News

Fantastic Fest Second Wave Brings ‘Halloween’ with Jamie Lee Curtis in Attendance

Published

6 years ago

August 22, 2018

Fantastic Fest’s first wave announcement was stellar with awesome titles like J.J. Abram’s Overlord and Gareth Evans’ Apostle. Our minds were already about to implode from innate excitement. The second wave announcement pretty much solidifies the suspicion that Fantastic Fest programmers are trying to destroy us through pure joy.

For starters, Halloween is set for opening night with none other than Jamie Lee Curtis in attendance to talk all things Shape. Added to that, Jeremy Saulnier’s Hold the Dark is looking to blow our fandom fuses out, considering his last film Green Room rocked audiences at FF a couple of years back and remains one of my all time fave genre films.

High on my list of anticipation is Deadly games with director René Manzor in attendance. This French gem is intense. This is Home Alone meets Saw in a bloody home invasion thriller that has a little kid setting up traps to try to thwart a demented Santa Clause’s plans of slaughtering the poor lad on X-mas. It’s amazing, and seriously shouldn’t be missed.

“2018 is proving to be a remarkable year for genre cinema. It is a constant delight to be able to discover both seasoned directors and newcomers pushing the boundaries of what genre can mean, using cinematic language to bring incisive, intelligent commentary on the current state of the world and still find enough ingenious methods to terrify, thrill and twist! This second wave represents the best genre filmmaking talent on the planet, and it is all crashing into Austin next month!” said Festival Creative Director, Evrim Ersoy.

Tons here to be excited about folks! Check out the full second wave list below and head over to fantasticfest.com to attend Fantastic Fest 2018.

THE ANGEL

Argentina, Spain, 2018

US Premiere, 120 min

Director – Luis Ortega

In 1971 Argentina, Carlitos is a baby-faced youth whose good looks match his confident swagger. Carlitos’ passion is stealing; the things he covets, he takes. But when he meets Ramon at his school, he embarks on his true calling: armed robberies and violent crimes.

THE BASTARDS’ FIG TREE

Spain, 2017

Texas Premiere, 103 min

Director – Ana Murugarren

In Attendance – Director Ana Murugarren and Producer Joaquin Trincado

In Ana Murugarren’s whimsical THE BASTARDS’ FIG TREE, a fascist soldier in the Spanish Civil War becomes a fig-tree obsessed hermit after looking into the vengeful eyes of a young boy whose father and brother he had violently executed.

BLOODLINE

USA, 2018

World Premiere, 95 min

Director – Henry Jacobson

In Attendance – Director Henry Jacobson, Actor Seann William Scott, Producer Adam Hendricks, and Writer Avra Fox-Lerne

Evan (Seann William Scott) values family above all else, and anyone who gets between him, his wife, and newborn son learns that the hard way. But when it comes to violent tendencies, it seems the apple doesn’t fall far from the tree.

THE BOAT

Malta, United Kingdom, 2018

World Premiere, 89 min

Director – Winston Azzopardi

In Attendance – Director/Co-Writer Winston Azzopardi and Actor/Co-Writer Joe Azzopardi

A lone fisherman on his daily run finds himself lost in a thick fog which proves impossible to navigate. The worst is yet to come when his encounter with a seemingly abandoned sailboat becomes a fight for survival against an enemy unknown.

BORDER

Sweden, Denmark, 2018

Texas Premiere, 108 min

Director – Ali Abbasi

When a border guard with a sixth sense for identifying smugglers encounters the first person she cannot prove is guilty, she is forced to confront terrifying revelations about herself and humankind.

CHAINED FOR LIFE

USA, 2018

Regional Premiere, 91 min

Director – Aaron Schimberg

In Attendance – Director Aaron Schimberg and Producer Vanessa McDonnell

Mabel (Jess Weixler, TEETH) and Rosenthal (Adam Pearson, UNDER THE SKIN) – both hired for their looks – meet on the set of a horror movie in this surreal examination of how those with physical differences are portrayed on film.

CLIMAX

France, 2018

US Premiere, 96 min

Director – Gaspar Noé

Consistent provocateur Gaspar Noé outdoes himself with his latest feature CLIMAX, a trippy horror-musical featuring twenty sensuous dancers partying hard and living their best lives, until a bad batch of sangria plunges them into insanity.

DEADLY GAMES

France, 1990

North American Premiere, 90 min

Director – René Manzor

In Attendance – René Manzor

DEADLY GAMES (3615 CODE PÈRE NOËL) is the terror version of HOME ALONE. A 9-year old kid in his house, tormented by a demented Santa Claus, fights for his survival by setting traps. Christmas will never be the same again.

DOGMAN

Italy, France, 2018

Texas Premiere, 102 min

Director – Matteo Garrone

Marcello is a gentle dog groomer whose tumultuous friendship with violent neighbourhood thug Simone engulfs him in a violent series of events that will leave him forever scarred.

DONNYBROOK

USA, 2018

US Premiere, 101 min

Director – Tim Sutton

In Attendance – Tim Sutton

Frank Grillo and Jamie Bell are just two of the desperate men and women headed for “The Donnybrook” – a no-holds-barred bare-knuckle fight contest with a $100,000 prize – in this midwestern gothic journey into a heartland of darkness.

DRUG STORIES! NARCOTIC NIGHTMARES AND HALLUCINOGENIC HELLRIDES, FEATURING THE TRIP BACK – PRESENTED BY AGFA AND SOMETHING WEIRD

USA, 2018

World Premiere, 80 min

In Attendance – Something Weird Video’s Lisa Petrucci

AGFA and Something Weird present a compilation of classroom scare films about boozers, users and losers, all in brand new 2K preservations and featuring the legendary anti-drug diatribe known as THE TRIP BACK.

FERAL

Mexico, 2018

World Premiere, 97 min

Director – Andrés Kaiser

In Attendance – Andrés Kaiser

The mountains of Oaxaca harbor the remains of a ravaged and burnt shelter, once home to a psychoanalyst priest who used it to look after savage children, trying to re-integrate them into society. Through videotape diaries and interviews, the truth of what happened is shockingly revealed.

FP2: BEATS OF RAGE

USA, 2018

World Premiere, 89 min

Director – Jason Trost

In Attendance – Jason Trost

JTRO gave Frazier Park everything he had, but his challenges aren’t over. Now he must journey into the destruction of The Waste to rekindle the passion he needs to win the ultimate Beat-Beat Revelation tournament and fulfill his destiny.

GIRLS WITH BALLS

France, Belgium, Luxembourg, Spain, 2018

World Premiere, 77 min

Director – Olivier Afonso

After winning a competition, a women’s volleyball team heads home aboard their minibus. Forced to take a shortcut, they end up at a tavern where they upset the local degenerate rednecks… and then the hunt begins.

HALLOWEEN

USA, 2018

US Premiere, 105 min

Director – David Gordon Green

In Attendance – Jamie Lee Curtis and Producers Malek Akkad, Jason Blum and Bill Block

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

HOLD THE DARK

USA, 2018

US Premiere, 125 min

Director – Jeremy Saulnier

In- Attendance – Director Jeremy Saulnier and Co-Writer/Actor Macon Blair

A gripping psychological thriller unfolds in the treacherous Alaskan wilderness when a retired wolf expert is summoned to investigate a child’s disappearance.

IN FABRIC

United Kingdom, 2018

US Premiere, 118 min

Director – Peter Strickland

Peter Strickland (THE DUKE OF BURGUNDY; BERBERIAN SOUND STUDIO) returns to Fantastic Fest in full, flourishing style with IN FABRIC, a film that’s part surreal thriller, part giallo love letter, part fashion collage, and all hypnotic originality.

THE INNOCENT

Switzerland, Germany, 2018

US Premiere, 113 min

Director – Simon Jaquemet

In this dark and fantastical tale about religion versus science and good versus evil, a woman’s faith is being tested as her ex-lover reappears in her life after twenty years in jail.

KNIFE + HEART

France, 2018

North American Premiere, 102 min

Director – Yann Gonzalez

In Attendance – Director Yann Gonzalez

In Yann Gonzalez’s second feature, a masked serial killer stalks a producer and her film company in this love letter to European giallo, American grindhouse cinema, and ’70s gay porn.

MAY THE DEVIL TAKE YOU

Indonesia, 2018

North American Premiere, 110 min

Director – Timo Tjahjanto

At her father’s deathbed, Alfie learns that she and her family must give the Devil his due when he comes to collect on the pact made years before in this electrifying horror film from Indonesian master storyteller Timo Tjahjanto.

SAVAGE

France, 2018

World Premiere, 83 min

Director – Vincent Mariette

In Attendance – Director Vincent Mariette

Summer is in full swing and men are going missing. People are talking about a leopard on the loose in the area. A mysterious horror writer is in the bungalow next door. And Laura’s most disturbing summer has only just begun.

THE STANDOFF AT SPARROW CREEK

USA, 2018

US Premiere, 88 min

Director – Henry Dunham

Over the course of one grueling night, a militia tears itself apart as it searches for the perpetrator of a mass shooting among its own.

STARFISH

United Kingdom, USA, 2018

World Premiere, 99 min

Director – A.T. White

A girl. A mixtape. And Armageddon. A uniquely honest portrayal of loss as a young woman struggles with the death of her best friend while dealing with the horrific Lovecraftian end of the world, driven by a beautiful indie music soundtrack.

SUDDEN FURY

Canada, 1975

World Premiere of New Restoration, 91 min

Director – Brian Damude

When a well-intentioned bystander rushes to the scene of a violent car wreck, he finds himself embroiled in a hot mess of desperate homicide in this wickedly taut and unpredictable thriller, recently rescued from Canadian obscurity and restored by exploitation video label Vinegar Syndrome.

TUMBBAD

India, 2018

US Premiere, 108 min

Directors – Rahi Anil Barve & Adesh Prasad

In Attendance – Co-Director/Writer Adesh Prasad

In the rural village of Tumbbad, a decaying castle hides an immeasurable ancestral fortune guarded by something ancient, sinister, and monstrous. Vinayak thinks he can control it, but how long will it be until his own greed destroys everything he’s built?

'Civil War' Review: Is It Worth Watching?

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News

‘Blink Twice’ Trailer Presents a Thrilling Mystery in Paradise

Published

3 mins ago

April 24, 2024

Timothy Rawles

A new trailer for the movie formerly known as Pussy Island just dropped and it has us intrigued. Now with the more restrained title, Blink Twice, this Zoë Kravitz-directed black comedy is set to land in theaters on August 23.

The film is packed with stars including Channing Tatum, Naomi Ackie, Alia Shawkat, Simon Rex, Adria Arjona, Haley Joel Osment, Christian Slater, Kyle MacLachlan, and Geena Davis.

The trailer feels like a Benoit Blanc mystery; people are invited to a secluded location and disappear one by one, leaving one guest to figure out what is going on.

In the film, a billionaire named Slater King (Channing Tatum) invites a waitress named Frida (Naomi Ackie) to his private island, “It’s paradise. Wild nights blend into sun-soaked days and everyone’s having a great time. No one wants this trip to end, but as strange things start to happen, Frida begins to question her reality. There is something wrong with this place. She’ll have to uncover the truth if she wants to make it out of this party alive.”

'Civil War' Review: Is It Worth Watching?

Movies

Melissa Barrera Says ‘Scary Movie VI’ Would Be “Fun To Do”

Published

55 mins ago

April 24, 2024

Timothy Rawles

Melissa Barrera might literally get the last laugh on Spyglass thanks to a possible Scary Movie sequel. Paramount and Miramax are seeing the right opportunity to bring the satirical franchise back into the fold and announced last week one might be in production as early as this fall.

The last chapter of the Scary Movie franchise was almost a decade ago and since the series lampoons thematic horror movies and pop culture trends, it would seem they have a lot of content to draw ideas from, including the recent reboot of slasher series Scream.

Barerra, who starred as final girl Samantha in those movies was abruptly fired from the latest chapter, Scream VII, for expressing what Spyglass interpreted as “antisemitism,” after the actress came out in support of Palestine on social media.

Even though the drama wasn’t a laughing matter, Barrera might get her chance to parody Sam in Scary Movie VI. That is if the opportunity arises. In an interview with Inverse, the 33-year-old actress was asked about Scary Movie VI, and her reply was intriguing.

“I always loved those movies,” the actress told Inverse. “When I saw it announced, I was like, ‘Oh, that would be fun. That would be so fun to do.’”

That “fun to do” part could be construed as a passive pitch to Paramount, but that’s open to interpretation.

Just like in her franchise, Scary Movie also has a legacy cast including Anna Faris and Regina Hall. There is no word yet on if either of those actors will appear in the reboot. With or without them, Barrera is still a fan of the comedies. “They have the iconic cast that did it, so we’ll see what goes on with that. I’m just excited to see a new one,” she told the publication.

Barrera is currently celebrating the box office success of her latest horror movie Abigail.

'Civil War' Review: Is It Worth Watching?

Lists

Thrills and Chills: Ranking ‘Radio Silence’ Films from Bloody Brilliant to Just Bloody

Published

18 hours ago

April 23, 2024

Timothy Rawles

Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

#1. Abigail

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.

Abigail

#2. Ready or Not

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

Ready or Not

#3. Scream (2022)

While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Scream (2022)

#4 Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

Southbound

#5. V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

V/H/S

#6. Scream VI

Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

Scream VI

#7. Devil’s Due

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.