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TIFF Review: ‘Assassination Nation’ is a Pulsing, Clawing, Furious Ride

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assassination nation

Set in the suburban sprawl of Salem, Assassination Nation is – in essence – an exploration of the infamous witch trials, but through a thoroughly modern lens. Think of it as Mean Girls meets The Purge, with a Spring Breakers aesthetic.

When Salem’s Mayor is hacked, the world becomes privy to his deepest, kinkiest secrets. Suddenly, other residents of the town are targeted. Their online activity – including search history, text messages, personal files and photographs – are leaked for all to see.

As sordid secrets are spread, the anxious anger in Salem reaches a fever pitch. Lives are ruined. Fear turns to fury, and the ruthless hunt for the hacker launches into a vicious, chaotic mania.

via IMDb

The film follows a group of four teenage girls with an unbreakable bond as they navigate the social codes of high school. Odessa Young (High Life), Hari Nef (Transparent), Suki Waterhouse (The Bad Batch), and strong newcomer Abra sizzle with an effortless energy as the fiery girl gang.

While there are frequent scenes that take place in and around their school, we rarely see the students in their classroom – and the presence of their teachers is negligible. This puts the entire focus on the social element of high school (the ins and outs, the friendship, the parties). It establishes a frame around their lives with one prominent picture inside.

via TIFF

Odessa Young plays Lily, our outspoken heroine. As our narrator, she’s the channel through which the film’s social message flows. Her woke, eloquent anger is sharp but measured – a perfect balance of performance and script.

Assassination Nation puts a strong focus on female sexuality and how it has been simultaneously fetishized and demonized. Women are encouraged to be sexy, but not too sexual. Confident, but not too loud. Always willing, but never slutty.

It’s worth noting that the fear of female sexuality was a large contributor in the creation of the Malleus Maleficarum and the witch-hunts that followed. So – as everyone knows – this had generally been a concern long before the invention of selfies and social media.

That said, technological upgrades have obviously affected the accessibility of  – and pressure to provide – intimate photos and videos. For every nude sent, there are about a dozen photos that didn’t quite meet the unrealistic expectations. And as Assassination Nation so clearly shows, anything posted, published, or shared online isn’t really private (as the film states, “It’s very difficult to stop the internet”).

via IMDb

Assassination Nation also takes a hard look at American ultraviolence and hypersensitivity. The film begins with a brash list of “trigger warnings” in massive red, white and blue letters that punch each point. Leaked information is taken horribly out of context by angry mobs that ride on a wave of family values.

But despite the moral outrage, violence is the most natural solution to everyone in town. Domestic acts of violence are as American as apple pie, so naturally it’s seen as the best option to release anger and eliminate the problem. The American flag is prominently and frequently featured as a both backdrop and a beacon for these violent acts.

There’s quite a bit to unpack with this film, but everything culminates in a deeply gratifying third act that rings clear like a battle cry.

Director Sam Levinson (Another Happy Day) and cinematographer Marcell Rév (White God) navigate through a Technicolor daydream with a pulsing score by Ian Hultquist (Clinical).

There’s one particularly stunning scene that tracks action through a house from its exterior in one continuous moving shot, and it’s incredibly effective at making the audience feel like a helpless witness.

The supporting cast is peppered with familiar faces, including Bill Skarsgård (IT), Joel McHale (Community), Bella Thorne (The Babysitter), Colman Domingo (Fear the Walking Dead), Maude Apatow (This Is 40), and Cody Christian (Teen Wolf), with a rousing performance from Anika Noni Rose (Dreamgirls).

via TIFF

Now, you may find it hard to accept the idea that an entire town would turn on a group of teenagers so easily and so violently. But, let’s not forget that this wouldn’t be the first time. Assassination Nation’s flashy, modern, feminist retrospective on witch hunts uses overlapping layers of toxic masculinity, homophobia, transphobia, slut shaming, and the immediacy of overblown online reactions to present the idea that maybe – just maybe – it’s not so far fetched.

 

Assassination Nations opens theatrically on September 21, 2018. Check out the red band trailer and poster below.
Viewed at TIFF 2018 as part of their Midnight Madness program. For a full list of films Midnight Madness 2018 films (including the world premiere of Halloween) click here!

via NEON

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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