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TIFF Review: Jeremy Saulnier’s ‘Hold the Dark’ is Beautifully Bleak

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Hold the Dark Netflix

Hold the Dark is the latest film from extraordinarily talented director Jeremy Saulnier (Murder Party, Blue Ruin, Green Room). It’s a harsh, bleak, and visually stunning thriller set in the sparse isolation of a small Alaskan community. Saulnier’s previous films have also focused on isolated communities, but Hold the Dark is by far the largest in scale.

In Hold the Dark, we follow writer Russell Core (Jeffrey Wright – Westworld, Boardwalk Empire), a retired naturalist and wolf expert. He receives a letter from young grieving mother Medora Sloane (Riley Keogh – Mad Max: Fury Road, It Comes at Night) whose 6-year-old son was taken by a wolf pack that has already claimed three other local children. Medora asks Core to come to Alaska to kill the wolves as local authorities have made no steps to help the isolated (and mostly Indigenous) community.

When Medora’s husband, Vernon (Alexander Skarsgård – True Blood, War on Everyone), returns from the Iraq War, the news of his son’s death ignites a violent chain of events that drags Core into a vicious heart of darkness.

via IMDb

Written by Macon Blair – who has also appeared in all three of Saulnier’s previous feature films – and adapted from the 2014 novel by William Giraldi, Hold the Dark is wonderfully economical in its exposition.

As an audience, we only see and hear what is needed to tell the story we’re immediately faced with. Still, the information we are given is extremely limited and mostly implied. Lines are subtly dropped that allow the viewer to piece together other points in the backstory, but Blair makes you work for it, and much is left open to interpretation.

It adds a layer of mystery that echoes the emotionally closed nature of the characters on screen. We gain just as much from the silences as we do the dialogue.

In the interest of keeping this review spoiler-free, the only point to be discussed regarding the plot will be to say that it unfolds in a way that keeps the audience searching for these clues. Visual cues and bits of dialogue cycle back and give an attentive audience more to unpack.

via Metal Underground

The limited daylight in Alaskan winter plays a large part in the atmosphere of the film. The disorientation of a seemingly endless night works in sharp contrast with the overwhelming light of a bright sun on snow.

The film is permeated in darkness; the limited light creates that impression of a harsh cold that you can feel in your bones. This lack of warmth is felt through the characters – there’s a palpable tension and quiet anger lying just under the surface.

One particular confrontation between police chief Donald Marium (James Badge Dale – 13 Hours) and fury-filled local, Cheeon (Julian Black Antelope – Penny Dreadful), simmers with a taut but controlled rage. Every performance in the film is incredible, but this head-to-head had the whole TIFF audience on edge.

The characters of Vernon and Medora Sloane have an unnatural, masking calm that is as captivating as it is unsettling. There’s something about them that you’re never quite sure you understand, which makes them fascinating to watch.

via TIFF

The way that Saulnier shoots scenes of violence is extremely effective. He captures the horrific and gruesome acts without lingering long enough to glorify them.

The result is just as stomach-churning without being gratuitous, and it mimics the way we often naturally observe brutal injuries – we glance long enough to register, then turn away to process.

Think of the arm injury or stomach slit in Green Room, for example. You can remember exactly what they look like, even though each are only visible for 1-2 seconds.

via Netflix

The beautiful but isolating wilderness of Alaska is cleverly used by Saulnier and cinematographer Magnus Nordenhof Jønck (A Hijacking). Though shot in Alberta, Canada, the message is the same: we are insignificant, and nature is beyond our control. 

Hold the Dark wraps around concepts of parental trauma, isolation, neglect, and our own personal nature. There are different sides to every story, and in one way or another, we’re all villains here.

 

Hold the Dark arrives on Netflix on September 28th.

via Netflix

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‘The Strangers’ Invaded Coachella in Instagramable PR Stunt

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Renny Harlin’s reboot of The Strangers isn’t coming out until May 17, but those murderous home invaders are making a pit stop at Coachella first.

In the latest Instagramable PR stunt, the studio behind the film decided to have the trio of masked intruders crash Coachella, a music festival that takes place for two weekends in Southern California.

The Strangers

This type of publicity began when Paramount did the same thing with their horror movie Smile in 2022. Their version had seemingly ordinary people in populated places look directly into a camera with an evil grin.

The Strangers

Harlin’s reboot is actually a trilogy with a more expansive world than that of the original.

“When setting out to remake The Strangers, we felt there was a bigger story to be told, which could be as powerful, chilling, and terrifying as the original and could really expand that world,” said producer Courtney Solomon. “Shooting this story as a trilogy allows us to create a hyperreal and terrifying character study. We’re fortunate to be joining forces with Madelaine Petsch, an amazing talent whose character is the driving force of this story.”

The Strangers

The movie follows a young couple (Madelaine Petsch and Froy Gutierrez) who “after their car breaks down in an eerie small town, are forced to spend the night in a remote cabin. Panic ensues as they are terrorized by three masked strangers who strike with no mercy and seemingly no motive in The Strangers: Chapter 1 the chilling first entry of this upcoming horror feature film series.”

The Strangers

The Strangers: Chapter 1 opens in theaters on May 17.

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‘Alien’ Returning to Theaters For a Limited Time

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It’s been 45 years since Ridley Scott’s Alien hit theaters and in celebration of that milestone, it is headed back to the big screen for a limited time. And what better day to do that than Alien Day on April 26?

It also works as a primer for the upcoming Fede Alvarez sequel Alien: Romulus opening on August 16. A special feature in which both Alvarez and Scott discuss the original sci-fi classic will be shown as a part of your theater admission. Take a look at the preview of that conversation below.

Fede Alvarez and Ridley Scott

Back in 1979, the original trailer for Alien was kind of terrifying. Imagine sitting in front of a CRT TV (Cathode Ray Tube) at night and suddenly Jerry Goldsmith’s haunting score begins to play as a giant chicken egg starts to crack with beams of light bursting through the shell and the word “Alien” slowly forms in slanted all caps across the screen. To a twelve-year-old, it was a scary pre-bedtime experience, especially Goldsmith’s screaming electronic musical flourishes playing over scenes of the actual movie. Let the “Is it horror or sci-fi?” debate begin.

Alien became a pop culture phenomenon, complete with kid’s toys, a graphic novel, and an Academy Award for Best Visual Effects. It also inspired dioramas in wax museums and even a frightening setpiece at Walt Disney World in the now-defunct Great Movie Ride attraction.

Great Movie Ride

The film stars Sigourney Weaver, Tom Skerritt, and John Hurt. It tells the tale of a futuristic crew of blue-collar workers suddenly awakened out of stasis to investigate an undecipherable distress signal coming from a nearby moon. They investigate the source of the signal and discover it’s a warning and not a cry for help. Unbeknownst to the crew, they have brought a giant space creature back on board which they find out in one of the most iconic scenes in cinema history.

It is said that Alvarez’s sequel will pay homage to the original film’s storytelling and set design.

Alien Romulus
Alien (1979)

The Alien theatrical re-release will take place on April 26. Pre-order your tickets and find out where Alien will screen at a theater near you.

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Home Depot’s 12-Foot Skeleton Returns with a New Friend, Plus New Life-Size Prop from Spirit Halloween

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Halloween is the greatest holiday of them all. However, every great holiday needs amazing props to go with it. Luckily for you, there are two new amazing props that have been released, which are sure to impress your neighbors and frighten any neighborhood children who are unfortunate enough to wander past your yard.

The first entry is the return of the Home Depot 12-foot skeleton prop. Home Depot has outdone themselves in the past. But this year the company is bringing bigger and better things to their Halloween prop lineup.

Home Depot Skeleton Prop

This year, the company unveiled its new and improved Skelly. But what is a giant skeleton without a loyal friend? Home Depot has also announced that they will release a five-foot tall skeleton dog prop to eternally keep Skelly company as he haunts your yard this spooky season.

This bony pooch will be five feet tall and seven feet long. The prop will also feature a posable mouth and LCD eyes with eight variable settings. Lance Allen, Home Depot’s merchant of decorative Holliday gear, had the following to say about this year’s lineup.

“This year we increased our realism within the animatronics category, created some impressive, licensed characters and even brought back some fan favorites. Overall, we are most proud of the quality and value we are able to bring to our customers with these pieces so they can continue to grow their collections.”

Home Depot Prop

But what if giant skeletons just aren’t your thing? Well, Spirit Halloween has you covered with their giant life size Terror Dog replica. This massive prop has been ripped out of your nightmares to appear frighteningly on your lawn.

This prop weighs in at almost fifty pounds and features glowing red eyes that are sure to keep your yard safe from any toilet paper throwing hooligans. This iconic Ghostbusters nightmare is a must have for any fan of 80s horror. Or, anyone who loves all things spooky.

Terror Dog Prop
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