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‘Split’ Finds Shyamalan Whole Again – Film Review

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Split

If The Visit was M. Night Shyamalan’s return voyage in the open waters of the low-budget horror-thriller, Split is where he’s found his sea legs.

Shyamalan has again teamed up with Blumhouse Productions (Paranormal Activity, Insidious, The Conjuring) to create a film that allows him to explore his creative storytelling without the pressures of a big-budget fantasy feature.

via IMDb

In Split, Kevin, a man with 23 unique personalities, abducts three teenage girls to prepare for the arrival of his 24th and final personality, “The Beast”. The unfortunate trio are abducted in broad daylight and brought to an underground bunker where they must try to escape their ominous and unknown fate.

Anya Taylor-Joy – who has secured her place as the new genre darling after her roles in The Witch and Morgan – plays Casey, a troubled teen who becomes the de facto leader of the group after demonstrating her quick wit and observational skills.

Taylor-Joy adds a doe-eyed, terrified, still-waters-run-deep balance in her scenes with James McAvoy. She successfully holds her own, which is no easy feat here.

via IMDb

McAvoy delivers an impressive full-throttle performance with all the delicate twists and turns of an extreme roller coaster. His physicality morphs and adapts to each personality as it takes control.

You can see each individual personality through his eyes, body language, and facial ticks so clearly that it’s possible to catch one masquerading as another. McAvoy wholly conquers this fragmented character.

The relationship between Kevin’s personalities and his psychologist, Dr. Fletcher, is like a well-rehearsed waltz on a field full of land mines. One misstep, one stumble, could be devastating. However, there’s an implicit trust that carries the weight of years of work and understanding. Her devotion to her patients is respectful and, overall, quite beautiful.

via IMDb

Cinematographer Mike Gioulakis, whose stunning work you might have seen in It Follows, brings his talents to the structure of each scene. Close-up shots are frequently implemented to bring a tight focus on the skill of the actors. The viewer is tuned in to every minute change in expression and click of a sudden realization.

The sets and lighting echo the dichotomy between Kevin’s dark, dizzying, claustrophobic underground maze and Dr. Fletcher’s airy, bright and welcoming office. Every scene in Kevin’s lair left me with conflicting feelings; the action was so fantastic I didn’t want it to end, but by god did I want to be anywhere other than that dark hold.

via IMDb

Split focuses on Dissociative Identity Disorder (DID), but doesn’t feel exploitative or flippant in its portrayal. Shyamalan has previously referenced his interest in the concept of multiple personalities. As he discussed in an interview with iHorror’s David Grove, he’s “always been fascinated with the elements of psychology”.

As one of the most controversial disorders with no clear method of diagnosis, it’s quite refreshing to see DID discussed openly and with an appropriate attention. In Split, the psychological process is the whole focus of the film. DID is not a throwaway plot twist, it’s a defense mechanism to severe abuse and trauma.

At the risk of saying too much, that’s what Split is all about; the adjustments we make to respond to and cope with a bad situation.

via Universal Pictures

Overall, Split is a challenging thriller with as many leaps and bends as Kevin’s internal struggle. It dives into an exploration of our personal belief system and what physical affects those commitments can have.

With moments of dark comedy mixed in with high tension, it’s a genuinely engaging film. Above all else, Split is the perfect evidence that we have entered the renaissance of M. Night Shyamalan. I, for one, can’t wait to see what’s next.

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Melissa Barrera Says Her ‘Scream’ Contract Never Included a Third Movie

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The Scream franchise has done a major overhaul to its original script for Scream VII after its two main leads departed production. Jenna Ortega who played Tara Carpenter left because she was overly booked and blessed while her co-star Melissa Barrera was fired after making political comments on social media.

But Barrera isn’t regretting any of it. In fact, she is happy where the character arc left off. She played Samantha Carpenter, the latest focus of the Ghostface killer.

Barrera did an exclusive interview with Collider. During their talk, the 33-year-old says she fulfilled her contract and her character Samantha’s arc finished at a good spot, even though it was meant to be a trilogy.

“I feel like the ending of [ Scream VI ] was a very good ending, and so I don’t feel like ‘Ugh, I got left in the middle.’ No, I think people, the fans, were wanting a third movie to continue that arc, and apparently, the plan was a trilogy, even though I was only contracted for two movies.

So, I did my two movies, and I’m fine. I’m good with that. I got two – that’s more than most people get. When you’re on a TV show, and it gets canceled, you can’t harp on things, you gotta move on.

That’s the nature of this industry too, I get excited for the next job, I get excited for the next skin I get to put on. It’s exciting to create a different character. So yeah, I feel good. I did what I set out to do. It was always meant to be two movies for me, ’cause that was my contract, and so everything is perfect.”

The entire production of the original seventh entry has moved on from the Carpenter’s storyline. With a new director and new script, production will resume, including the return of Neve Campbell and Courtney Cox.

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Read Reviews For ‘Abigail’ The Latest From Radio Silence

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The review embargo has lifted for the vampire horror movie Abigail and the reviews are abundantly positive. 

Matt BettinelliOlpin and Tyler Gillett of Radio Silence are getting early praise for their latest horror movie which opens on April 19. Unless you’re Barbie or Oppenheimer the name of the game in Hollywood is about what kind of box office numbers you pull on opening weekend and how much they drop thereafter. Abigail could be this year’s sleeper. 

Radio Silence is no stranger to opening big, their Scream reboot and sequel packed fans into seats on their respective opening dates. The duo are currently working on another reboot, that of 1981’s Kurt Russel cult favorite Escape From New York

Abigail

Now that ticket sales for GodzillaxKong, Dune 2, and Ghostbusters: Frozen Empire have gathered patina, Abigail could knock A24’s current powerhouse Civil War from the top spot, especially if ticket buyers base their purchase off reviews. If it is successful, it could be temporary, since Ryan Gosling and Emma Stone’s action comedy The Fall Guy opens on May 3, just two weeks later.

We have gathered pull quotes (good & bad) from some genre critics on Rotten Tomatoes (score for Abigail currently sits at 85%) to give you an indicator of how they are skewing ahead of its release this weekend. First, the good:

“Abigail is a fun, bloody ride. It also has the most lovable ensemble of morally grey characters this year. The film introduces a new favorite monster into the genre and gives her room to take the biggest swings possible. I lived!” — Sharai Bohannon: A Nightmare On Fierce Street Podcast

“The standout is Weir, commanding the screen despite her small stature and effortlessly switching from apparently helpless, terrified child to savage predator with a mordant sense of humor.” — Michael Gingold: Rue Morgue Magazine

“‘Abigail’ sets the bar as the most fun you can have with a horror movie of the year. In other words, “Abigail” is horror on pointe.” — BJ Colangelo: Slashfilm

“In what may become one of the greatest vampire movies of all time, Abigail provides an extremely bloody, fun, humorous & fresh take on the subgenre.” — Jordan Williams: Screen Rant

“Radio Silence have proven themselves as one of the most exciting, and crucially, fun, voices in the horror genre and Abigail takes this to the next level.” — Rosie Fletcher: Den of Geek

Now, the not-so-good:

“It’s not badly made, just uninspired and played out.” — Simon Abrams: RogerEbert.com

A ‘Ready or Not’ redux running on half the steam, this one-location misfire has plenty of parts that work but its namesake isn’t among them.” –Alison Foreman: indieWire

Let us know if you are planning to see Abigail. If or when you do, give us your hot take in the comments.

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Ernie Hudson To Star In ‘Oswald: Down The Rabbit Hole’

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Ernie Hudson

This is some exciting news! Ernie Hudson (Ghostbusters 1984, The Crow 1994) is set to star in the upcoming horror film titled Oswald: Down The Rabbit Hole. Hudson is set to play the character Oswald Jebediah Coleman who is a brilliant animator that is locked away in a terrifying magical prison. No release date has been announced yet. Check out the announcement trailer and more about the film below.

ANNOUNCEMENT TRAILER FOR OSWALD: DOWN THE RABBIT HOLE

The film follows the story of “Art and some of his closest friends as they help track down his long-lost family lineage. When they find and explore his Great-Grandpa Oswald’s abandoned home, they encounter a magical TV that teleports them to a place lost in time, shrouded by dark Hollywood Magic. The group finds that they are not alone when they discover Oswald’s come-to-life cartoon Rabbit, a dark entity that decides their souls are it’s for the taking. Art and his friends must work together to escape their magical prison before the Rabbit gets to them first.”

First Look Image at Oswald: Down the Rabbit Hole

Ernie Hudson stated that “I am excited to work with everyone on this production. It’s an incredibly creative and smart project.”

Director Stewart also added “I had a very specific vision for Oswald’s character and knew I wanted Ernie for this role from the start, as I’ve always admired iconic cinematic legacy. Ernie is going to bring Oswald’s unique and vengeful spirit to life in the best way possible.”

First Look Image at Oswald: Down the Rabbit Hole

Lilton Stewart III and Lucinda Bruce are teaming up to write and direct the film. It stars actors Ernie Hudson (Ghostbusters 1984, The Crow 1994), Topher Hall (Single Drunk Female 2022), and Yasha Rayzberg (A Rainbow in the Dark 2021). Mana Animation Studio is helping produce the animation, Tandem Post House for post-production, and VFX supervisor Bob Homami is also helping. The budget for the film currently sits at $4.5M.

Official Teaser Poster for Oswald: Down the Rabbit Hole

This is one of many classic childhood stories that are being turned into horror films. This list includes Winnie the Pooh: Blood and Honey 2, Bambi: The Reckoning, Mickey’s Mouse Trap, The Return of Steamboat Willie, and many more. Are you more interested in the film now that Ernie Hudson is attached to star in it? Let us know in the comments below.

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