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Review: Beautiful Cosmic Horror ‘Starfish’ Explores Grief and Alternate Dimensions

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Starfish

When a mysterious signal from an unknown dimension summons the end of days, it appears as if only Aubrey (Virginia Gardner) is left on earth. Trapped in the apartment of her recently deceased best friend, the only clue she has is a single cassette left behind after her friend’s death, labeled “THIS MIXTAPE WILL SAVE THE WORLD”.

Thrust into a mystery orchestrated by her friend and stricken with grief, Aubrey begins to piece the clues together, uncovering a series of tapes all with pieces of the mystery signal. Along the way, progress is impeded when monstrous creatures begin to overrun the world and enclose in on her. Aubrey is forced to fight off the encroaching creatures and move beyond her own crippling grief in order to find the remaining tapes. But will completing the signal save the world?

The synopsis for Starfish cannot adequately convey the rich and heartfelt world that the film creates. With incredible effects by Marc Hutchings (Guardians of the Galaxy) and Spill Studios, and featuring an animated sequence by Tezuka Productions (Astro Boy), it’s a deeply moving and brilliantly creative cosmic horror that will leave you speechless.

via Yellow Veil Pictures

Starfish is beautifully shot with a firm but gentle focus on actress Virginia Gardner, whose performance earns the camera’s attention. There’s a graceful stillness about her that is compelling to watch.

At its root, Starfish is about guilt, grief and loss. The score – composed by writer/director A.T. White – has a lush simplicity that plucks at your heartstrings and reverberates these emotional themes.

Just as vital for a film about a series of mixtapes is the soundtrack, which was compiled by White before he wrote the script. A playlist was created for the lead character (based on the songs she would be listening to) and played during the writing process, so that the music became integral to the action. The result is a gorgeous marriage of sight and sound.

via Yellow Veil Pictures

Gardner carries herself with a weary weight that effectively communicates the grief and guilt she quietly holds on to. Intrusive thoughts plague Aubrey during quiet moments and chase her in her dreams.

Like the Lovecraftian monsters that haunt Aubrey, she can’t wait out her guilt and she can’t outrun it. It’s in these moments that Starfish hits the hardest — these flinches of painful memories that knock her off track. We see a young woman struggling with her loss while trying to mitigate the end of the world. Aubrey is tasked with closing her own emotional wounds and apocalyptic gateways to an alternate dimension.

via Yellow Veil Pictures

Though we gain little information about Grace – Aubrey’s recently deceased best friend – her analog apartment is pumped full of personality, building her character through her personal space.

There’s a beauty and reverence to Starfish that reveals itself in these snapshots — a brief focus on details that paint a picture of the vibrant young woman that Grace was, shot with loving intimacy and scored with beautiful, melancholy music.

It’s an incredibly intimate and personal movie surrounding the loss of a dear friend, based on events in writer/director A.T. White’s own life. All proceeds that White makes from the film will be donated to cancer research.

via Yellow Veil Pictures

Set against the backdrop of cosmic horror, Starfish is a beautiful film that explores the nature of loss. Driven by a captivating performance from Virginia Gardner and mixed with gorgeous cinematic visuals and a graceful score, it’s a stunning feature debut from A.T. White. We can’t wait to see what he does next.

Starfish will be released on VOD/digital on May 28th.

For more indie horror, check out the delightfully deranged trailer for Harpoon

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Childhood Memories Collide in New Horror Film ‘Poohniverse: Monsters Assemble’

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It looks like ITN Studious and Jagged Edge Productions are going the Avengers: Infinity War route with their upcoming film Poohniverse: Monsters Assemble. From the deranged mind of Rhys Frake-Waterfield (Winnie the Pooh: Blood and Honey) comes this belligerent mash up of beloved childhood icons.

According to an article out of Variety today, Poohniverse: Monsters Assemble will consist of Winnie the Pooh, Bambi, Tinkerbell, Pinocchio, Peter Pan, Tigger, Piglet, The Mad Hatter, and Sleeping Beauty. All of these iconic figured will be warped into nightmarish versions of their former selves. Poohniverse: Monsters Assemble is set to be released upon the world sometime in 2025.

Poohniverse

Actor-producer Scott Chambers (Malevolent) had the following to say about Poohniverse: Monsters Assemble. “As horror fans, we would love an Avengers that is all villains. It’d have Freddy Krueger, Jason, ‘Halloween,’ ‘Scream,’ all of those. Obviously that will never happen, but we can make it happen in our own little way, and that’s where this film has been born.”

Poohniverse: Monsters Assemble will be a part of The Twisted Childhood Universe. Just like the MCU, each character will first get a standalone film. After introductions are made, they will be reunited in an Avengers style film. Although they will be killing off the survivors from the previous films, they won’t be working together.

Chambers describes this as an “epic sequences of monster vs. monster.” And I don’t know what more fans could ask of the studio. This fantastical idea is a huge risk but Poohniverse: Monsters Assemble sounds amazing.

That’s all the information we have at this time. Check back here for more updates on Poohniverse: Monsters Assemble. If you haven’t already, check out the trailer for Winnie the Pooh: Blood and Honey 2 below.

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Blumhouse’s ‘The Wolf Man’ Reboot Kicks Off Production with Leigh Whannell at the Helm

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Blumhouse Productions has officially commenced filming its reboot of the Universal Monsters legend, “Wolf Man”. Under the direction of Leigh Whannell, known for his acclaimed work on “The Invisible Man” (2020), the project promises to breathe new life into the iconic tale. The film is slated for a theatrical release on October 25th, marking a new chapter in the storied franchise.

Wolf Man

The journey of a “Wolf Man” reboot began in 2020 when actor Ryan Gosling presented a fresh take on the classic story to Universal. This concept quickly evolved into a screenplay crafted by the talented duo Lauren Schuker Blum and Rebecca Angelo, who are known for their work on “Orange Is the New Black,” alongside contributions from Whannell and Corbett Tuck. The narrative is set in contemporary times, drawing inspiration from the atmospheric tension of Jake Gyllenhaal’s “Nightcrawler,” albeit with a distinct supernatural twist.

The film has seen its share of directorial and casting shifts, with Whannell initially signing on to direct in 2020, only to step away and then return to the project after Ryan Gosling and director Derek Cianfrance exited. The lead roles have been filled by Christopher Abbott and Julia Garner, both of whom bring significant talent to the screen. Abbott portrays a man whose family faces the terror of a lethal predator, with Garner likely playing his wife, sharing in the familial peril. The storyline also hints at a daughter named Ginger, adding a layer of depth to the family’s harrowing experience.

Julia Garner and Christopher Abbott

This reboot represents a collaboration between Blumhouse and Motel Movies, with Jason Blum producing. Ryan Gosling remains involved as an executive producer, alongside Ken Kao, Bea Sequeira, Mel Turner, and Whannell himself. The announcement of the film’s production start was made by Jason Blum, who shared an exciting glimpse of Whannell on set, signaling the beginning of what is hoped to be a memorable addition to the horror genre.

As the “Wolf Man” reboot moves forward, fans and newcomers alike are eager to see how this modern interpretation will pay homage to its roots while offering a fresh and thrilling experience. With a talented cast and crew at the helm, the film is poised to reintroduce the timeless tale of transformation and terror to a new generation.

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‘Immaculate’ Stars Reveal Which Horror Villains They Would “F, Marry, Kill”

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Sydney Sweeney is just coming off the success of her rom-com Anyone But You, but she’s ditching the love story for a horror story in her latest film Immaculate.

Sweeney is taking Hollywood by storm, portraying everything from a love-lusting teenager in Euphoria to an accidental superhero in Madame Web. Although the latter got a lot of hate among theater-goers, Immaculate is getting the polar opposite.

The film was screened at SXSW this past week and was well-received. It also gained a reputation for being extremely gory. Derek Smith of Slant says the, “final act contains some of the most twisted, gory violence this particular subgenre of horror has seen in years…”

Thankfully curious horror movie fans won’t have to wait long to see for themselves what Smith is talking about as Immaculate will hit theaters across the United States on March, 22.

Bloody Disgusting says that the movie’s distributor NEON, in a bit of marketing smarts, had stars Sydney Sweeney and Simona Tabasco play a game of “F, Marry, Kill” in which all their choices had to be horror movie villains.

It’s an interesting question, and you might be surprised at their answers. So colorful are their responses that YouTube slapped an age-restricted rating on the video.

Immaculate is a religious horror movie that NEON says stars Sweeney, “as Cecilia, an American nun of devout faith, embarking on a new journey in a remote convent in the picturesque Italian countryside. Cecilia’s warm welcome quickly devolves into a nightmare as it becomes clear her new home harbors a sinister secret and unspeakable horrors.”

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