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‘Volumes of Blood Horror Stories’ Receives Distribution!

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We have some fun news to share. Petri Entertainment has secured the rights for the horror anthology Volumes of Blood: Horror Stories! The film will be released under Petri’s new genre label Dark Cuts, and a hopeful release in the Summer of 2017. Petri Entertainment is the company behind the 2015 film The Funhouse Massacre, which stars, Robert Englund, Jere Burns, and Scottie Thompson.

Will will have more details soon.

Check out our quick Q & A with creators P.J. Starks & Eric Huskisson! 

Ryan T. Cusick: Will we see a Blu-Ray release of VOBHS? If so, how about bonus features? Fans of the genre can never get enough.

P.J. Starks: Oh yeah, that’s one of the reasons behind selecting Petri Entertainment. They know how to do a release right so that the film will be hitting DVD, Bluray, and VOD. We don’t have all the bonus features squared away just yet, but we’ll have some behind the scenes featurettes, a gag reel and a few other standard specials. I’m talking with all the directors now about setting up interviews to discuss working on the film and some possible commentaries. I also have an idea for a cool commentary that fans will love, but I’m not giving that one away just yet.

RTC: When will the film be released on DVD / Blu-ray?

PJS: We don’t have a specific street date as of yet, however, we’re looking at a Summer 2017 release. That’ll give everyone plenty of time to get their hands on it and make it a part of their Halloween festivities.

RTC: Can you tell us about Petri Entertainment and how the decision was made to use this company as your distributor?

Eric Huskisson: PJ and I had talked with a few distributors already and read through their contracts. During this process, PJ had found out about Petri and contacted them to see if they would be interested in giving our new film a look. They apparently liked it because the next thing you know we’re having conference calls with them talking distribution. We had an instant connection with Warner and Andy. It was like PJ, and I were talking to ourselves. I think our personalities meshed well and that’s a plus when you’re doing business with someone. They knew where Blood Moon Pictures was coming from being a newly formed production company and understood our questions and concerns with our new film. Their distribution territory and media types fit right into what we wanted for Volumes of Blood: Horror Stories. Another big plus is that we liked that Petri goes to festivals to market directly to the public. After several conference calls, we made it official and signed with Petri for distribution of VOBHS. PJ and I can’t wait to meet Andy and Warren this coming weekend at Horror Hound in Cincinnati.

RTC: The rumor mill has been working overtime, and I have been reading a lot of hype about a sequel to VOBHS? Hopefully, the hype has some truth behind it, can you elaborate on this?

EH: Well I’ll say how it started was with PJ and I wanting things to be different for Volumes of Blood: Horror Stories compared to the first Volumes of Blood. The success of VOB made us realize we had to go bigger and better for VOB 2 with it being a sequel. It started with us forming our production company Blood Moon Pictures back in December 2015. Then we wanted to take the production for VOBHS to a whole new level, and I think we did that. The auditioning process, special F/X, and bringing in new talent for directing were just a few of the things that I think put us where we wanted to be. PJ did a great job in securing the directors and Moses Moseley for this production. It also helped that we got a lot of sponsorship for this film which helped take us to the next level as well. With all this being said I can’t honestly say I believe all the rave reviews and press VOBHS has gotten. I knew PJ, and I achieved what we set out to do but never expected all this hype. I’m very proud of this film but never expected this much press. I’m glad to hear it though because our cast and crew worked their asses off in extreme heat sometimes 15-16 hrs a day with no pay. That’s true Indie right there, and they all deserve what is being said about the film they helped create.

RTC: Thanks for sharing this fantastic news with us! Be sure to check out the photo gallery below.

Click here to read our review of Volumes of Blood: Horror Stories.

 

 

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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