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Review: ‘Faking a Murderer’ is a Horror-Infused “Unreal” True Crime Story

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Filmmakers (and brothers-in-law) Stu Stone and Adam Rodness have done the documentary format (Netflix’s Jack of All Trades) and are no strangers to horror (Scarecrows, The Haunted House on Kirby Road). Their newest film — Faking a Murderer — is a clever, crazed combination of the two genres, creating a unique, unreal true crime story.

Directed by Stone and co-written by Rodness and Stone, Faking a Murderer follows the two filmmakers on their noble yet perhaps misguided quest to track down a seedy-looking stranger they’ve discovered online who — in a disturbing video — seemingly confesses to a murder. Or at least that’s what they think. Seeing the popularity of true crime shows, they decide to try and turn this discovery into their own killer hit. With the support of a distributor (both moral and financial), Stone and Rodness set off on their journey to try and track down this elusive creep. When they bring the video to law enforcement, they’re told — repeatedly — that it’s really not much to go on, and they’re putting a lot of time and energy into what essentially is a fool’s errand. Determined to make this work, they flex, stretch, and break their budget in pursuit of a hit new crime story. Are they in over their heads? Yes. Is it fun to watch? Absolutely.

There’s a sincerity in Rodness and Stone’s determination (and their performances) that makes for a really endearing and entertaining film. But with that determination comes misguided confidence and unchecked hubris. Stone and Rodness really — really — want this guy to be the murderer they’ve been searching for. There’s a lot lying on the line if they’re wrong, so the question is, how far will they go to make a true crime story… well… true? 

Fans of Digging Up the Marrow will find a kind of familiarity in Faking a Murderer, in which filmmakers — playing themselves — use their experience and resources to investigate a mystery. The marketing for the film avoids the term “mockumentary”, instead promoting it as an “unreal true crime story”. As “unreal” as it is, it feels very true; you’re pulled in by its simple sincerity. Think of it as less Behind the Mask: the Rise of Leslie Vernon and more Catfish-meets-Deliverance, with an energy that slides from silly to somber. 

Throughout the film, Rodness and Stone’s various pitches, interviews, and meetings blur the line between truth and fiction; their conversations are earnest, their energy keen, and their hopes high. It makes it easy to lose your sense of what scenes are carefully crafted versus those that unfold organically. This balance of sincerity and scripted keeps Faking a Murderer grounded and honest, while still stirring in some drama to keep things interesting. 

I won’t speak too much on the film’s final scenes (it’s far more fun to see for yourself), but I will say that it’s a great finish that throws a solid punch, while at the same time, lightheartedly cushioning the blow. There’s an epilogue that sums it all up perfectly and shows that Rodness and Stone don’t take themselves too seriously. 

With Faking a Murderer, Rodness and Stone have created a film that is both grounded and completely off the rails, tossing caution to the wind to chase down a wild story. They’re stubborn and recklessly optimistic, which — in this case — is a winning combination. Faking a Murderer may lean less on the “true” part of true crime, but it sure knows how to be “unreal”.

 

You can find Faking a Murderer on Hollywood Suite, or watch the trailer below

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Yay or Nay: What’s Good and Bad in Horror This Week: 5/13 to 5/17

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Yay

Fall is getting not one but two sequels. It’s great news because now we know bad CGI can be consciously ignored when everything else is so great. 

Yay

A man is labeled a time traveler after allegedly entering a garden shed in his 30s and exiting the next day in his 60s. If the magic is true we can finally go back and talk to Jason Blum right after Paranormal Activity and make him promise to never to touch an Exorcist movie. 

Nay

The Coffee Table. This may be the first time we have suggested spoiling a film before actually seeing it. Wait. Maybe we spoiled Old by suggesting you don’t go see it. 

Nay

Prolific B moviemaker Roger Corman passes away at 98. He gave many actors and directors a chance in Hollywood, some would go on to win major awards. His films were outrageous, often gratuitous but always filled with heart. 

Yay

Clown Motel becomes a trilogy. Cheap Indy horror filmmakers aren’t micromanaged by rich and power studio execs so they can have fun with their material, and what better place to exercise that freedom than at a creepy desert motel in Nevada lorded over by hundreds of clowns. 

Nay

A Jason Universe is announced which promises many lateral “activations” in the Friday the 13th universe. Although the definition of said “activations” is never fully explained it leads us to believe it was a typo for “transactions” so Fortnite players scan by a Jason skin wearing a non-IP regulation hockey mask. 

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[Exclusive Photos & Trailer] Magnificent Films’ Vampire Feature ‘Drained’

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There have been some Vampires in the news this week; I’m not complaining! Sean Cronin and Peter Stylianou’s film Drained is screening at the Cannes Film Festival in France. Drained sounds like it has romantic and supernatural elements, conflict, emotional and psychological depth, and a rich setting. Go ahead and check out the press release below and our exclusive photos & teaser trailer. If you’re into vampires sprinkled with intriguing characters and a blend of genres, this may be your cup of blood!

Madalina Bellariu lon in ‘Drained’ [iHorror Exclusive]

British filmmakers’ Sean Cronin and Peter Stylianou’s London-based feature vampire film “Drained” has completed post-production and is headed to market at the prestigious Cannes Film Festival (May 14-25, 2024) in Cannes, France. 

The supernatural horror film – which was co-directed and produced by Cronin and Peter Stylianou from a screenplay by the latter — was filmed in London, England, and is a Magnificent Films/House 54/Red Guerilla Films co-production. Additional producers include Daniel Patrick Vaughan and Tony Currier. Cronin, as an actor, has portrayed villains in dozens of box office hits, as well as having directed several award-winning titles, including the upcoming feature ‘Bogieville.’ Peter Stylianou is a writer/director with two feature film credits already to his name. 

Reads the synopsis for ‘Drained,’ “In the neon-soaked streets of London, Thomas, a jobless post-graduate concept artist, falls in love with Rhea, a mysterious woman who turns out to be a vampire. As their twisted romance unfolds, Thomas’s health deteriorates, and he spirals out of control. 

BTS of Directors Peter Stylianou and Sean Cronin

Ruaridh Aldington (“Dirty Boy”) and Madalina Bellariu Ion (“Dampyr”) star as the ill-fated couple, with supporting cast which includes Craig Conway (“Dog Soldiers”), Angela Dixon (“Never Let Go”), Andrew Lyle-Pinnock, Natasha Patel (The Witcher: Blood Origin), Andrew Lee Potts (Band of Brothers), Diana Yekinni, Ayvianna Snow, Kenton Lloyd Morgan and Timothy Blore. 

Special makeup effects are by Francesca Reidie, with Ellie Campbell handling production design and cinematography by Daniel Patrick Vaughan.

Said Cronin of “Drained”, “Stylistically, the film is a mesmerizing blend of darkness and beauty. With a neon-noir aesthetic reminiscent of a night bus ride through London’s rain-soaked streets, we worked hard to capture the city’s underbelly, with a score and soundtrack that echoes the allure of ‘Drive’ with its synth 80s sound, striking the perfect balance between atmospheric and engaging.”

Ruaridh Aldington & Madaline Bellariu lon in ‘Drained’ [iHorror Exclusive]

Added Stylianou. “Beneath the surface of this vampiric romance, the film delves deeper, exploring the addictive nature of today’s society. Just as Thomas becomes ensnared in Rhea’s world, modern life presents its own metaphorical vampires, be it social media, substance abuse, or other self-destructive habits. The film paints a striking portrait of why individuals give themselves to these draining forces.

Added Madalina Bellariu Ion: “Growing up in Transylvania, Romania, I’ve always dreamt of playing a vampire. So, portraying Rhea was a perfect fit for me! The blend of fantasy horror and gritty realism in this film created an unforgettable experience that stayed with me long after filming ended. I hope the audience feels the same way after watching it. It’s a truly unique vampire film.”

[Exclusive] ‘Drained’ Teaser Trailer
‘Drained’ – Poster

About Magnificent Film & Television LTD

Magnificent Films was founded in 2007 by Sean Cronin to create imaginative, cinematic storytelling second to none. With a team of talented editors, writers, and production staff he has forged forward in building a dynamic film company for the 21st century. With working relationships with some of the best and established people in the industry yet keen to support and promote new talent both in front and behind the camera and from all areas of the community, Magnificent believes passionately that the industry should be accessible to all who have an aptitude and talent for storytelling in the medium of film and television.

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New Body Horror Film ‘The Substance’ Releases Teaser

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We haven’t seen Demi Moore in a movie since The Unbearable Weight of Massive Talent back in 2022. She has been busy though, she had a part in Ryan Murphy’s latest Feud chapter and now she is contemplating altering her body to make it more youthful in the body horror film The Substance.

Apparently, according to the official synopsis, there is a newly developed beauty regimen that “generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance… what could possibly go wrong?”

A still from the film (used in out header) suggests that this new technology requires a lot more than dabbing it under your eyes or administering a sticky mask. The film premiered at the 2024 Cannes Film Festival and was bought by Mubi. No US release date has been announced.

The Substance

The Substance reminds us of another FDA nightmare, The Stuff (1985) in which a commercially marketed whipped treat turns people into zombies. That film is a dark comedy about consumerism and gluttony. While Deadline reports that The Substance is humourous as well as gory, they don’t say how rooted it is in satire.

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