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‘Unsolved Mysteries’ Reboot will Debut July 1st on Netflix

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Unsolved Mysteries

Netflix has set an official premiere date for its reboot of the creepy classic seriesĀ Unsolved Mysteries with a brand new format. The series will premiere the first six of its twelve episodes on July 1, 2020.

It all began back in 1987 when after three initial specials hosted by Raymond Burr and Karl Malden, Robert Stack stepped into the series which enthralled audiences week after week. The show presented mysterious unsolved cases and urged viewers to call in at a special 1-800 number at the end of each episode if they had any information that might lead to resolution.

Stack became synonymous with the show, and without a doubt his narration of events involving everything from UFOs and the paranormal to missing persons and unsolved murders kept viewers coming back for more.

“The cross-generational fan base for UNSOLVED MYSTERIES is amazing,” executive producers Terry Dunn Meurer and John Cosgrove said in a statement. “Weā€™ll hear from viewers ā€” now in their 20s and 30s ā€” who say, ‘I used to sneak episodes behind my parentsā€™ backs when I was young.’ Everyone seems to have a favorite segment that totally freaked them out. Weā€™ve learned that audiences like to be scared, and real stories scare people.”

The new series is produced by the original company CMP alongside Shawn Levy for 21 Laps Entertainment, the producers behind Netflix’s Stranger Things.

The new Unsolved Mysteries will forego a host. No one could fill Robert Stack’s Shoes anyway.

Back in the day,Ā Unsolved Mysteries would present multiple stories in a single episode. The new iteration will, instead, focus on a single story giving it as much time as necessary to fully recount the events surrounding the case. They have also decided to proceed without a host which honestly makes sense as it would be difficult to find anyone to match Stack’s delivery.

And, of course, in the year 2020, viewers will be instructed to a website to turn in any information they might have rather than calling a 1-800 tip-line number.

Check out the descriptions of the first six episodes below, and let us know if you’ll be watchingĀ Unsolved Mysteries in July in the comments!

ā€œMystery on the Rooftop,ā€ directed by Marcus A. Clarke:
The body of newlywed Rey Rivera was found in an abandoned conference room at Baltimoreā€™s historic Belvedere Hotel in May 2006, eight days after he mysteriously disappeared. While the Baltimore Police maintained that the 32-year-old committed suicide by jumping from the hotelā€™s roof, the medical examiner declared Reyā€™s death ā€œunexplained.ā€ Many, including his devastated wife, Allison, suspect foul play.

ā€œ13 Minutes,ā€ directed by Jimmy Goldblum:
Patrice Endres, 38, mysteriously vanished from her Cumming, Georgia, hair salon in broad daylight, during a 13-minute timeframe, leaving behind her teenage son, Pistol. Patriceā€™s disappearance intensified the existing tensions between Pistol and his stepfather as they dealt with the loss and searched for answers.

ā€œHouse of Terror,ā€ directed by Clay Jeter:
In April 2011, French police discovered the wife and four children of Count Xavier Dupont de LigonnĆØs buried under the back porch of their home in Nantes. Xavier, the family patriarch, was not among the dead and nowhere to be found. Investigators gradually pieced together clues and a timeline that pointed to Xavier as a devious, pre-meditate killer. For instance, they now know that shortly before the crimes occurred, Xavier inherited a gun that was the same model as the murder weapon.

ā€œNo Ride Home,ā€ directed by Marcus A. Clarke:
Alonzo Brooks, 23, never returned home from a party he attended with friends in the predominantly white town of La Cygne, Kansas. A month later, a search party led by his family locates Alonzoā€™s body ā€” in an area that law enforcement had already canvassed multiple times.

ā€œBerkshireā€™s UFO,ā€ directed by Marcus A. Clarke:
On September 1, 1969, many residents in Berkshire County, Massachusetts were traumatized by a sighting of a UFO. Eyewitnesses ā€” many just children at the time ā€” have spent their lives trying to convince the world that what they saw was real.

ā€œMissing Witness,ā€ directed by Clay Jeter:
At age 17, a guilt-ridden Lena Chapin confessed to helping her mother dispose of her murdered stepfatherā€™s body four years prior. In 2012, Lena was issued a subpoena to testify against her mother in court, but the authorities were never able to deliver the summons ā€” because Lena had disappeared, leaving behind a young son.

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ā€˜Strange Darlingā€™ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

ā€˜Strange Darling,ā€™ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. Heā€™s clearly a student of the game, one who studied his forebearsā€™ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, ā€œIt is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think itā€™s such an interesting way into a sci-fi world. Iā€™ve always wanted to do sci-fi. So weā€™ll see what happens.ā€œ

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexualityā€”a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. Itā€™s the theme of our film. Itā€™s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under peopleā€™s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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