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‘The Pale Door’ Bewitches With its Cowboys Vs Witches Good Time

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Pale Door

If you are a fan of Aaron B. Koontz and Cameron Burns’ film Scare Package, you came to the right place with their latest western-horror cocktail, The Pale Door. Again, the team executes an innovative and propulsive approach that comes from their reverence and passion for genre.

This time around, we are dealing with a brothel of witches and some bank-robbing cowboys instead of Rad Chad and his emporium of horror anthology.

The Pale Door focuses on The Dalton Gang and a particular train robbery in which they steal more than they can deal with in the form of a young girl locked in a steamer trunk. When the gang heads out to lay low at a brothel, all hell breaks loose over a night of cowboys vs witches in a battle for survival.

I’d be remiss to tell you that the film is just that. There are plenty of emotional punch points laying in its undercurrent. Gripping and emotional bits of what it is to be family – particularly what it is to be brothers. But, its more fun to discover those organically while watching because they are the real currency of the entire picture.

“The make-up effects are really cool

and best of all they are practical.”

Fans of westerns are in a for a huge treat with The Pale Door. In fact, a large portion of the film is a straight-up, full-fledged western picture. Even in that, the film makes nice choices between committing to emotional weight and the ability to switch to pulpy, dime-store western magazine fun. The film also is a who’s-who of easter egg shots. Several scenes are framed beautifully and pay homage to greats like, The Long Riders, Pale Rider and others. The ability to make those bits of homage feel entirely organic assists in creating a larger and classic approach to the experience.

Pale Door

Much like From Dusk Till Dawn, The Pale Door waits to spring the supernatural fun on the audience. This time instead of vampires, we are attacked by a special brand of witches. It’s a really fun approach to the classic witch too. These particular witches are vicious and share a lot more physical traits as demons and werewolves do. They are the running on the ceiling, jump across rooms and tear your eyeballs out kind of witches, as opposed to the classic toil and trouble version of cinema’s crones.

The make-up effects are really cool and best of all they are practical. The attacking witches are entirely made up of burnt flesh. The make-up created for them along with the addition of perfectly lit encounters are a nice melding of two departments working entirely in sync. The make-up team does a really nice job with its shoot ‘em up portions of the film too. Creating great moments like one where a cowboy is stapled to a wall by his neck, using a gigantic hunting knife. More of that kind of thing, please!

The score for The Pale Door absolutely rules. It takes classic western score fragments and subverts them entirely, creating something that works well with the film’s jukes and turns from horror to western. I’ll definitely be looking to add it to the collection.

“The Pale Door is a

fantastically fun and innovative

weaving of western and horror fare”

Everyone in this cast is phenomenal. From Pat Healy’s austere and calculated approach to his character Wylie, to the larger than life and amiable role that Stan Shaw fills – The Pale Door is a film that would work even if it was just this cast sitting around a table playing cards. So, when you take that and add in witches, wolves and shoot ‘em up scenes it immediately just works. Ultimately, the amazing cast grounds the entire thing and does a really nice job of keeping the film on a carefully walked line of the fanciful horror and well-executed emotional punches.

Pale Door

Melora Walters is absolutely incredible as the leader of this particular brothel of witches. Walters has this magical ability of creating a character with just as much quiet menace as she evokes sympathy. She executes everyone of her choices with elegance even when they are at their most terror driven. It’s great to see Walters show up in a horror film. She is an actress who has had me devoted to anything she does ever since starring in Paul Thomas Anderson’s Magnolia. She has a weightless, intensity that is singular and she definitely brings it in droves to The Pale Door.

The Pale Door is a fantastically fun and innovative weaving of western and horror fare. It’s ability to balance the effective emotional drama with its exciting horror and faithful western elements is an accomplishment. An accomplishment that is a blast to watch. It’s simultaneously an extreme bit of witchy terror, cowboy shoot ‘em up pulp and truly fun cinema.

The Pale Door is now available in theaters, on Demand and Digital. Check local showtimes.

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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Trailer for ‘The Exorcism’ Has Russell Crowe Possessed

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The latest exorcism movie is about to drop this summer. It’s aptly titled The Exorcism and it stars Academy Award winner turned B-movie savant Russell Crowe. The trailer dropped today and by the looks of it, we are getting a possession movie that takes place on a movie set.

Just like this year’s recent demon-in-media-space film Late Night With the Devil, The Exorcism happens during a production. Although the former takes place on a live network talk show, the latter is on an active sound stage. Hopefully, it won’t be entirely serious and we’ll get some meta chuckles out of it.

The film will open in theaters on June 7, but since Shudder also acquired it, it probably won’t be long after that until it finds a home on the streaming service.

Crowe plays, “Anthony Miller, a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter, Lee (Ryan Simpkins), wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg and David Hyde Pierce.”

Crowe did see some success in last year’s The Pope’s Exorcist mostly because his character was so over-the-top and infused with such comical hubris it bordered on parody. We will see if that is the route actor-turned-director Joshua John Miller takes with The Exorcism.

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