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Review: ‘She Never Died’ Brings Female Fury to an Immortal Tale

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She Never Died

She Never Died is a tangential sequel to 2015’s Henry Rollins-lead He Never Died, which follows Rollins’ Jack as he shuffles through his immortal life with deadpan delivery and a never ending stream of trouble. More spinoff than sequel, She Never Died takes the story of a cannibalistic immortal and twists in a decidedly feminist edge. 

Written by Jason Krawczyk (He Never Died) and directed by Audrey Cummings (Tormented aka Berkshire County), She Never Died follows Lacey (Olunike Adeliyi, Saw 3D: The Final Chapter), a socially detached loner with a vigilante hobby that provides her with the human flesh she needs for sustenance. When one of her food runs catches the attention of a dark web streaming site, Lacey becomes tangled up in a world of underground crime that threatens to destroy her.  

via A71

As a side effect of one of her vigilante justice escapades, Lacey develops a friendship with Suzzie (Kiana Madeira, Level 16), an excitable but jaded sex worker. With her chatty intrusions, Suzzie has all the potential to be an insufferable character, but Madeira is so utterly charming that you’re immediately won over. Even after a traumatic experience, she’s full of light.

Adeliyi as Lacey is rigid and disinterested, but with flashes of intensity that remind you what the character is capable of. It’s a performance that could easily be misinterpreted as wooden, however, the more time we spend with the character, the more it clicks in. It is perhaps unfair to compare her performance with Rollins’ in He Never Died, but it’s difficult not to draw connections when the characters are so matched in their persona. 

She Never Died

via A71

With its change in pronouns, She Never Died brings a female focus to the world of the immortal biblical cannibal. We don’t learn what Lacey’s role is until the very end of the film, but there are limited options from the source material, so you can probably hazard a good guess. That said, not much time is spent on the lore and laws of the character; She Never Died already assumes you’ve seen the first film. While this is fine for anyone who has, those that haven’t might find the loose ends to be a tad confusing. 

She Never Died has some strong female characters at its core, each with their own complexities. Both of our leads are women of color with troubled histories. When we first meet Lacey she is living on the streets. Unlike Jack, she does not have millennia of white male privilege to keep her comfortable. Her newfound friend Suzzie is vibrant, confident, and personable, providing a positive representation of a sex worker. She has depth and personality; she’s eager to get involved, though she is thoroughly independent. And to go against the trope that’s so common in horror films, she isn’t killed or otherwise punished in a gruesome way. 

The “big bad” of the film is a curious character herself. Meredith (Michelle Nolden, RED) runs a human trafficking ring where she shuttles girls off to the highest bidder. It’s a bold operation, and one that’s not typically headed by women. There’s something about it that feels like a betrayal — that calculated destruction of female solidarity. It’s an effective way to establish her as a horrible person and a deeply unethical threat. 

via A71

She Never Died balances themes of judgement and justice, solidarity and independence. Its grander themes of immortality and consequence aren’t fully explored, which is a shame because there are some great opportunities that come with such an open premise. This seems to fall more on the script than the direction, but again, if you have seen the first film it grants a bit more context. 

As a straight film (without the context of a sequel), She Never Died brings a few things to the table. It has an interesting story, some great visuals and tense moments, and fun gore to satisfy the horror hounds. But the plot details on their own — without the proper context — could easily confuse viewers. To get the most out of the film, you really should watch both parts. Think of She Never Died as a companion piece; it can stand on its own, but it’s part of a whole. 

Everyone has their demons, but for She Never Died, the devil is in the details.

 

She Never Died will have its U.S. Premiere at ScreamFest (Hollywood, Los Angeles) on October 10.

She Never Died

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’28 Years Later’ Trilogy Taking Shape With Serious Star Power

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28 years later

Danny Boyle is revisiting his 28 Days Later universe with three new films. He will direct the first, 28 Years Later, with two more to follow. Deadline is reporting that sources say Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes have been cast for the first entry, a sequel to the original. Details are being kept under wraps so we don’t know how or if the first original sequel 28 Weeks Later fits into the project.

Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes

Boyle will direct the first movie but it’s unclear which role he will take on in the subsequent films. What is known is Candyman (2021) director Nia DaCosta is scheduled to direct the second film in this trilogy and that the third will be filmed immediately afterward. Whether DaCosta will direct both is still unclear.

Alex Garland is writing the scripts. Garland is having a successful time at the box office right now. He wrote and directed the current action/thriller Civil War which was just knocked out of the theatrical top spot by Radio Silence’s Abigail.

There is no word yet on when, or where, 28 Years Later will start production.

28 Days Later

The original film followed Jim (Cillian Murphy) who wakes from a coma to find that London is currently dealing with a zombie outbreak.

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Watch ‘The Burning’ At The Location Where It Was Filmed

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Fangoria is reporting that fans of the 1981 slasher The Burning will be able to have a screening of the film at the location where it was filmed. The movie is set at Camp Blackfoot which is actually the Stonehaven Nature Preserve in Ransomville, New York.

This ticketed event will take place on August 3. Guests will be able to take a tour of the grounds as well as enjoy some campfire snacks along with the screening of The Burning.

The Burning

The film came out in the early ’80s when teen slashers were being churned out in magnum force. Thanks to Sean S. Cunningham’s Friday the 13th, filmmakers wanted to get in on the low-budget, high-profit movie market and a casket load of these types of films were produced, some better than others.

The Burning is one of the good ones, mostly because of the special effects from Tom Savini who had just come off of his groundbreaking work on Dawn of the Dead and Friday the 13th. He declined to do the sequel because of its illogical premise and instead signed on to do this movie. Also, a young Jason Alexander who would later go on to play George in Seinfeld is a featured player.

Because of its practical gore, The Burning had to be heavily edited before it received an R-rating. The MPAA was under the thumb of protest groups and political bigwigs to censor violent films at the time because slashers were just so graphic and detailed in their gore.

Tickets are $50, and if you want a special t-shirt, that will cost you another $25, You can get all the information by visiting the On Set Cinema webpage.

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‘Longlegs’ Creepy “Part 2” Teaser Appears on Instagram

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Longlegs

Neon Films released an Insta-teaser for their horror film Longlegs today. Titled Dirty: Part 2, the clip only furthers the mystery of what we are in for when this movie is finally released on July 12.

The official logline is: FBI Agent Lee Harker is assigned to an unsolved serial killer case that takes unexpected turns, revealing evidence of the occult. Harker discovers a personal connection to the killer and must stop him before he strikes again.

Directed by former actor Oz Perkins who also gave us The Blackcoat’s Daughter and Gretel & Hansel, Longlegs is already creating buzz with its moody images and cryptic hints. The film is rated R for bloody violence, and disturbing images.

Longlegs stars Nicolas Cage, Maika Monroe, and Alicia Witt.

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