Connect with us

News

Shudder Brings on Witches, Zombies, and Horror Legends in January 2021!

Published

on

Shudder January 2021

I swear I wrote about the lineup for Shudder’s January 2020 schedule about eight years ago. Believe it or not, this year is almost over and it’s time to turn our attention to 2021 and all the horror goodies the all horror/thriller streaming service has lined up for fans.

From season two of A Discovery of Witches to a tribute to the iconic Peter Cushing, Shudder is going to give you plenty of reasons to stay in out of the cold through January. Take a look at the complete list below!

January 4th:

Super Dark Times: Zach and Josh are best friends growing up in the ‘90s in the suburbs—where teenage life revolves around hanging out, looking for kicks, navigating first love and vying for popularity. When a traumatic incident drives a wedge between the previously inseparable pair, their youthful innocence abruptly vanishes. Each processes the tragedy in his own way, until circumstances grow increasingly complex and spiral into violence. (Also available on Shudder Canada, Shudder UK, and Shudder ANZ)

Fingers: When an employee shows up to work with a missing pinky, it awakens demons in his boss that she never knew she harbored. Directed by Juan Ortiz. (Also available on Shudder Canada, Shudder UK, and Shudder ANZ)

January 9th:

A Discovery of Witches Season 2: SHUDDER/SUNDANCE NOW ORIGINAL SERIES. The highly anticipated return of the smash hit series based on the best-selling All Souls novels by Deborah Harkness. Season two sees Matthew (Emmy-nominated Matthew Goode, Downton Abbey) and Diana (Teresa Palmer, Hacksaw Ridge) hiding in time in the fascinating and treacherous world of Elizabethan London where they must find a powerful witch to help Diana master her magic and search for the elusive Book of Life. In the present day however, their enemies have not forgotten them. New episodes premiere every Saturday through the end of the season! (Also available on Shudder Canada)

January 11th:

Before the FireAs a global pandemic engulfs Los Angeles, rising TV star Ava Boone is forced to flee the mounting chaos and return to her rural hometown. As she struggles to acclimate to a way of life she left behind long ago, her homecoming attracts a dangerous figure from her past—threatening both her and the family that serves as her only sanctuary. (Also available on Shudder Canada, Shudder UK, and Shudder ANZ)

Cub: A boy scout on a camping trip realizes something evil is in the woods, but the other scouts, who love to pick on Sam, don’t buy his story. What nobody knows is that a deranged poacher and his feral son have booby-trapped the entire area and are eager to test out their toys on the clueless children.

The Pit: Twelve-year old Jamie is an outcast in his small town—he is bullied, he shows signs of being a sexual deviant, and he has no friends aside from his demonic teddy bear, Teddy. Influenced by commands he hears from Teddy, Jamie lures his unsuspecting tormentors one by one to a forest pit that he has discovered on the outskirts of town, so that they can be devoured by the man-eating troglodytes that dwell at the bottom of The Pit.

Celia: An imaginative and somewhat disturbed young girl fantasizes about evil creatures and other oddities to mask her insecurities while growing up in rural Australia. (Also available on Shudder Canada and Shudder UK)

January 14th:

Hunted: A SHUDDER ORIGINAL. What started as a flirtatious encounter at a bar turns into a life-or-death struggle as Eve becomes the unknowing target of a misogynistic plot against her. Forced to flee as two men pursue her through the forest, she’s pushed to her extremes while fighting to survive—but survival isn’t enough for Eve. She will have revenge. A modern and radical take on the Little Red Riding Hood fable, Hunted is an exhilarating, transcendent, and frequently brutal survival tale that elevates itself with the power of myth and magic, while still holding an exacting mirror to present-day society.

January 18th: Starring Peter Cushing Collection

Peter Cushing was one of the finest actors in the history of horror cinema with a career that spanned six decades and more roles that most actors could dream of in a lifetime. Shudder honors the man himself with four films that provide just a glimpse of the actor’s talent.  All four films are also available on Shudder Canada.

And Now the Screaming Starts: At the end of the 1700’s, Catherine and Charles’ honeymoon is thrown into chaos when she is raped and impregnated by a ghost. Before long, they’ve got to contend with a murderous severed hand, a skeptical psychiatrist, and other creepy circumstances.

Asylum: In order to secure a job at a mental institution, a young psychiatrist must interview four patients inside the asylum and hear their terrifying stories.

The Beast Must Die: A group of guests at a country house learn that one of them is secretly a werewolf in this supernatural mystery which famously included a “Werewolf Break” where audience members could guess who the guilty party is. Among the many suspects are an archaeologist, a piano player and diplomat, all of whom must submit to a series of strange werewolf tests.

The Flesh and the Fiends: Horror audiences have long been fascinated by the tale of Robert Knox, a Scottish doctor who in 1828 became notorious for his complicity in a series of murders committed by grave robbers Burke and Hare, who received cash in exchange for fresh cadavers. John Gilling’s exceptionally eerie 1960 retelling, unlike John Landis’ 2010 slapstick BURKE & HARE, is historically accurate right down to Knox’s lazy left eye.

January 19th:

The Wolf House: Maria, a young woman, finds refuge in a house in the south of Chile after escaping from a sect of German religious fanatics. She is welcomed into the home by two pigs, the only inhabitants of the place. Like in a dream, the universe of the house reacts to Maria’s feelings. The animals transform slowly into humans and the house becomes a nightmarish world. Inspired by the actual case of Colonia Dignidad, “The Wolf House” masquerades as an animated fairy tale produced by the leader of the sect in order to indoctrinate its followers. The film won the Best Animated Film Award from the Boston Society of Film Critics in 2020. (Also available on Shudder Canada)

January 21st:

The Walking Dead: World Beyond: The most recent series in The Walking Dead Universe comes to Shudder. The Walking Dead: World Beyond delves into a new mythology and story that follows the first generation raised in the surviving civilization of a post-apocalyptic world. Two sisters along with two friends leave a place of safety and comfort to brave dangers, known and unknown, living and undead, on an important quest. Pursued by those who wish to protect them and those who wish to harm them, a tale of growing up and transformation unfurls across dangerous terrain, challenging everything they know. All episodes will be available to stream on the same day!

January 25th:

Nightbreed: The Clive Barker classic returns to the streaming platform! Aaron is tormented by visions of monstrous, graveyard-dwelling creatures. But his creepy therapist offers little solace. When he’s framed for serial slayings in the area, he heads for Midian, a place where undead monsters known as the “Nightbreed” live. (Also available on Shudder Canada)

Rawhead Rex: Based on the Clive Barker story from The Books of Blood! He’s pure evil… pure power… pure terror! RawHead Rex is a demon, alive for millennia, trapped in the depths of hell and waiting for release. He is held by an ancient seal, imprisoned for centuries in a barren field near the hamlet of Rathmore, Ireland. In time, this gruesome legacy has been forgotten, dismissed as an odd pre-Christian myth until Tom Garron decides to plow the field his ancestors knew better than to disturb. The seal is broken, and an unspeakable evil is unleashed. (Also available on Shudder Canada)

January 26th:

The Untold Story: After a severed hand washes up on a Macao beach, Police suspect Wong Chi Hang, the new owner of The Eight Immortals restaurant, famous for their delicious pork buns. The hands belong to the missing mother of the restaurant’s former owner who has disappeared along with the rest of his family. Staff at the restaurant continue to go missing but the police can’t find any hard evidence. Can they make him talk? And what was in those famous pork buns? (Also available on Shudder Canada)

The Woman: A man imprisons a violent, feral woman and enlists his family to help civilize her. Terrified of his domineering ways, his wife and daughters reluctantly go along with his plan. But his horny son needs no encouragement to start his own abusive treatment of the woman. Lucky McKee and Jack Ketchum’s shocking tale of American sadism is one of the most provocative horror films of the decade, unflinching in its depiction of extreme violence inflicted on women and the horror of unchecked male privilege. (Also available on Shudder Canada and Shudder UK)

January 28th:

The Queen of Black Magic: A SHUDDER ORIGINAL. The sins of the past come back with a vengeance in this new film from two of Indonesia’s modern masters of horror, director Kimo Stamboel (Headshot) and writer Joko Anwar (Satan’s SlavesImpetigore). A family travels to the distant, rural orphanage where the father was raised to pay their respects to the facility’s gravely ill director. But his and his best friends’ homecoming turns into a terrifying supernatural ordeal that threatens their and their families’ lives: someone is using dark magic to avenge evil deeds, long buried but not forgotten. Stamboel’s film is a reimagining of the 1981 Indonesian horror classic of the same name.

'Civil War' Review: Is It Worth Watching?

Lists

Thrills and Chills: Ranking ‘Radio Silence’ Films from Bloody Brilliant to Just Bloody

Published

on

Radio Silence Films

Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

#1. Abigail

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.

Abigail

#2. Ready or Not

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

Ready or Not

#3. Scream (2022)

While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Scream (2022)

#4 Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

Southbound

#5. V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

V/H/S

#6. Scream VI

Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

Scream VI

#7. Devil’s Due

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.

Devil’s Due

'Civil War' Review: Is It Worth Watching?

Continue Reading

News

Perhaps the Scariest, Most Disturbing Series of The Year

Published

on

You may have never heard of Richard Gadd, but that will probably change after this month. His mini-series Baby Reindeer just hit Netflix and it’s a terrifying deep dive into abuse, addiction, and mental illness. What is even scarier is that it’s based on Gadd’s real-life hardships.

The crux of the story is about a man named Donny Dunn played by Gadd who wants to be a stand-up comedian, but it’s not working out so well thanks to stage fright stemming from his insecurity.

One day at his day job he meets a woman named Martha, played to unhinged perfection by Jessica Gunning, who is instantly charmed by Donny’s kindness and good looks. It doesn’t take long before she nicknames him “Baby Reindeer” and begins to relentlessly stalk him. But that is just the apex of Donny’s problems, he has his own incredibly disturbing issues.

This mini-series should come with a lot of triggers, so just be warned it is not for the faint of heart. The horrors here don’t come from blood and gore, but from physical and mental abuse that go beyond any physiological thriller you may have ever seen.

“It’s very emotionally true, obviously: I was severely stalked and severely abused,” Gadd said to People, explaining why he changed some aspects of the story. “But we wanted it to exist in the sphere of art, as well as protect the people it’s based on.”

The series has gained momentum thanks to positive word-of-mouth, and Gadd is getting used to the notoriety.

“It’s clearly struck a chord,” he told The Guardian. “I really did believe in it, but it’s taken off so quickly that I do feel a bit windswept.”

You can stream Baby Reindeer on Netflix right now.

If you or someone you know has been sexually assaulted, please contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673) or go to rainn.org.

'Civil War' Review: Is It Worth Watching?

Continue Reading

Movies

The Original ‘Beetlejuice’ Sequel Had an Interesting Location

Published

on

beetlejuice in Hawaii Movie

Back in the late ’80s and early ’90s sequels to hit movies weren’t as linear as they are today. It was more like “let’s re-do the situation but in a different location.” Remember Speed 2, or National Lampoon’s European Vacation? Even Aliens, as good as it is, follows a lot of the plot points of the original; people stuck on a ship, an android, a little girl in peril instead of a cat. So it makes sense that one of the most popular supernatural comedies of all time, Beetlejuice would follow the same pattern.

In 1991 Tim Burton was interested in doing a sequel to his 1988 original, it was called Beetlejuice Goes Hawaiian:

“The Deetz family moves to Hawaii to develop a resort. Construction begins, and it’s quickly discovered that the hotel will be sitting on top of an ancient burial ground. Beetlejuice comes in to save the day.”

Burton liked the script but wanted some re-writes so he asked then-hot screenwriter Daniel Waters who had just got done contributing to Heathers. He passed on the opportunity so producer David Geffen offered it to Troop Beverly Hills scribe Pamela Norris to no avail.

Eventually, Warner Bros. asked Kevin Smith to punch up Beetlejuice Goes Hawaiian, he scoffed at the idea, saying, “Didn’t we say all we needed to say in the first Beetlejuice? Must we go tropical?”

Nine years later the sequel was killed. The studio said Winona Ryder was now too old for the part and an entire re-cast needed to happen. But Burton never gave up, there were a lot of directions he wanted to take his characters, including a Disney crossover.

“We talked about lots of different things,” the director said in Entertainment Weekly. “That was early on when we were going, Beetlejuice and the Haunted MansionBeetlejuice Goes West, whatever. Lots of things came up.”

Fast-forward to 2011 when another script was pitched for a sequel. This time the writer of Burton’s Dark Shadows,  Seth Grahame-Smith was hired and he wanted to make sure the story wasn’t a cash-grabbing remake or reboot. Four years later, in 2015, a script was approved with both Ryder and Keaton saying they would return to their respective roles. In 2017 that script was revamped and then eventually shelved in 2019.

During the time the sequel script was being tossed around in Hollywood, in 2016 an artist named Alex Murillo posted what looked like one-sheets for a Beetlejuice sequel. Although they were fabricated and had no affiliation with Warner Bros. people thought they were real.

Perhaps the virality of the artwork sparked interest in a Beetlejuice sequel once again, and finally, it was confirmed in 2022 Beetlejuice 2 had a green light from a script written by Wednesday writers  Alfred Gough and Miles Millar. The star of that series Jenna Ortega signed on to the new movie with filming starting in 2023. It was also confirmed that Danny Elfman would return to do the score.

Burton and Keaton agreed that the new film titled Beetlejuice, Beetlejuice wouldn’t rely on CGI or other other forms of technology. They wanted the film to feel “handmade.” The film wrapped in November 2023.

It’s been over three decades to come up with a sequel to Beetlejuice. Hopefully, since they said aloha to Beetlejuice Goes Hawaiian there has been enough time and creativity to ensure Beetlejuice, Beetlejuice will not only honor the characters, but fans of the original.

Beetlejuice, Beetlejuice will open theatrically on September 6.

'Civil War' Review: Is It Worth Watching?

Continue Reading