Connect with us

News

A Return To 112 Ocean Avenue – An Interview With Diane Franklin.

Published

on

Returning to 112 Ocean Avenue I am sure was a dream for Diane Franklin but one that most never thought would come true. Interesting enough for those of you that are not aware, Diane played the eldest daughter in Amityville II: The Possession and now she plays the mother character (Louise DeFeo) in this new film, The Amityville Murders.

I was recently granted the opportunity speak to Diane about her role as Louise Defeo, which she does a remarkable job I must add, bringing her own taste to the character on how she believed Louise lived her life right before she met her demise on November 13th, 1974. This role is not only the most important role for Diane herself but her fans will also realize how important and instrumental Diane is to Amityville. I still cannot express how privileged I am to have had the opportunity to speak with her.

The Amityville Murders is now in theaters and available on VOD Streaming platforms.

Diane Franklin at the Red Carpet Premiere
 of The Amityville Murdersat the Screamfest film festival – October 2018.

Diane Franklin Interview

Ryan T. Cusick: Hi Diane.

Diane Franklin: Hi Ryan, how are you?

RTC: I’m good, how are you doing today?

DF: I am doing great, it has been a busy day.

RTC: Thank you so much for taking time out of your day to speak with me. This is really a treat.

DF: Aww, thank you. Do you know any of the stuff I have done?

RTC: Umm.. yes. But Amityville II is the top of the list.

DF: Well you know who else loves it? Quinton Tarantino. He is a big fan of that film. This is a very cool story, I have a cool story to tell you. Quinton Tarantino has a theatre called the Beverly… ummm…ummm…oh gosh, the Beverly, oh how could my mind escape me? Well he has a theatre and basic what happened was that he played Amityville II at the theatre and I went to do a Q&A and Daniel Farrands came in and saw the film. He was the writer and director of The Amityville Murders, that’s how we got the idea of having me perform in the movie. I didn’t know, I found out later, isn’t that amazing? Quinton was a fan and I was like “oh my goodness.”

RTC: Wow, yes that is amazing! Who made the decision to bring Burt Young back?

DF: Here is the great thing. We are starting to cast so I was probably the second person, they cast John Robinson who did an amazing job on the film, first. They were casting down the line and when they came to the grandparents it was a little later. Originally I didn’t say anything but the production company Skyline and Daniel came to me and said “what about Burt?” I said, “that is wonderful, I would love that!” I also suggested to get Rutanya [Alda] also who would have love to have done it but there was a complicated group of things and unfortunately couldn’t do it. I think that they couldn’t get her and she couldn’t do it, they couldn’t bring her. But we did get Burt and then we got Lainie [Kazan]. But oh my goodness, let me just tell you something. Have you seen the film?

From Left To Right – Steve Trzaska, Diane Franklin, for the Q&A for ‘The Amityville Murders’ at the Screamfest film festival – October 2018. Photo – Ryan T. Cusick of ihorror.com

RTC: Yes I did, I was very fortunate I got to see it at ScreamFest.

DF: Oh, nice. So that moment with Burt and I, it is so real, so heartfelt. And I am just so glad that I got it on screen because there is such a love for each other in the film like remembering the old times and I am just really grateful that was a really nice thing for them to want Burt to come in.

RTC: And then to have that birthday scene all over again and having the roles reversed was just amazing.

DF: [Excitingly] Yesss! Right? That was crazy having the birthday scene again. I am so glad that you said this, I am not sure if the audience knows this but for me to play the daughter Patricia Montelli which is essentially Dawn Defeo just the name was changed I guess for legal reasons, whatever. It really was the same story and for me to experience that from a daughter perspective and then a mother’s perspective was mind blowing. It was such a wonderful…you know, it was just crazy.

RTC: What a wonderful opportunity, amazing.

DF: I don’t really think that any other actress has done that, play the mother and then the daughter in the same story. I don’t think that’s ever happened.

RTC: This part was just made for you. I could tell watching you that this is the best work I have seen you in, I mean…I know it meant a lot to you.

DF: Yes, and thank you so much! I really think that it is worth people seeing. First off just being so happy to do it. A lot of times when an actor gets hired it is like, “okay now I am playing the mom” and your sort of filling in a hole and maybe adults don’t get some good juicy roles but I was very into it, I think the audience are going to be happy about it. For people now to see Amityville II and then see this, I think that they are going to be really happy.

From Left To Right – Steve Trzaska, Diane Franklin, Lucas Jarach, Daniel Farrands, at the Q&A for ‘The Amityville Murders’ at the Screamfest film festival – October 2018. Photo – Ryan T. Cusick of ihorror.com

RTC: Hopefully it makes people go back and revisit that movie or see it for the first time.

DF: Yeah. I want to say what is very interesting for me is that I teach kids and I was thinking, let’s say kids are older, teenagers they can watch the Amityville movie, they can watch them both. They can watch the one that just came out because it is not as graphic and I am happy about that because they can see my work and that is real nice. You can act as an older actress and to me that was one of the greatest things as well, I started so young, I started acting at ten years old. One of my dreams was that I love this career because you can act until you’re eighty, you an act your whole life. This is one of the thoughts I had, “oh this is great to be a role model for women to act in good juicy roles as you get older.”

RTC: What a great example of this, The Amityville Murders, you have come in for a complete circle.

DF: You know I will say another thing too. What is interesting is that I decided that I wanted to do horror and it is because I said to myself, “where are the good roles for women? Where are the juicy big parts?” Horror, that’s where those dramatic roles are. I went to horror to be able to do drama and it just fell into my lap, I just opened my mind to it and there it was, very interesting.

RTC: Yeah, and they go hand-in-hand. Did you find any challenges playing Louise DeFeo?

DF: Umm, yes. Well first of all it is sooo interesting that you say, “the role was fit for me” because when I got the script in the description it said “a big Italian mama” and I am like “oh my gosh I am not that person”, I mean that is not me physically, I am not tall, I am not big, how am I going to play this? When I went to the audition I had to say to myself, don’t…I mean in my head I was like I am not what they are looking for. Like in the back of my mind I thought, this is my one chance to be this character so I have to let that go and I’m just going to be it in the room and because of that I gave the best audition of my life. And it was. They clapped, everyone in that room – the casting director, the producers, the director, Daniel the director, he stood up and hugged me for a minute even crying saying, “you are my Louise, you are my Louise.” Oh, and I was crying – it was intense. So, I think what is exciting is when you’re an actress you can have those magic moments, it is just a question of how much you give in the room, you gotta give in the room. And you have to be right for the part, again here I am and I did not think I was right for the part and that was even more surprising. [Laughs]

RTC: I mean the way they did you up, especially with the hair, it looks a lot like her – if you look at the portrait.

Diane Franklin as Louise DeFeo in the ͞THE AMITYVILLE MURDERS͟ a horror film by Skyline Entertainment. Photo courtesy of Skyline Entertainment.

DF: [Excitingly] Yeah, that was another thing too I looked at it and I thought, “do I look like this woman?” There’s that great portrait of Louise Defeo and I really tried to get into the emotion where she was caring about her kids, I mean she was a well todo woman from Long Island. She had nice clothes, good nice jewelry, she was one of those people that I think being respectable, was very important to her. I at least played as if she loved her kids because I think to a certain extent…I mean she tried to keep that family together. I think in portraying her role I tried to embody her not with just looks but with emotion, where she was at in her head. I also did hear something quite interesting someone once said to me, a fan actually that Louise is actually related to Lady GaGa, which I thought was interesting.

RTC: Really?

DF: Distantly, there is some sort of connection which I thought was amazing. I found this out later but I was like that is even more interesting that this incident that happened in Long Island, in Amityville, has sooo much effect on the world in ways we don’t know.

RTC: And what a small world it is. Wow, very interesting.

DF: This story…that’s another thing. These people, you go to see movies that is one thing for entertainment and then there are movies that are like this – so rich and so deep in story, in acting, in the people who are in it and there is just so much of a nice background about this and everything comes from a place of love. The director loved the script and he worked so hard on it, it was the first film he directed and has so much respect for the entire family. He just took it to heart, Daniel Farrands.

RTC: And he knows so much about it. When I talked to him yesterday you’re the Wikipedia of Amityville.

DF: Yeah, he did the documentaries. Out of all the Amityville he’s the one that would know more than anything. I was just so excited to be a part of it – in full. Before I did this Amityville. I found out that originally Jennifer Jason Leigh did an Amityville and I knew someone that did sound on that and they said, “oh, I just did an Amityville with Jennifer Jason Leigh.” And that was years ago and I went, [sadly] ohhhhh, why didn’t they call me?”

Both: [Giggle]

DF: [Sadly] “oh they should have called I’m around the same age.” [Laughs] I remember thinking, “oh, oh well it is not going to happen.” It is so funny, years later that I play Louise.”

Diane Franklin as Louise DeFeo in the ͞THE AMITYVILLE MURDERS͟ a horror film by Skyline Entertainment. Photo courtesy of Skyline Entertainment

RTC: If Dan had another project lined up later on would you be interested in being a part of it?

DF: Oh my goodness, yes. I also love how he directs. I get so connected. He is, like, he is..I am trying to find the right words. He’s got a vision, he is very specific, and he is clear about his directing. His idea and vision I trust and I love how accurate…he wants everything to be just right and i love that in a director and we worked really well together. If he needs something I can bring it, you know…it was really really great. I would love to.

RTC: While during filming were there any spooky moments that you experienced or anything funny that happened on set?

DF: Yesss. Yesss, horrible, a really creepy thing happened. I am sitting at lunch under a tarp and as I am eating all of a sudden a handful of these pods come from out of the sky, which I don’t even know how they got in because we are covered, it is Craft Services you’re covered, and they fall into my lap. Out of these pods come these bright green beetles and they are crawling over me and they and it was disgusting and I am sitting there in my costume going, “what is going on here?” By the way this has never happened and a whole bunch of them. And these beetles come out of the pod and slide off like slow motion. I can’t even begin…like the size of walnuts. This is creepy and just one of the things. It was the most creepy thing to me because of the bugs and the whole Amityville thing.

RTC: Yeah with the flies.

DF: Yeah and the flies, they were giant beetles and it was shocking and I scared everyone, it was just me, it fell right into my lap and I looked up there was nothing, you know, just a tarp for us. I don’t know how it go there it gave me the creeps, the bugs, the whole thing – And that was only one thing but there were other things. So there ya go. [laughs]

RTC: Thank you so much for that! And again congratulations it was great speaking with you.

DF: Thank you and my pleasure as well.

Check Out ‘The Amityville Murders’ Q&A From The ScreamFest Film Festival & The Trailer Below!

'Civil War' Review: Is It Worth Watching?

Click to comment

You must be logged in to post a comment Login

Leave a Reply

Lists

Thrills and Chills: Ranking ‘Radio Silence’ Films from Bloody Brilliant to Just Bloody

Published

on

Radio Silence Films

Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

#1. Abigail

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.

Abigail

#2. Ready or Not

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

Ready or Not

#3. Scream (2022)

While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Scream (2022)

#4 Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

Southbound

#5. V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

V/H/S

#6. Scream VI

Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

Scream VI

#7. Devil’s Due

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.

Devil’s Due

'Civil War' Review: Is It Worth Watching?

Continue Reading

News

Perhaps the Scariest, Most Disturbing Series of The Year

Published

on

You may have never heard of Richard Gadd, but that will probably change after this month. His mini-series Baby Reindeer just hit Netflix and it’s a terrifying deep dive into abuse, addiction, and mental illness. What is even scarier is that it’s based on Gadd’s real-life hardships.

The crux of the story is about a man named Donny Dunn played by Gadd who wants to be a stand-up comedian, but it’s not working out so well thanks to stage fright stemming from his insecurity.

One day at his day job he meets a woman named Martha, played to unhinged perfection by Jessica Gunning, who is instantly charmed by Donny’s kindness and good looks. It doesn’t take long before she nicknames him “Baby Reindeer” and begins to relentlessly stalk him. But that is just the apex of Donny’s problems, he has his own incredibly disturbing issues.

This mini-series should come with a lot of triggers, so just be warned it is not for the faint of heart. The horrors here don’t come from blood and gore, but from physical and mental abuse that go beyond any physiological thriller you may have ever seen.

“It’s very emotionally true, obviously: I was severely stalked and severely abused,” Gadd said to People, explaining why he changed some aspects of the story. “But we wanted it to exist in the sphere of art, as well as protect the people it’s based on.”

The series has gained momentum thanks to positive word-of-mouth, and Gadd is getting used to the notoriety.

“It’s clearly struck a chord,” he told The Guardian. “I really did believe in it, but it’s taken off so quickly that I do feel a bit windswept.”

You can stream Baby Reindeer on Netflix right now.

If you or someone you know has been sexually assaulted, please contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673) or go to rainn.org.

'Civil War' Review: Is It Worth Watching?

Continue Reading

Movies

The Original ‘Beetlejuice’ Sequel Had an Interesting Location

Published

on

beetlejuice in Hawaii Movie

Back in the late ’80s and early ’90s sequels to hit movies weren’t as linear as they are today. It was more like “let’s re-do the situation but in a different location.” Remember Speed 2, or National Lampoon’s European Vacation? Even Aliens, as good as it is, follows a lot of the plot points of the original; people stuck on a ship, an android, a little girl in peril instead of a cat. So it makes sense that one of the most popular supernatural comedies of all time, Beetlejuice would follow the same pattern.

In 1991 Tim Burton was interested in doing a sequel to his 1988 original, it was called Beetlejuice Goes Hawaiian:

“The Deetz family moves to Hawaii to develop a resort. Construction begins, and it’s quickly discovered that the hotel will be sitting on top of an ancient burial ground. Beetlejuice comes in to save the day.”

Burton liked the script but wanted some re-writes so he asked then-hot screenwriter Daniel Waters who had just got done contributing to Heathers. He passed on the opportunity so producer David Geffen offered it to Troop Beverly Hills scribe Pamela Norris to no avail.

Eventually, Warner Bros. asked Kevin Smith to punch up Beetlejuice Goes Hawaiian, he scoffed at the idea, saying, “Didn’t we say all we needed to say in the first Beetlejuice? Must we go tropical?”

Nine years later the sequel was killed. The studio said Winona Ryder was now too old for the part and an entire re-cast needed to happen. But Burton never gave up, there were a lot of directions he wanted to take his characters, including a Disney crossover.

“We talked about lots of different things,” the director said in Entertainment Weekly. “That was early on when we were going, Beetlejuice and the Haunted MansionBeetlejuice Goes West, whatever. Lots of things came up.”

Fast-forward to 2011 when another script was pitched for a sequel. This time the writer of Burton’s Dark Shadows,  Seth Grahame-Smith was hired and he wanted to make sure the story wasn’t a cash-grabbing remake or reboot. Four years later, in 2015, a script was approved with both Ryder and Keaton saying they would return to their respective roles. In 2017 that script was revamped and then eventually shelved in 2019.

During the time the sequel script was being tossed around in Hollywood, in 2016 an artist named Alex Murillo posted what looked like one-sheets for a Beetlejuice sequel. Although they were fabricated and had no affiliation with Warner Bros. people thought they were real.

Perhaps the virality of the artwork sparked interest in a Beetlejuice sequel once again, and finally, it was confirmed in 2022 Beetlejuice 2 had a green light from a script written by Wednesday writers  Alfred Gough and Miles Millar. The star of that series Jenna Ortega signed on to the new movie with filming starting in 2023. It was also confirmed that Danny Elfman would return to do the score.

Burton and Keaton agreed that the new film titled Beetlejuice, Beetlejuice wouldn’t rely on CGI or other other forms of technology. They wanted the film to feel “handmade.” The film wrapped in November 2023.

It’s been over three decades to come up with a sequel to Beetlejuice. Hopefully, since they said aloha to Beetlejuice Goes Hawaiian there has been enough time and creativity to ensure Beetlejuice, Beetlejuice will not only honor the characters, but fans of the original.

Beetlejuice, Beetlejuice will open theatrically on September 6.

'Civil War' Review: Is It Worth Watching?

Continue Reading