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Fantastic Fest 2018 Brings ‘Overlord’ And More With Its First Wave Lineup

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Fantastic

It’s that particularly magical time of year again when dark forces begin to culminate behind the scenes in Austin TX, to create the jaw dropping, bone rattling genre film festival that is Fantastic Fest.

This year’s first wave announcement exceeds expectation with inclusion of the much-anticipated, and J.J. Abrams produced, OVERLORD along with the folklore terror that is Gareth Evans’ APOSTLE.

Along with those beautiful genre announcements, comes surprises in the form of a very special 4K restoration of the Bill Lustig, blood-soaked and mannequin-filled MANIAC. And the Argentinian scare-fest that is TERRIFIED.

It’s a heck of an lineup that also features a couple of highly-praised films coming out of Fantasia Fest in the form of LUZ and some awesome AGFA screenings for BLOOD LAKE, I WAS A TEENAGE SERIAL KILLER and MARY JANE’S NOT A VIRGIN ANYMORE.

Get a look at the full first wave list below, and head over to Fantastic Fest to get your badges before they are all gone.

Fantastic Fest 2018 will be held in Austin, TX from Sept. 20-27 at Alamo Drafthouse South Lamar.

 

APOSTLE

United Kingdom, 2018

World Premiere, 129 min

Director – Gareth Evans

The year is 1905. Thomas Richardson travels to a remote island to rescue his sister after she’s kidnapped by a mysterious religious cult demanding a ransom for her safe return. It soon becomes clear that the cult will regret the day it baited this man, as he digs deeper and deeper into the secrets and lies upon which the commune is built.

Fantastic

BAN GEUM-RYEON

South Korea, 1981

Regional Premiere, 90 min

Director – Kim Ki-young

From Park Chan-wook’s idol comes a twisted tale of lecherous lords and murderous mistresses. Presented outside of Korea for only the second time, Kim Ki-young’s masterpiece BAN GEUM-RYEON is a lush smorgasbord from Korea’s most demented cinematic mind.

 

AGFA and BLEEDING SKULL PRESENT: BLOOD LAKE

USA, 1987

World Premiere of New Preservation, 82 min

Director – Tim Boggs

The finest vacation from hell ever captured on VHS, rescued from the original 1″ master tapes!

 

BURNING

South Korea, 2018

Texas Premiere, 148 min

Director – Lee Chang-dong

Lee Chang-dong’s latest triumph weighs the delicate balance between creation and destruction as a writer runs into an old classmate who gets him caught up in a mystery bigger than both of them.

Fantastic

CAM

USA, 2018

US Premiere, 94 min

Director – Daniel Goldhaber

In Attendance – Writer/Producer Isa Mazzei

Alice is a camgirl with principles. She doesn’t do public shows, she doesn’t tell her fans she loves them, and she doesn’t fake her orgasms. But when a mysterious lookalike takes over her channel, the rules no longer apply.

 

DOG

France, 2017

US Premiere, 87 min

Director – Samuel Benchetrit

A dark fable about loneliness, perfectly illustrated by Jacques Blanchot’s loss of humanity and slow transformation into a dog. Director Samuel Benchetrit shares a subtle commentary on our current world, and its social, interpersonal, and political issues.

 

AN EVENING WITH BEVERLY LUFF LINN

USA, 2018

Texas Premiere, 108 min

Director – Jim Hosking

Fantastic Fest alumni director Jim Hosking (THE GREASY STRANGLER; RENEGADES) is back with a second feature as absurd, crazy, and funny as his first. Follow Lulu Danger’s very own revolution in a Lynch-meets-Waters run-down version of America.

 

THE GUILTY

Denmark, 2018

Austin Premiere, 85 min

Director – Gustav Möller

A horrific crime; an emergency responder struggling to stay off the edge; a kidnapping victim calling in for help. This is all we’re going to tell you about first-time feature filmmaker Gustav Möller’s unmissable and gripping debut thriller.

 

HOLIDAY

Denmark, The Netherlands, Sweden, Turkey, 2018

Texas Premiere, 93 min

Director – Isabella Eklöf

The sun-drenched dream of the eponymous summer vacation has its dark side revealed in Isabella Eklöf’s powerful debut feature HOLIDAY, an unforgettable exploration of the fraught, brutal experience of young womanhood.

 

HOUSE OF SWEAT AND TEARS

Spain, 2018

World Premiere, 104 min

Director – Sonia Escolano

In Attendance – Director Sonia Escolano

“She,” the leader of a violent cult, rules her flock with an iron fist to ensure they never stray from the path. But a series of events and a mysterious outsider threaten the pattern of their reality in this electrifying exploration of faith and belief.

 

AGFA PRESENTS: I WAS A TEENAGE SERIAL KILLER

USA, 1993

World Premiere of New Restoration, 27 min

Director – Sarah Jacobson

Sarah Jacobson’s punk-spirited DIY films combine B-movie aesthetics and riot grrrl feminism in brand new 2K preservations.

Fantastic

KEEP AN EYE OUT

France, 2018

North American Premiere, 73 min

Director – Quentin Dupieux

An absurd all-night interrogation set in a camp ’70s police station, Quentin Dupieux’s latest opus, KEEP AN EYE OUT, is a celebration of his own brand of quirky, offbeat humor, performed by France’s most refreshing comedic talents.

 

LADYWORLD

USA, 2018

US Premiere, 93 min

Director – Amanda Kramer

In Attendance – Director Amanda Kramer and Actor/Co-Editor/Production Designer Noel David Taylor

In Amanda Kramer’s daring low-budget debut LADYWORLD, a birthday party quickly devolves into chaos when a mysterious earthquake traps eight teenage girls alone in a house, challenging their friendships, identities, and eventually their grip on reality.

 

LAIKA

Czech Republic, 2017

Regional Premiere, 88 min

Director – Aurel Klimt

In Attendance – Director Aurel Klimt

This is the story of Laïka the space dog who, unlike in real life, did not die aboard Sputnik 2 in 1957. In this bizarre and charming stop-motion musical, Laïka crashes on a peculiar planet where she meets new friends.

Fantastic

LUZ

Germany, 2018

US Premiere, 70 min

Director – Tilman Singer

In Attendance – Director Tilman Singer

Luz enters a police station at night to report an assault. As the interrogation progresses, it becomes clear a demonic entity wants to possess her in this audacious, psychotropic horror film shot on 16mm.

 

MADAM YANKELOVA’S FINE LITERATURE CLUB

Israel, 2018

International Premiere, 90 min

Director – Guilhad Emilio Schenker

Desperate, aging, Sophie only needs to seduce one more handsome victim – excuse me, date – to become a worry-free Lordess in MADAM YANKELOVA’S FINE LITERATURE CLUB, Israeli director Guilhad Emilio Schenker’s delightfully twisted debut feature.

Fantastic

MANIAC

USA, 1980

World Premiere of New 4K Restoration, 88 min

Director – William Lustig

In Attendance – Director William Lustig

The 4K restoration of grindhouse auteur Bill Lustig’s 1980 slasher landmark features splatter SFX artist Tom Savini’s gnarliest work, as well as one of horror’s finest, sweatiest performances from legendary character actor/co-writer Joe Spinell.

 

AGFA PRESENTS: MARY JANE’S NOT A VIRGIN ANYMORE

USA, 1997

World Premiere of New Restoration, 98 min

Director – Sarah Jacobson

Sarah Jacobson’s punk-spirited DIY films combine B-movie aesthetics and riot grrrl feminism in brand new 2K preservations.

 

MURDER ME, MONSTER

Argentina, France, Chile, 2018

North American Premiere, 109 min

Director – Alejandro Fadel

Visual horror masterpiece MURDER ME, MONSTER lures you into the fascinating and opaque underworld of serial murder, supernatural obsession, metaphysical hallucinations, forbidden love – and one nightmarishly gross monster.

 

THE NIGHT COMES FOR US

Indonesia, 2018

World Premiere, 121 min

Director – Timo Tjahjanto

A former triad enforcer must protect a young girl while trying to escape his former gang, setting off a violent battle on the streets of Jakarta.

Fantastic

 

THE NIGHT SHIFTER

Brazil, 2018

US Premiere, 110 min

Director – Dennison Ramalho

An attendant at a busy morgue who can also converse with the dead puts his loved ones in peril using his forbidden knowledge for vengeance in Dennison Ramalho’s (NINJAS; ABCS OF DEATH 2) twisted and gleefully icky feature debut.

 

ONE CUT OF THE DEAD

Japan, 2018

Texas Premiere, 96 min

Director – Shinichiro Ueda

A filmmaker sets out to shoot a zombie film in an abandoned factory, but something is lurking on the outside. Is it a zombie apocalypse or just another shoot gone wrong?

 

OPEN 24 HOURS

USA, Serbia, 2018

North American Premiere, 100 min

Director – Padraig Reynolds

In Attendance – Director Padraig Reynolds

A young woman who had previously set her serial killer boyfriend on fire is now seeking normalcy by getting a job working the overnight shift at a 24-hour convenience store, where things are most definitely not going to be normal.

Fantastic

OVERLORD

USA, 2018

World Premiere, TBD min

Director – Julius Avery

In Attendance – Director Julius Avery and cast including Jovan Adepo, Wyatt Russell, Pilou Asbaek, John Magaro, and Mathilde Ollivier

In the upcoming WWII horror-thriller OVERLORD, a group of American paratroopers drop into Nazi-occupied France on the eve of D-Day. As they struggle to carry out their seemingly impossible mission, they discover a secret Nazi lab carrying out terrifying and bizarre supernatural experiments.

 

PIERCING

USA, 2018

Texas Premiere, 81 min

Director – Nicolas Pesce

From the twisted mind of Nicolas Pesce (THE EYES OF MY MOTHER) comes a provocative two-hander chamberpiece – a tense battle of wits and desire between prostitute and trick, predator and prey.

QUIT YOUR LIFE

South Korea, 1971

North American Premiere, 82 min

Director – Park Nou-sik

Presented in English for the first time, actor-director Park Nou-sik balances the scales of justice as he stalks around Korea with his noose of judgment in the relentless revenge drama QUIT YOUR LIFE.

 

SCHOOL’S OUT

France, 2018

North American Premiere, 103 min

Director – Sébastien Marnier

In this dread-soaked cerebral thriller, a handsome young substitute teacher gets in over his head when taking on a class of gifted students after their former teacher’s dramatic in-class suicide.

Fantastic Fest

TERRIFIED

Argentina, 2017

US Premiere, 87 min

Director – Demián Rugna

In Attendance – Director Demián Rugna

Strange things are going on in a Buenos Aires neighborhood. Demián Rugna’s constantly surprising and truly spine-chilling horror film has one goal: to scare the shit out of everyone.

 

THE UNTHINKABLE

Sweden, 2018

World Premiere, 129 min

Director – Crazy Pictures

Something unthinkable is happening in Sweden. It starts with a few isolated incidents but suddenly, it’s all over the country. There are some who were prepared and others who weren’t. Ready or not, things will go out with a bang!

 

VIOLENCE VOYAGER

Japan, 2018

Regional Premiere, 83 min

Director – Ujicha

En route to visit a friend in another village, two kids go looking for a fabled shortcut through the mountain. Instead, they stumble upon an amusement park called Violence Voyager, and that’s when everything goes to shit.

 

WHEN THE TREES FALL

Ukraine, Poland, Macedonia, 2018

North American Premiere, 88 min

Director – Marysia Nikitiuk

In Attendance – Director Marysia Nikitiuk

Scar and Larysa are desperately in love and suffocating under the tradition and archaic demands of their Ukrainian village. When the frustrations of each finally detonate, their world and the lives of those surrounding them are tragically shattered.

Fantastic

THE WOLF HOUSE

Chile, 2018

North American Premiere, 73 min

Directors – Cristóbal León & Joaquín Cociña

In Attendance – Director Cristóbal León

An animated tale, supposedly restored from the archives of a German colony by the Chilean government, THE WOLF HOUSE is the unsettling story of Maria, punished with a hundred nights alone in a cabin in the woods.

 

 

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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