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11 Times Freddy was Super Creative Killing the Elm Street Children

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We all have fond memories of the fun ways Freddy picked off his victims in the A Nightmare on Elm Street franchise, but can you remember some of the really bizarre ones? If not don’t worry. Your horror buddy Dan has taken the time to compile a list of the best ones. Feel free to thank me in the comments.

Freddy’s Dead: The Final Nightmare- You forgot the power glove
This one generally isn’t one of people’s favourites but I love it! Maybe it’s because I was massively into video games at the time, or maybe I liked seeing Spencer’s smug stoner face get what was coming to him. Anyway all I know is I want that power glove so if someone wanted to make a working one for me, message me and I’ll tell you where to send it. Thanks

A Nightmare on Elm Street 5: The Dream Child – Comic book style
Yeah its cheesy, but that’s what makes it so good, and you can’t argue that it’s not far out there with the most creative kills.  The writer must have been higher then President Trump’s makeup budget. Also if it not for this crazy scene we might never have gotten the Comic book Freddy.

A Nightmare on Elm Street 5: The Dream Child – Stuffed
Freddy in a Chefs hat and stuffing Greta’s mouth with so much food at one of her parents high class dinner parties that she ends up looking like that exploding Chinese guy in Big Trouble in Little China (1986).  What’s not to like?!

Freddy’s Dead: The Final Nightmare – Wile E Coyote Style
This is literally like something out of a road runner or bugs bunny sketch. John Doe falls several thousand feet and lands on a small bed on spikes that Freddy just wheeled in place, tiring himself out. He then breaks the fourth wall in true cartoon fashion. Still pretty fun though.

https://www.youtube.com/watch?v=0H–IO-ROcI

A Nightmare on Elm Street 4: The Dream Master – Come With Me if you Want to Lift
Maybe it was all the muscle man movies around at the time that made the film makers feel there needed to be a gym scene, but it takes a fucked up turn into crazy town.  Debbie ends up having Freddy spotting her on the weights and by the looks of things he isn’t very good at it, he snaps her arms at both elbows. Now for the crazy part…her arms fall off leaving insect like tentacles and she ends up running away while turning into a bug.

Freddy’s Dead: The Final Nightmare – Exploding head syndrome
Playing on poor Carlos’ disability, this is a long and torturous death. Starting with some PTSD memories of his abusive mother making him deaf with a massive cotton swab. Follow it up by then giving him super hearing strength so much so that every little noise is painful. Anyway his head explodes when Freddy scratches his glove on a blackboard.  Classic.

A Nightmare on Elm Street 5: The Dream Child – A Need for Speed
One of my personal favourites, wires and the like plunging under the skin and working their way around the victim’s body until the skin peels off like a boiled ham.  When there is no flesh remaining he is left resembling a cyborg on a motor bike. Cool… or maybe it’s because his name is Dan.

https://www.youtube.com/watch?v=k4Cl_wmoPVI

A Nightmare on Elm Street 3: Dream Warriors – Welcome to Prime Time Bitch
Any actor’s worst nightmare has to be dying on TV, sure, but what about dying IN TV.  Freddy turns into a television set and smashes Jennifer’s head into the tube. What more can I say other than it probably wouldn’t work with today’s flat screens.

Nightmare on Elm Street Part 3: Dream Warriors – The Puppet Master
Using Philips veins as puppet strings to walk him up to an open window on the fifth floor and then forcing him to jump out has to be in the best death scenes of the whole lot and not just the most creative.

A Nightmare on Elm Street 3: Dream Warriors – Let’s get high
Definitely one of the best death scenes from the whole series, Taryn getting an overdose from hell. Throw in some holes in her arms from the old needles that look like little mouths sucking for the drugs, and not only do you have a horrible way to die but also a cringe fest for any viewers that have trypophobia. Freddy’s finger syringes are amazing. She ended up higher then Trumps hair on a windy day.

A Nightmare on Elm Street – Bed Barf Blood Bath
Number one on our list is from the first movie and has stayed in people’s memories as the bloodiest death in any movie not just this franchise.  It’s our guy Glenn getting sucked into a hole in his bed and getting sprayed all over the ceiling of his bed room. “You’re gonna need a mop and bucket not a body bag”. To make this scene they had to turn the room up-side-down and pour the blood through the bed to give the effect it was shooting up to the ceiling. Amazing work by the late great Wes Craven.

I hope you enjoyed reading and watching this article of nostalgic memories as much as I did making it. See you all soon Bitches!

You can run but you can't hide! The Rick and Morty version of Freddy

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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