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The Best Horror Posters of 2020
Films are artistic processes from beginning to end, including the posters that are made to promote them. Movie posters have always been something that I particularly pay attention to, and it’s obvious when real work is put into it and when it’s not. It’s easy to take an interesting still from a movie and turn it into a decent poster, but there are many amazing graphic designers who make incredibly thought out, compelling posters that deserve to be shouted out. Here are the best of the best posters that came with horror movies this year.
The Best Horror Posters of 2020
Scream, Queen! My Nightmare on Elm Street
Somehow by showing just the crotch of a guy, this became one of this year’s most memorable posters. Based on the life of the star of A Nightmare on Elm Street 2: Freddy’s Revenge (1985), the poster focuses on the iconic dance scene in the sequel with the addition of Freddy’s glove to know what it’s all about: the grip the film had on the star’s sexuality. It also simply combines a neon ‘80s aesthetic with the animation of the poster making it overall very eye catching.
Saint Maud
Saint Maud is the one that got away: supposed to be released in April, the film got blasted into the unknown from COVID, at least in America. While I can’t enjoy what was my most anticipated film of this year, we can still appreciate the collection of beautiful posters released for the film. In particular I love the ones that combine elements of medieval art with the protagonist.
The Berlin Bride
There are so many things to love about this surreal masterpiece, but the posters are particularly vintage, spooky, and mysterious. What’s better than that is the filmmakers also made a motion poster, which you can check out above. As a weird, disjointed film that emulates ‘80s filmmaking, these posters represent it well.
She Dies Tomorrow
A lot of the posters that caught my eye this year are pretty much swirls of purple, and I’m going to own it. This poster for She Dies Tomorrow is inspired by the colorfully lighted scenes of epiphany in the film and the wavy pattern alluding to the themes of spreading fear from person to person that the film deals with.
Vivarium
This bleak millennial satire has a lot of style, but its posters have even more. I love the surrealist approach that was taken to these posters, that all see the home as a strange, off putting structure. I love the intense and bizarre color scheme and that they are all clearly drawn.
Luz
Luz was a dreamy possession gem that came out this year and has two both crazy cool posters. Both are playing off of the possession aspects, with the torn poster showing the different people underneath the tears and the yellow poster showing a stylized and striking possession within the film.
The Wolf of Snow Hollow
Minimalism done well is always so satisfying. This poster, at first glance resembles a werewolf, then when you look closer you see it’s just a man walking in snow. That’s basically the plot of this movie: less werewolf, more director and main star Jim Cummings walking through snow. And that’s definitely not a bad thing when it comes to both the poster and movie.
Synchronic
How can you NOT look at this poster and be interested in what the film has to say? This time travel thriller wants you to know that it’s not like other time travel movies, and definitely not Tenet. This poster also takes a surrealist approach to turn the earth into a spiral, and then have the skin of the spiral be stylized with different historical ages. It is both beautiful and intriguing, which is on par with directing duo Aaron Morehead and Justin Benson.
I’m Thinking of Ending Things
Some might not see this as a horror movie, but it was marketed as one and therefore going on the list. Both of these posters are unique, eye catching, and expertly use framing to create a beautiful image. The colors pop and are complementary to each other, and both had me curious about the content of the movie. This movie is definitely a hard one to capture with just a poster, so I think these were both good efforts for such a off-kilter flick.
VFW
This poster tells me exactly what I want to know: Stephen Lang is in this. VFW is a fun heist flick where a VFW gets attacked by a gang of violent punks, aka we get some action from old veterans. It’s one of the basic types of posters where the entire cast is organized by how much they’re in the film, but still finds a way to stand out in its style with bright neon colors and looks more artistically painted than an actual picture.
Porno
There’s a lot going on in this picture and that’s just about what I’d expect from a movie called Porno. This excels as one of the “drawn” posters and also has a bit of a grindhouse feel. I also love its use of very vivid colors and hellfire everywhere, making it one of the best horror posters of 2020.
Uncle Peckerhead
This poster isn’t exactly anything new, but it uses a familiar look to still make a popping poster. The color combinations work well and the gory look appeals to the horror fan in me. I love the zombie figure, Uncle Peckerhead himself, looming large over the rest of the cast as the true star he is with a really good zombie look that is sure to attract many.
His House
The fantastic Netflix film His House has two equally interesting posters. Both are putting a mysterious nature on the structure of the home, painting it as a dark entity, which is accurate. The shadow one has a great minimalist design that draws the eye, and the broken house one is interesting with its symmetry and color scheme.
Scare Me
Scare Me was such an unexpected gem for me, and I would have never checked it out if not for its stylish poster. A film about two horror writers telling scary stories, this poster has the actors and other set pieces rising out of a book and look like they were cut out of a magazine and put together like a collage. It perfectly captures the lighthearted but dark nature of the film.
Blood Quantum
This punk indigenous zombie movie has a great look that seeps to the poster. The film has a subtle grindhouse aesthetic that I feel is reflected but with modern taste in its posters. They also have great framing and a beautiful deep warm color to them that hints at a Mad Max: Fury Road apocalyptic feel, which is accurate to the film.
The year 2020 may have been a disaster, but graphic designers are still out here doing important work, helping to sell films that have often had to find their footing in the wild west of streaming services. I am excited to see what exciting horror film posters 2021 brings. What was your best horror poster of 2020? Let us know in the comments!
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News
Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel
Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.
According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.
Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.
As for The Exorcism, Collider provides us with what it’s about:
“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “
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Movies
New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie
Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.
This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.
Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.
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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film
Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.
This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.
However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.
Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”
At this time, Lionsgate has not offered any comment about this issue.
The full statement made by the cast can be found below.
OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):
1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.
2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.
Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!
3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.
A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:
As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.
While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.
We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.
Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello
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