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TADFF: The Pierce Brothers on ‘The Wretched’ and the Love of Horror
Kelly McNeely: As brothers, how did you both get involved in filmmaking? You mentioned that your dad did effects and worked on The Evil Dead, which is really, really cool… was that always just part of your life growing up?
Drew Pierce: Yeah, we I think we just watched my dad and all the guys that were part of The Evil Dead, they were continuing even after Evil Dead, they were still making shorts and stuff. So we’d see that whole process and hear the legends of producing that movie. But then when we got into high school, we were in the TV class, so we’re shooting sports events, but doing our own little shorts on the side. And then towards the end of High School — with all of our friends — we’re just shooting features over the summer. Nobody had any rent to pay. And everybody’s just like, “hey, you want to go shoot for a couple of weeks?” And we made a couple of bad horror movies and action movies.
Brett Pierce: It was our camera and our friends are all the actors, and we cut them together. And then we’d rent the local movie theater and invite all of our friends and family. We’d all watch them. I mean, they were fun. That was like our film school.
Drew Pierce: I went to animation school, and Brett went off to film school. And I basically pursued that — I finished and moved out to Los Angeles with Brett, and I got a job and worked on Futurama doing animation, and I did that for a while. And Brett was working in animation and reality TV, all the while trying to get our bigger feature ideas going.
We shot a very indie horror comedy years back called Deadheads, which is like a very sweet, fun roadtrip zombie movie. And we totally embraced our super low budget with that movie. I love that movie, it’s got such sweet lovable characters that people still respond to, which is just cool. And then we’ve been ramping up to make our straight horror movie, because that’s where our passions lie.
Brett Pierce: And I feel like we had to make Deadheads and do everything wrong to learn how to do it — hopefully more the right way with this one. So yeah, I mean, I love that movie, but it’s just like, when I think about how we made it, all those decisions were mostly moronic and uninformed [laughs]. So yeah, it was great.
Kelly McNeely: The sound design and lighting design for the film are so detailed and delicate and really rich, and I love that element. How much of that were you guys involved in? Did you just have really incredible designers?
Drew Pierce: Every second. We had really good people too, Eliot Connors, we got lucky enough that he was our sound designer. The hallmark of bad horror is poor sound design; you can’t make a scare scary without great sound design. And we actually tracked him down because we were big fans — Brett was a big fan of his video game work.
Brett Pierce: I played the latest Resident Evil game, and I loved it, and the sound design was really cool. And there’s actually a creature in it that’s kind of similar to our creature, and it’s like, oh, he does really good horror stuff, and we’re an indie film, so we don’t have a lot of money. So let me find this guy and maybe he’ll want to do it.
Drew Pierce: We got him to watch or movie, and he loved it. And we looked up his IMDb and realized, oh, he’s doing major Hollywood movies, like he did all the DC Superhero Movies.
Brett Pierce: Yeah, he was finishing up Aquaman when we met with him. We didn’t know that!
Drew Pierce: He just did The Fast and the Furious spinoff, I think he’s doing Frozen 2 right now. Got some big projects on his way. But you know, they can they can wait for us [laughs]. But yeah, I mean, roping him in was just huge for us. He just took the quality up — we’re trying to punch our way up to quality, and it’s a tough game.
Brett Pierce: But he just really liked the movie and he could tell that we were 100% and passionate, and he was like, I have this window where I’m not that busy. Usually I’m always busy, but if you guys can get me the movie and a finished edit, I’ll do it. And it was one of the best experiences ever, actually.
Drew Pierce: And then our score, we just happened to be friends with since second grade, he’s a really talented composer. His name’s Devin Burrows. Just super talented, loves movies, he actually shares a lot of the same sensibilities and the language that we do about movies.
Brett Pierce: He’s actually only done our two movies. He’s never done any other scores.
Drew Pierce: We’re big fans of, like, traditional filmatic kind of John Williams-y stuff. I mean, a lot of different horror composers and stuff too, but he’s totally in that wheelhouse. And the best part about knowing him so well is that we work with him usually, like, a year in advance of shooting a movie, because we’ll start to develop themes that sometimes influence the script and how we shoot scenes, and the feel of the movie and then, you know, by the end of actually editing the movie, we’re just kind of tweaking.
Brett Pierce: And then in the lighting department, it was funny because we actually had a director of photography on board. And last minute, he couldn’t do the movie, and he dropped out. So Drew is literally looking up, like, Director of Photography reels on Vimeo. He’s just looking and looking and he found this one, he loved it, and he sent it to me. We started talking to him, his name is Conor Murphy. He had a really, really beautiful reel, it was super impressive, but he’d never actually shot a movie before. He’d just done short films, some music videos, a little bit of commercial work…
Drew Pierce: You know that somebody’s hungry though when they’ve shot — some ridiculous number — like, 20 short films that are out. Nobody shoots short films thinking “I want to shoot more short films”. They make shorts because they want to make features — they’re hungry. Most people, they get into the commercial game if they want to make money to shoot features, so we knew he was hungry, and we called him up and he was like, “I’ve had dreams that a dream witch movie would just come across my plate”. He was just a huge find for us.
Brett Pierce: He came out with us and we got snowed in for a month in a cabin in Michigan before we ready to shoot — it was freezing cold — and all we did was storyboard the movie from beginning to end and shot list the whole thing, and watch movies that we love that we saw as being kind of similar in look. And so it was kinda like the best thing ever, all we did was storyboard, eat delicious stew and drink whiskey for a month [laughs].
Drew Pierce: We couldn’t do anything, it was the best way to work because we were literally trapped inside. And we were going to shoot our summer movie in about a month, so we were like, hopefully it thaws! [laughs]
Kelly McNeely: It’s like a little Misery situation, without the Annie Wilkes. Just isolate yourself and work. You mentioned having a shared language when it comes to film, and again isolating yourself in a cabin and just digging into it… what were the influences or inspirations for you guys, what did you really pull from?
Brett Pierce: I mean, we always say Fright Night because we think that’s super obvious. We love Fright Night. It’s also Rear Window... the reason we gave the character a cast on his arm is because of the cast on the leg in Rear Window, because we love those movies. John Carpenter films, earlier John Carpenter, like Halloween is a big influence on a lot of the lighting choices and lens choices — we shot on anamorphic lenses — but other movies, like there’s a little bit of ET in there. It’s just a lot of movies we grew up with.
Drew Pierce: People think we’ve got an Amblin vibe. We’re kind of at this point where it’s really popular right now to do — since Stranger Things — it’s really popular to do like a throwback horror style. We didn’t want to go too far that way; a lot of people, when they first read the script, they’re like, oh, you should make it 80s. But we’re like… everybody’s doing that! We wanted to make it modern day.
Brett Pierce: And then there’s that one thing — because we had watched so many horror films — where they plan it pre-cell phones and the internet, because that takes away a lot of the easy ways for characters to escape or get out of a situation. So we were like, I want to firmly plan it where there are cell phones and the internet, and still have it work.
Drew Pierce: It’s a challenge, because at any moment in the story, when scary things happen, somebody can always bust out their cell phone and find safety.
Brett Pierce: That’s why you have characters go to remote locations, because cell phones can always not work.
Kelly McNeely: It takes away that safety net.
Drew Pierce: Yeah, nobody loves the scene, though, when the person is like, “Oh no! I’m not getting service!” [laughs]
Brett Pierce: It’s so boring [laughs].
Drew Pierce: “Where’s the bars?!” Yeah.
Kelly McNeely: But there’s something so effective about that, I think, because we’re all so attached to our phones as well, that as soon as you see that, there’s a deep part inside of you that’s like [clutches heart] “…Oh my god… they don’t have reception!”
Brett Pierce: Yeah, exactly! [laughs]
Drew Pierce: Yeah! [laughs] Like when you leave your cell phone at home, it’s like [dramatically] “what am I going to do?!” [laughs] What everybody used to do… for thousands of years.
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Movies
Trailer for ‘The Exorcism’ Has Russell Crowe Possessed
The latest exorcism movie is about to drop this summer. It’s aptly titled The Exorcism and it stars Academy Award winner turned B-movie savant Russell Crowe. The trailer dropped today and by the looks of it, we are getting a possession movie that takes place on a movie set.
Just like this year’s recent demon-in-media-space film Late Night With the Devil, The Exorcism happens during a production. Although the former takes place on a live network talk show, the latter is on an active sound stage. Hopefully, it won’t be entirely serious and we’ll get some meta chuckles out of it.
The film will open in theaters on June 7, but since Shudder also acquired it, it probably won’t be long after that until it finds a home on the streaming service.
Crowe plays, “Anthony Miller, a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter, Lee (Ryan Simpkins), wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg and David Hyde Pierce.”
Crowe did see some success in last year’s The Pope’s Exorcist mostly because his character was so over-the-top and infused with such comical hubris it bordered on parody. We will see if that is the route actor-turned-director Joshua John Miller takes with The Exorcism.
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Win a Stay at The Lizzie Borden House From Spirit Halloween
Spirit Halloween has declared that this week marks the start of spooky season and to celebrate they are offering fans a chance to stay at the Lizzie Borden House with so many perks Lizzie herself would approve.
The Lizzie Borden House in Fall River, MA is claimed to be one of the most haunted houses in America. Of course one lucky winner and up to 12 of their friends will find out if the rumors are true if they win the grand prize: A private stay in the notorious house.
“We are delighted to work with Spirit Halloween to roll out the red carpet and offer the public a chance to win a one-of-a-kind experience at the infamous Lizzie Borden House, which also includes additional haunted experiences and merchandise,” said Lance Zaal, President & Founder of US Ghost Adventures.
Fans can enter to win by following Spirit Halloween‘s Instagram and leaving a comment on the contest post from now through April 28.
The prize also includes:
An exclusive guided house tour, including insider insight around the murder, the trial, and commonly reported hauntings
A late-night ghost tour, complete with professional ghost-hunting gear
A private breakfast in the Borden family dining room
A ghost hunting starter kit with two pieces of Ghost Daddy Ghost Hunting Gear and a lesson for two at US Ghost Adventures Ghost Hunting Course
The ultimate Lizzie Borden gift package, featuring an official hatchet, the Lizzie Borden board game, Lily the Haunted Doll, and America’s Most Haunted Volume II
Winner’s choice of a Ghost Tour experience in Salem or a True Crime experience in Boston for two
“Our Halfway to Halloween celebration provides fans an exhilarating taste of what’s to come this fall and empowers them to start planning for their favorite season as early as they please,” said Steven Silverstein, CEO of Spirit Halloween. “We have cultivated an incredible following of enthusiasts who embody the Halloween lifestyle, and we’re thrilled to bring the fun back to life.”
Spirit Halloween is also preparing for their retail haunted houses. On Thursday, August 1 their flagship store in Egg Harbor Township, NJ. will officially open to start off the season. That event usually draws in hordes of people eager to see what new merch, animatronics, and exclusive IP goods will be trending this year.
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Movies
’28 Years Later’ Trilogy Taking Shape With Serious Star Power
Danny Boyle is revisiting his 28 Days Later universe with three new films. He will direct the first, 28 Years Later, with two more to follow. Deadline is reporting that sources say Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes have been cast for the first entry, a sequel to the original. Details are being kept under wraps so we don’t know how or if the first original sequel 28 Weeks Later fits into the project.
Boyle will direct the first movie but it’s unclear which role he will take on in the subsequent films. What is known is Candyman (2021) director Nia DaCosta is scheduled to direct the second film in this trilogy and that the third will be filmed immediately afterward. Whether DaCosta will direct both is still unclear.
Alex Garland is writing the scripts. Garland is having a successful time at the box office right now. He wrote and directed the current action/thriller Civil War which was just knocked out of the theatrical top spot by Radio Silence’s Abigail.
There is no word yet on when, or where, 28 Years Later will start production.
The original film followed Jim (Cillian Murphy) who wakes from a coma to find that London is currently dealing with a zombie outbreak.
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