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Top 10 Horror Films of 2019 – Brianna Spieldenner’s Picks

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Best Horror Films of 2019

The year 2019 continues the trend of knockout years for the horror genre. While many standout horror films have found their way to a wide theatrical release (Midsommar, Ready or Not) the popularity of streaming content has helped smaller films find an audience while also allowing them more freedom of content. My only regret is the dozens of amazing horror movies that I have not yet seen. Let’s hope 2020 continues bringing us some killer horror movies! Here are the movies that made my list of best horror films of 2019. 

Check out some of our other end of year coverage here!

Top 10 Films of 2019

daniel isn't real best horror films of 2019

10. Daniel Isn’t Real

To start off my list of best horror films of 2019, we have Daniel Isn’t Real. This film’s super imaginative vision turned it into a nice little gem that was only recently released.

On paper, Daniel Isn’t Real is a somber tale of mental illness, but in this film’s execution, this idea becomes much more supernatural and menacing. Luke (Miles Robbins) is a troubled young adult who, due to a traumatic family life, manifests his childhood imaginary friend, Daniel (Patrick Schwarzenegger), back into being. Finding out about his mother’s history of mental illness, Daniel fears that he is developing the same problems, but is he? Or is it something even more dangerous?

The performances from Robbins and Schwarzenegger are both menacing and emotional, and are the driving force of this sinister film. The movie also benefits from some crazy gore and special effects, and seems to nicely mix practical effects with CGI for a gross and very supernatural feel. It’s not often that a horror film so nicely matches with fantasy elements and still keep the creep factor.

9. Extremely Wicked, Shockingly Evil and Vile

Controversies aside, I thought Extremely Wicked was a solid film. Despite focusing on serial killer Ted Bundy, this is probably the least horror-based entry on my list, as it’s closer to a drama. However, the movie still should be on horror or true crime fans’ watch lists!

Zac Efron was a risky choice as someone who is still associated with his past roles but he actually gave a great interpretation of the well-known serial killer and I am excited to see what he brings to the screen in the future. The storyline was fresh enough to keep it interesting by showing events from his first girlfriend’s perspective and it definitely tapped into more modern ideas of believing women’s stories and holding men accountable, which is interesting to say the least. 

8. Crawl 

Full disclosure: I am a native Floridian and have dealt with many a hurricane and grew up with gators as pets. This movie made me proud to be from Florida, and is one of the most Floridian movies I’ve ever seen.

Barring the fact that the alligator behavior is ridiculously unrealistic (which you could say about any creature feature) this is a tense survival movie along the lines of The Shallows. Crawl is a great revival of the alligator horror film especially with modern special effects making the gators pretty darn realistic.

In the film, our protagonist (Kaya Scodelario) gets trapped underneath a house while trying to find her father as a hurricane is rapidly approaching Florida. Coming from the excessively gory vision of Alexandre Aja (High Tension, The Hills Have Eyes (2006)) the filthy setting and bloody chomps in the film make it pretty hard to watch at times. While it’s not breaking any boundaries, Crawl turned out being one of the best crafted creature features I’ve seen yet. 

7. Ready Or Not

This movie was a lot of fun! In addition to being on my top ten list, it is also probably my favorite entry of movies based on kid’s games.

Samara Weaving, who has been kicking butt for awhile in horror (and out of it!), shines in this action-based flick about the anxieties of marrying into a new (and rich) family with some strange traditions. The tone and gore was over the top, and looked especially awesome on Weaving’s character’s pristine white wedding dress as the night goes on.

This movie is also representative of a year marked by lots of anti-rich sentiment (Joker, Parasite), with perhaps the best line in the film being: “F*cking rich people.” If you’re a fan of You’re Next or Get Out, this is a great movie to check out!

6. Villains

This movie was so unexpected for me but I’m glad I got a chance to see this incredibly quirky, wholesome horror movie while it was briefly in theaters.

I was initially pulled in by horror legends Bill Skarsgard (IT) and Maika Monroe (It Follows, The Guest) who I consider on top of their game for this cute flick, delivering their best performances to date.

The rest of the cast also flourished in its whimsical tone. The main characters play dense criminals who continuously make stupid choices, but despite this, you can’t help but love them. This is also definitely on the lighter side so it’s a great comedy as well!

Joker best horror films of 2019

5. Joker

I never thought I would see the day when a huge comic book movie comes out that functions as a pretty disturbing horror movie. While Joker has many detractors, it truly deserves to be celebrated as a horror movie this year for the sheer audacity of it to be made when the standard for the last decade has been family-friendly, CGI-heavy superhero flicks (AKA Marvel movies).

Todd Phillips’s bold version of the Joker mixed with a chilling performance by Joaquin Phoenix is equal parts dark character study and critical social thriller.  Based on the box office, I hope this film to encourages more mainstream movies to flirt with darker themes and horror elements. Joker is great as a comic book film and a horror film and definitely will be a movie whose legacy could carry on for many more years.

Midsommar best horror films of 2019

4. Midsommar

What is there to say about Midsommar that hasn’t already been said? Ari Aster’s second film may not be as horror-oriented as Hereditary, but it spins its own tale that seems similar to other horror films, like The Wicker Man, while still being an incredibly unique experience and film. The scare factor is mostly gone from this film and instead is replaced with an uncomfortable feeling throughout, but when Midsommar tries to be scary, it succeeds.

Where Midsommar really shines is in its visuals. It really knows how to highlight color in this highly-pigmented trip through a cult. The visual effects used when drugs are involved are equally unique and cool to experience, and are some of the most accurate “tripping” effects I’ve seen yet. 

The Lighthouse best horror films of 2019

3. The Lighthouse 

All I have to say is that I am happy to live in a time where a film like The Lighthouse not only is made but reaches the amount of people it did when it was released. I was a huge fan of The Witch, and so this film pretty much exceeded expectations by being not only an equally good film but completely different thematically and visually.

The Witch is a slowburn horror movie, but The Lighthouse steers more toward the bizarre and comedy. Robert Pattinson and Willem Dafoe give stellar performances in this that are truly astounding considering they are the only speaking characters. Being in black and white is always a tough choice, but it definitely worked here and completed the look. If you’ve ever been on a bender, this film will definitely be appealing. 

Knife+Heart best horror films of 2019

2. Knife + Heart

Knife + Heart is one of the most unique movies I’ve seen in a particularly unique year. This Yann Gonzalez flick takes place in 1979 and stars Vanessa Paradis as a gay porn producer in the midst of a breakup with her girlfriend and editor, who then has a mystery unfold as her actors start dying on set.

Think Halloween, but gay and French.

This movie does a great job at mimicking the Italian Giallo style of the ‘70s with some truly beautiful and colorful cinematography. As an added bonus, the dreamy soundtrack was composed by the M83, led by Gonzalez’s brother. It’s impossible not to feel the intense emotion contained in this trippy and visually-appealing film. 

Climax best horror films of 2019

1. Climax

Gaspar Noe films may be an acquired taste, but one can’t deny the artistry of his films or say that they are like any other. Climax is one of Noe’s best, showcasing his years of work and, in my opinion, his most audience-friendly.

The film is mostly made up of several extremely long takes that allow the camera work to really tell the story in this insanely tense and chaotic journey into a drug-filled night of partying for a company of dancers in France. The characters, which are made up of almost twenty crazy talented dancers, all compete for the position of protagonist, as there is no singular person who seems to be that in this film.

Nothing really beats the opening dance sequence shot in one take, until you realize that’s what the rest of the movie is like too, which is not a bad thing. Between the extreme drug use and extreme themes, there’s a lot of horror to be found here. This once again may not strictly be considered a horror film, but by the end of it you will definitely be horrified.   

Honorable Mentions

Ad Astra and High Life would have been much higher in my ranking of best horror films of 2019 if they were closer to being in the horror genre. Both are amazing space movies with awesome, vast and colorful cinematography. Another surprising film that came out this year was Godzilla: King of Monsters, which was leaps ahead of its predecessor in the franchise and definitely one of the better Godzilla films. The Nightingale and Gwen were also great and incredibly dark and depressing.

So those are my best horror films of 2019! This turned out to be an amazing year for horror with many filmmakers really trying to break the mold for the genre. Comment down below if you like my rankings and what your best horror films of 2019 are!

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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