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Why 2010’s ‘A Nightmare on Elm Street’ was actually a really good remake

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So many remakes fall into the trap. They are either so different from the original that they might as well not be a remake, but instead a new movie (Total Recall), or they emphasize the wrong part of the movie, missing the underlying storyline that made the original so great (Robocop).  Why does this happen? Well, in my view this comes down to wrong script choice, bad direction and not enough research.  I will explain myself, because I can hear squid-like noises from thousands of fans eyes rolling in their sockets as I write.

All great movies have an underlying storyline that can be applied to everyday life. The amazing 1987’s Robocop, for example, the story was not simply a man turned robot who fought crime. The backbone of the story was more about man playing God, and the world’s reaction to a miracle or monster, resulting in a movie more like a Mary Shelley novel.  The overall moral of the story is that the desire to be human is still too powerful to be controlled by technology.  The remake seemingly didn’t bother too much with the battle between human consciousness and technology, only having a small scene where the human mind overtakes the robot mind towards the end and influences the robot’s decision. The movie was more interested in whether or not they should turn off the human mind altogether. Maybe they were trying to take it in a new direction, but I think they hoped the viewers would be distracted by the special effects, or have not seen the original.

The director can influence the movie enough to keep what is important to the fans of the classic. When a director decides to not pay homage to the original, and does not include any references that the fans will notice, is either because the director was not a fan of the first one themselves, or they are afraid they will bastardize it.  In my view, it is important to have a true fan direct any remake and include references as a tip of the hat to the original writers and directors.

The 2010 remake of A Nightmare on Elm Street was full of references that the fans could appreciate, and it counts as a sign of respect to Wes Craven for making such an excellent movie.  At the end of the day, Wes Craven’s movie is iconic, and so many scenes have been outlined in the horror industry for his genius practical effects.

I have heard critics say that the remake was too like the first and that it lacked originality, but I think they have forgotten what a “remake” means. A remake takes a movie that did a lot of things right, and adds to the imagery to retell the story in an attempt to make it current and possibly even better (although none that have achieved this come to mind).  This can only be a compliment if done by a true fan, and not just made by anyone trying to make a quick buck, or get their name out there.  I mean, why take away some of 1984’s A Nightmare on Elm Street amazing scenes?

Freddy coming out of the wall

Body bag scene from both movies

Bath tub scene from both movies

End twist from both movies

Even though all these great scenes were reworked, I would have loved to seen the part where Johnny Depp was splattered over his bedroom ceiling thrown in there, too.  However, there must have been a conscious reason for not including it and if I ever get to interview Samuel Bayer, I will be asking him. He did include the Depp t-shirt though. Did you notice?

Johnny Depp's tshirt used in both movies

I know, I know. I’m a movie geek. I just hope it was not a coincidence.

**Spoilers

So now that we have discussed the similarities, what about the differences? Lets start with the story. It’s pretty much all there, but they decided to give the audience an insight to Krueger’s background, which is something you didn’t see, but only heard, in 1984.  Then the storyline takes a turn for a short while, to make you believe that Freddy was innocent and that he was taking revenge for the lies the children told. When we finally find the truth, we find that Freddy was actually a pedophile, and not a child murder.  Wes Craven decide to not have Krueger as a pedophile in the original, as he felt this would have been too much for the viewers at the time.  I still think a child murderer would have been enough for the remake, but they obviously wanted to make it more sinister.

The ending of the original movie was one of many discussions had during the making, and could be why they decided to use the ending more like from 1991’s Freddy’s Dead. Once Krueger has been brought out of the dream world into the real one, they slash his throat, as opposed to simply turning their back on him to take away his power. Good move, and they set him on fire again!

Now, for some reason there is an unwritten rule that the original antagonist can not be the character again in the remake, and for good reason I think. But if they didn’t get Englund to play Freddy, then who? This was a problem they had in the casting of Freddy’s Revenge,  due to Engulnd’s management asking for too much money. When New Line Cinema auditioned others for the role, they found that Robert Englund was truly the only person that could pull it off.

Jackie Earle Haley was excellent, and I could not imagine anyone else doing it without being too much Freddy or not enough.  He brought along with him a new, twisted soul that made it darker and far less comical then his predecessor, and his scar tissue is far more believable.  If you can think of anyone that could have done better, comment below.

However, I do want to point out that there were some things they didn’t get right.  Although Rooney Mara was more then adequate covering the role of Nancy, she does not deserve the privilege, given that she feels being in the movie was a mistake, and has questioned continuing being an actor. If this is due to the fact the movie has been heavily criticized, then she needs to man the fuck up! She did a good job and needs to remember all remakes will be criticized, good or bad.

And just as a side note, the CGI used to recreate the Freddy coming out of the wall scene was shit. It was laughable and should have found itself with a slice either side of it on the film reel.

In conclusion, this movie was made by a Freddy fan, for the Freddy fans, and recreated loads of things to point out to the less fanatic one of us.  This is not only what the remake lover enjoys, but as a enormous A Nightmare on Elm Street fan, I can say the Freddy fans should love it, too.  If you watched the movie and didn’t like it, and are either of these two types of people, watch it again having heard my opinion and think… “This movie was made for me.”

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’28 Years Later’ Trilogy Taking Shape With Serious Star Power

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28 years later

Danny Boyle is revisiting his 28 Days Later universe with three new films. He will direct the first, 28 Years Later, with two more to follow. Deadline is reporting that sources say Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes have been cast for the first entry, a sequel to the original. Details are being kept under wraps so we don’t know how or if the first original sequel 28 Weeks Later fits into the project.

Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes

Boyle will direct the first movie but it’s unclear which role he will take on in the subsequent films. What is known is Candyman (2021) director Nia DaCosta is scheduled to direct the second film in this trilogy and that the third will be filmed immediately afterward. Whether DaCosta will direct both is still unclear.

Alex Garland is writing the scripts. Garland is having a successful time at the box office right now. He wrote and directed the current action/thriller Civil War which was just knocked out of the theatrical top spot by Radio Silence’s Abigail.

There is no word yet on when, or where, 28 Years Later will start production.

28 Days Later

The original film followed Jim (Cillian Murphy) who wakes from a coma to find that London is currently dealing with a zombie outbreak.

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Watch ‘The Burning’ At The Location Where It Was Filmed

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Fangoria is reporting that fans of the 1981 slasher The Burning will be able to have a screening of the film at the location where it was filmed. The movie is set at Camp Blackfoot which is actually the Stonehaven Nature Preserve in Ransomville, New York.

This ticketed event will take place on August 3. Guests will be able to take a tour of the grounds as well as enjoy some campfire snacks along with the screening of The Burning.

The Burning

The film came out in the early ’80s when teen slashers were being churned out in magnum force. Thanks to Sean S. Cunningham’s Friday the 13th, filmmakers wanted to get in on the low-budget, high-profit movie market and a casket load of these types of films were produced, some better than others.

The Burning is one of the good ones, mostly because of the special effects from Tom Savini who had just come off of his groundbreaking work on Dawn of the Dead and Friday the 13th. He declined to do the sequel because of its illogical premise and instead signed on to do this movie. Also, a young Jason Alexander who would later go on to play George in Seinfeld is a featured player.

Because of its practical gore, The Burning had to be heavily edited before it received an R-rating. The MPAA was under the thumb of protest groups and political bigwigs to censor violent films at the time because slashers were just so graphic and detailed in their gore.

Tickets are $50, and if you want a special t-shirt, that will cost you another $25, You can get all the information by visiting the On Set Cinema webpage.

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‘Longlegs’ Creepy “Part 2” Teaser Appears on Instagram

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Longlegs

Neon Films released an Insta-teaser for their horror film Longlegs today. Titled Dirty: Part 2, the clip only furthers the mystery of what we are in for when this movie is finally released on July 12.

The official logline is: FBI Agent Lee Harker is assigned to an unsolved serial killer case that takes unexpected turns, revealing evidence of the occult. Harker discovers a personal connection to the killer and must stop him before he strikes again.

Directed by former actor Oz Perkins who also gave us The Blackcoat’s Daughter and Gretel & Hansel, Longlegs is already creating buzz with its moody images and cryptic hints. The film is rated R for bloody violence, and disturbing images.

Longlegs stars Nicolas Cage, Maika Monroe, and Alicia Witt.

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