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TRY THIS: Watch JASON LIVES in Black & White!

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Written by Dr. Jose

One of the extras included in the 2004 DVD boxset From Crystal Lake to Manhattan was an interview with Friday the 13th Part VI: Jason Lives director, Tom McLoughlin, wherein he suggests a unique way to watch the film:

“My main objective was to give the audience a sense of the old gothic horror movies, because I was trying to set a tone right from the beginning that this was going to be like what the Universal horror movies used to be: the stormy night, going to the cemetery, digging up the grave, a monster that is actually dead coming back and is unstoppable. If you turn the color off, this movie would look great in black and white.”

I’d long been aware that McLoughlin used Jason Lives to pay major homage to Frankenstein (a gas station named “Karloff’s”, anyone?), but I’d never considered actually watching it in black and white. So with this great suggestion in mind, I decided to give it a shot. Last night I popped my Friday the 13th Part VI: Jason Lives DVD in the ol’ player, grabbed the remote and dialed the TV’s color down to zero, and strapped in for a watch. And you know what? It totally kind of works!

The moment the old Paramount logo popped up onscreen, I knew I was going to be in for a treat. The entire opening sequence of the film is just a barrage of classic horror imagery, made that much cooler by the fact that it was all in black and white: a shot of the full moon encompassed by ominous clouds; craggy trees and bolts of lightning; a spooky cemetery, shrouded in fog. By the time the opening credits actually start rolling, you’d swear you’d been watching some sort of alternate reality version of Frankenstein or The Wolf Man.

Now, what with being filmed in 1986, not everything works in black and white. A lot of the contemporary elements – the hairstyles, the fashion, and the music – clearly don’t transition all that well. (The scene involving Cort and Nikki in the RV stands out especially.) Still, one of the funny side effects of watching an ’80s movie in black and white is how the lack of color manages to lend an air of class to the proceedings. Martin the Gravedigger saying “farthead” is a far cry from the moving court proceedings in To Kill a Mockingbird, but they’re visually striking just the same.

Another cool result of desaturating the film is how all the jailhouse scenes play out like an old noir film. Now, I don’t know if that was McLoughlin’s intended effect, but with the police officers spouting off dialogue like, “Hit the noise and the cherries!”, “That’s what we call ‘screwin’ the pooch'”, and “Alright, into the can, Flash!”, I’d be surprised if the pulpy, old-timey vibe wasn’t completely intentional.

If you haven’t yet, I highly recommend giving Jason Lives a watch in black and white. If nothing else, it’s simply a new way to watch an old favorite. Below I’ve attached some screen shots I took that showcase the more stunning shots.

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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Trailer for ‘The Exorcism’ Has Russell Crowe Possessed

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The latest exorcism movie is about to drop this summer. It’s aptly titled The Exorcism and it stars Academy Award winner turned B-movie savant Russell Crowe. The trailer dropped today and by the looks of it, we are getting a possession movie that takes place on a movie set.

Just like this year’s recent demon-in-media-space film Late Night With the Devil, The Exorcism happens during a production. Although the former takes place on a live network talk show, the latter is on an active sound stage. Hopefully, it won’t be entirely serious and we’ll get some meta chuckles out of it.

The film will open in theaters on June 7, but since Shudder also acquired it, it probably won’t be long after that until it finds a home on the streaming service.

Crowe plays, “Anthony Miller, a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter, Lee (Ryan Simpkins), wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg and David Hyde Pierce.”

Crowe did see some success in last year’s The Pope’s Exorcist mostly because his character was so over-the-top and infused with such comical hubris it bordered on parody. We will see if that is the route actor-turned-director Joshua John Miller takes with The Exorcism.

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