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Turner Classic Movies Releases its Full Schedule of Classic Horror Films for Halloween

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Horror fans rejoice!  It’s October 1st.  Our month has arrived!  Movie stations across the spectrum are gearing up for their annual horror fests, and our DVRs have been emptied so we can record all our favorites.  AMC is celebrating with full days of Friday the 13th and A Nightmare on Elm Street for its annual Fear Fest, and Freeform is offering the best in Halloween films for the entire family.

Not to be outdone, Turner Classic Movies has once again planned a month long celebration of classic horror films for Halloween, and it is an amazing lineup this year!

All month long, viewers will be treated to a spotlight on the many films featuring Dr. Frankenstein and his terrifying, if misunderstood, creature.  Alongside that, you’ll find classics from Val Lewton, Tod Browning, and Roger Corman, and Christopher Lee and Vincent Price in some of their most celebrated roles!  Check out the listings below and don’t miss out on the founding fathers of the genre and some of their defining work!

**All Showtimes are listed in EST

Sunday, October 2nd

8:00 pm,  Frankenstein (1931):  The granddaddy of them all starring Boris Karloff as the Creature, Colin Clive as Dr. Henry Frankenstein, and directed by James Whale.  It was the first time Universal brought the creature to life and it’s still the most beautiful, atmospheric version to date.  Karloff proved his acting chops without saying a word!

9:30 pm,  Bride of Frankestein (1935):  Colin Clive and Boris Karloff return with James Whale once again at the helm in this standout sequel that created one of the most iconic images in horror.  When Frankenstein’s wife is kidnapped by the evil Dr. Pretorius, he is forced to create a bride for his Creature.  Elsa Lanchester, who pulls double duty as both Mary Shelley and the Bride, is stunning as the woman brought to life for a creature she immediately rejects.  Lanchester, who was only 5’4″ tall, was placed on stilts to appear 7′ tall in the film.  Her bandages were wrapped so tightly that she was unable to feed herself or sit during filming.  The film is a masterpiece not to be missed!

11 pm,  Son of Frankenstein (1939):  Wolf von Frankenstein returns to his ancestral home and soon finds himself tempted by his father’s work.  The Creature, once again played by Boris Karloff, appears to be in a coma, but Wolf’s experiments soon leads to a rampaging giant in the night who kills local villagers.  The film also features Bela Lugosi as Ygor.

Monday, October 3rd

4:45 am, Curse of the Cat People (1944):  This sequel to 1942’s Cat People is Val Lewton at his supernatural best.  A young girl creates an imaginary friend who resembles her father’s deceased first wife.  Is it just imagination?  Or is her spirit returned from the grave?  Starring the stunning Simone Simon from the first film, this is one of those sequels that was meant to be.

Friday, October 7th

8pm, Nosferatu (1922):  The silent classic is one of the first, and arguably still one of the best, adaptations of Dracula for the big screen.  Directed by F.W. Murnau with a screenplay by Henrik Galeen, Nosferatu starred Max Schreck as the evil vampire Count Orlok.  Schreck was so believable in the role that audiences were stricken in its first showings.

9:45 pm, The Cabinet of Dr. Caligari (1920):  Another classic from the silent era, Dr. Caligari uses a somnambulist named Cesare to murder his enemies.  Many claim that contemporary gothic styles in makeup and clothing track back to this essential film.  Indeed, if you look at Edward Scissorhands, you can see many similarities between Edward and Cesare.

https://www.youtube.com/watch?v=Y0A0sfxM6AE

11:15 pm, Unholy Three (1925):  Starring the great Lon Chaney, this film centers around an evil ventriloquist who masquerades as an old woman to front a crime ring.

Saturday, October 8th

1 am, The Phantom of the Opera (1925):  Lon Chaney, again stars, in the silent classic as the deformed man who hides in catacombs of the Paris Opera House and feeds his obsession with the young singer, Christine Daae played by the great Mary Philbin.  The film is a masterpiece of early genre cinema and not to be missed!

2:45 am, Haxan: Witchcraft Through the Ages (1922):  A fictional documentary, the film traces the “history” of witchcraft from the Middle Ages to the early 20th Century.  At the time, it was the most expensive film ever made in a Scandinavian country.  Director Benjamin Christensen appears in multiple roles throughout the film, most notably playing both Jesus Christ and the Devil.

Classic Horror Films for Halloween

7:30 am, Mad Love (1935):  The great Peter Lorre stars as the evil Dr. Googol who becomes obsessed with an actress played by Frances Drake.  When he concert pianist husband, played by Colin Clive, has his hands crushed in a horrific accident, she goes to the doctor and begs him to help the man.  Googol grafts the hands of an executed murderer onto the pianist, and those hands still remember their real purpose.

9 am, Isle of the Dead (1945):  Boris Karloff stars in this horror classic.  On a Greek Island during the 1912 war, villagers are quarantined together, but one peasant woman is convinced that one of their number is a vampire.

Sunday, October 9th

3:30 am, The Town That Dreaded Sundown (1977):  Loosely based on a true story, the film centers on Texarkana, TX in 1946 where a killer is targeting young couples on Lover’s Lane.

https://www.youtube.com/watch?v=58ztPT6R5jo

8 pm, The Ghost of Frankenstein (1942):  Ygor, once again played by Bela Lugosi, resurrects the Creature and delivers him to the son of the original doctor.  As Ludwig Frankenstein begins his work, he is unaware that Ygor and other associates of the Doctor have plans to have their own brains placed into the Creature.  This marks the first time that the Creature was played by someone other than Boris Karloff.  Lon Chaney, Jr. took on he role.

9:15 pm, Frankenstein Meets the Wolf Man (1943):  Larry Talbot, played by Lon Chaney, Jr., is seeking to end his lycanthropic curse.  He wants to die, but he is simply unable to do so.  He seeks out the gypsy woman who first told him of the curse and together they travel to find Dr. Frankenstein.  When they arrive, they discover that the doctor is dead and only his daughter remains.  She admits she doesn’t have her father’s papers on his work, but agrees to travel with them to the old Frankenstein manner.  They find the Creature, played this time by Bela Lugosi, frozen in a block of ice and upon freeing him get more than what they bargained for.

10:45 pm, House of Frankenstein (1944):  Frankenstein’s Monster, Dracula, AND the Wolf Man all in one film for the first time.  The tagline for the film read:  All the screen’s titans of terror–together in the greatest of ALL SCREEN SENSATIONS!

Monday, October 10th

12:15 am, Dr. Jekyll and Mr. Hyde (1920):  This silent version of the Stevenson classic, stars the inimitable John Barrymore, as the doomed Dr. Jekyll whose experiments to end madness split his personality and create a monster that he cannot control.

jekyll

2 am, House (1977):  This classic Japanese horror/comedy film surrounds a girl who spends her summer in a haunted house, and was produced by the famed Toho Studios.

3:30 am, The Haunting (1963):  Dark and brooding with a strange ability to get deep under your skin, this classic may be the definitive adaptation of Shirley Jackson’s The Haunting of Hill House.  Directed by Robert Wise, the film had an all star cast including Russ Tamblyn, Claire Bloom, Richard Johnson, and the remarkable Julie Harris in the pivotal role of Eleanor.  Using only sounds and shadows to hint at the sinister force haunting Hill House, the audience is taken on a terrifying ride through madness and despair as two women are invited to the home to see if their psychic abilities will spark the House back to life.

Continued on the Next Page!

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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