

The crux of the story is about a man named Donny Dunn played by Gadd who wants to be a stand-up comedian, but it’s not working out so well thanks to stage fright stemming from his insecurity.

One day at his day job he meets a woman named Martha, played to unhinged perfection by Jessica Gunning, who is instantly charmed by Donny’s kindness and good looks. It doesn’t take long before she nicknames him “Baby Reindeer” and begins to relentlessly stalk him. But that is just the apex of Donny’s problems, he has his own incredibly disturbing issues.

This mini-series should come with a lot of triggers, so just be warned it is not for the faint of heart. The horrors here don’t come from blood and gore, but from physical and mental abuse that go beyond any physiological thriller you may have ever seen.

“It’s very emotionally true, obviously: I was severely stalked and severely abused,” Gadd said to People, explaining why he changed some aspects of the story. “But we wanted it to exist in the sphere of art, as well as protect the people it’s based on.”

The series has gained momentum thanks to positive word-of-mouth, and Gadd is getting used to the notoriety.

“It’s clearly struck a chord,” he told The Guardian. “I really did believe in it, but it’s taken off so quickly that I do feel a bit windswept.”

You can stream Baby Reindeer on Netflix right now.

If you or someone you know has been sexually assaulted, please contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673) or go to rainn.org.

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The Original ‘Beetlejuice’ Sequel Had an Interesting Location

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beetlejuice in Hawaii Movie

Back in the late ’80s and early ’90s sequels to hit movies weren’t as linear as they are today. It was more like “let’s re-do the situation but in a different location.” Remember Speed 2, or National Lampoon’s European Vacation? Even Aliens, as good as it is, follows a lot of the plot points of the original; people stuck on a ship, an android, a little girl in peril instead of a cat. So it makes sense that one of the most popular supernatural comedies of all time, Beetlejuice would follow the same pattern.

In 1991 Tim Burton was interested in doing a sequel to his 1988 original, it was called Beetlejuice Goes Hawaiian:

“The Deetz family moves to Hawaii to develop a resort. Construction begins, and it’s quickly discovered that the hotel will be sitting on top of an ancient burial ground. Beetlejuice comes in to save the day.”

Burton liked the script but wanted some re-writes so he asked then-hot screenwriter Daniel Waters who had just got done contributing to Heathers. He passed on the opportunity so producer David Geffen offered it to Troop Beverly Hills scribe Pamela Norris to no avail.

Eventually, Warner Bros. asked Kevin Smith to punch up Beetlejuice Goes Hawaiian, he scoffed at the idea, saying, “Didn’t we say all we needed to say in the first Beetlejuice? Must we go tropical?”

Nine years later the sequel was killed. The studio said Winona Ryder was now too old for the part and an entire re-cast needed to happen. But Burton never gave up, there were a lot of directions he wanted to take his characters, including a Disney crossover.

“We talked about lots of different things,” the director said in Entertainment Weekly. “That was early on when we were going, Beetlejuice and the Haunted MansionBeetlejuice Goes West, whatever. Lots of things came up.”

Fast-forward to 2011 when another script was pitched for a sequel. This time the writer of Burton’s Dark Shadows,  Seth Grahame-Smith was hired and he wanted to make sure the story wasn’t a cash-grabbing remake or reboot. Four years later, in 2015, a script was approved with both Ryder and Keaton saying they would return to their respective roles. In 2017 that script was revamped and then eventually shelved in 2019.

During the time the sequel script was being tossed around in Hollywood, in 2016 an artist named Alex Murillo posted what looked like one-sheets for a Beetlejuice sequel. Although they were fabricated and had no affiliation with Warner Bros. people thought they were real.

Perhaps the virality of the artwork sparked interest in a Beetlejuice sequel once again, and finally, it was confirmed in 2022 Beetlejuice 2 had a green light from a script written by Wednesday writers  Alfred Gough and Miles Millar. The star of that series Jenna Ortega signed on to the new movie with filming starting in 2023. It was also confirmed that Danny Elfman would return to do the score.

Burton and Keaton agreed that the new film titled Beetlejuice, Beetlejuice wouldn’t rely on CGI or other other forms of technology. They wanted the film to feel “handmade.” The film wrapped in November 2023.

It’s been over three decades to come up with a sequel to Beetlejuice. Hopefully, since they said aloha to Beetlejuice Goes Hawaiian there has been enough time and creativity to ensure Beetlejuice, Beetlejuice will not only honor the characters, but fans of the original.

Beetlejuice, Beetlejuice will open theatrically on September 6.

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