News
‘The Witch,’ ‘The Lobster’ and ‘The Martian’ Part Of Fantastic Fest’s Second Wave
The second wave of Fantastic Fest films have just been announced. It looks like they saved the best announcements for last. The creepfest, that was the trailer for The Witch is a one of the many awesome films that will be at this years fest. Feast your genre-film loving eyes on the list of eye-melting movie sorcery that is part of this second wave lineup.
The fantastic first wave of films, which was headed up by none other than the cannibalistic-western, Bone Tomahawk, will bring Kurt Russell to the fest along with a ton of great films.
This film festival, which is held at the South Lamar Alamo Drafthouse, is an event that has to be experienced to be believed. The week-long genre film lovers paradise, is right around the corner. It goes from Sept. 24 – Oct.1. Badges are available at fantasticfest.com.
APRIL AND THE EXTRAORDINARY WORLD
France, Belgium, Canada, 2015
US Premiere, 90 min
Director – Christian Desmares and Franck Ekinci
In an alternate history where Napoleon’s heirs rule France, scientists and scholars have gone missing for years, leaving behind a world deprived of their technological innovations. In this land powered by coal and steam, young April searches for her missing scientist parents.
ASSASSINATION CLASSROOM
Japan, 2015
US Premiere, 110 min
Director – Eiichiro Hasumi
The most heart-warming, touching coming-of-age tale of 2015 just also happens to be the story of how one classroom of kids gets trained as assassins so they can kill their teacher before he destroys Earth.
BASKIN
Turkey, 2015
US Premiere, 97 min
Director – Can Evrenol
It’s a quiet night on the beat for a mobile unit of Turkish police until they’re called out to support a squad encountering trouble in a remote building.
BELLADONNA OF SADNESS
Japan, 1973
Regional Premiere, 86 min
Director – Eiichi Yamamoto
A young and in love Jeanne is attacked by the local lord and makes a pact with the Devil himself in one of the most important rediscoveries of this year. Never before released in the US, this seminal psychedelic masterpiece has been painstakingly restored in 4k digital.
THE BRAND NEW TESTAMENT
France/Belgium/Luxembourg, 2015
North American Premiere, 110 min
Director – Jaco Van Dormael
When Ea gets fed up with her overbearing father (who happens to be God), she decides to follow in her older brother’s footsteps by leaving the house, gathering her own apostles, and writing her own testament.
THE CLUB
Chile, 2015
US Premiere, 98 min
Director – Pablo Larraín
In a secluded Chilean village, four men lead a quiet life, trying to redeem themselves of their past sins. Their existence is threatened by the arrival of a man whose own secret may reveal all which the four have worked to forget.
COZ OV MONI 2
Ghana/Romania, 2014
North American Premiere, 63 min
Directors – King Henry Blackson & FOKN Bois
Beaten, robbed and left for dead, Wanlov and M3NSA are back and looking for revenge. But first, singing. And lunch. Prepare yourself for “the world’s second first pidgin musical”!
DEMON
Poland/Israel, 2015
US Premiere, 94 min
Director – Marcin Wrona
A day after discovering human remains in the backyard of their new home, a man begins experiencing strange things which come to a head on his wedding night.
DIRTY ROMANCE
South Korea, 2015
World Premiere, 94 min
Director – Lee Sang-woo
In Lee Sang-woo’s follow up to last year’s I AM TRASH, Chul-joong is too busy forcing his friend to sexually please his developmentally disabled sister to notice someone may want to actually love her for who she is.
EVOLUTION
France, 2015
US Premiere, 81 min
Director – Lucile Hadzihalilovic
Lucile Hadzihalilovic returns to directing with a surreal tale of a young boy on a remote island who develops a mysterious illness and is subjected to sinister medical treatments.
FEBRUARY
United States/Canada, 2015
US Premiere, 93 min
Director – Osgood Perkins
The lives of two high school students will be linked together when they’re forced to stay at their boarding school over the winter break and an evil presence starts to stalk them.
GREEN ROOM
United States, 2015
US Premiere, 94 min
Director – Jeremy Saulnier
Green Room is a brilliantly crafted and wickedly fun horror-thriller starring Patrick Stewart as a diabolical club owner who squares off against an unsuspecting but resilient young punk band.
GRIDLOCKED
Canada, 2015
World Premiere, 110 min
Director – Allan Ungar
A tactical assault officer is saddled with a hard partying star out to rehabilitate his image – and avoid jail time – in this throwback to the odd couple buddy action flicks of the early ‘90s.
HARD TO GET
South Africa, 2014
Regional Premiere, 94 min
Director – Zee Ntuli
Supremely confident ladies man TK may have bitten off more than he can chew when he sets his sights on Skiets, a township beauty with an edge who sets the pair off on a non-stop rollercoaster ride through the local underworld.
HIGH-RISE
United Kingdom, 2016
US Premiere, 118 min
Director – Ben Wheatley
Laing, a young doctor, joins a community in a luxury building in Thatcher’s England, who exile themselves from society and gradually divide into violent tribes.
THE KEEPING ROOM
United States, 2015
Texas Premiere, 95 min
Director – Daniel Barber
In the waning days of the Civil War, three southern women (Brit Marling, Hailee Steinfeld and newcomer Muna Otaru) defend themselves from two Yankees in Daniel Barber’s second film.
KLOVN FOREVER
Denmark, 2015
International Premiere, 90 min
Director – Mikkel Nørgaard
Five years have passed since the first KLOWN, and with their friendship at risk of fracturing forever, Frank must follow Casper to America… with typically disastrous results.
L’AFFAIRE SK1
France, 2014
Texas Premiere, 120 min
Director – Frédéric Tellier
Frederic Tellier’s tight police procedural recreates the events around the decade-long search and trial of “The Beast of the Bastille,” France’s first serial killer, who was tracked down using DNA evidence.
LA GRANJA
Puerto Rico, 2015
World Premiere, 100 min
Director – Angel Manuel Soto
The lives of a midwife, a young boxer, a mute kid and a young couple collide unexpectedly in a story about the desperate pursuit of happiness on the streets of Puerto Rico.
LAZER TEAM
United States, 2015
World Premiere, 93 min
Director – Matt Hullum
When Earth is threatened by an advanced alien race, our only hope lies in four morons, the self-proclaimed “Lazer Team.”
THE LOBSTER
Ireland, Greece, United Kingdom, France, Netherlands, 2015
US Premiere, 119 min
Director – Yorgos Lanthimos
Somewhere in the near future, single people face a choice: Join a program to find a mate in forty-five days or be transformed into an animal.
LUDO
India, 2015
US Premiere, 92 min
Directors – Q & Nikon
Time and space collide when a possessed game grabs hold of two friends eager for a sinful night of sex and drugs in Indian auteur Q’s first foray into horror.
MAN VS SNAKE
United States/Canada/Italy/Japan, 2015
World Premiere, 93 min
Directors – Andrew Seklir and Tim Kinzy
1984. One shiny quarter. 44.5 hours of continuous play. The race to be the first gamer in history to score one BILLION points. Until recently, Timothy McVey (not the terrorist) thought he had — for all these years — held the world record on Nibbler. Note: a Nibbler cabinet will be available in the lobby for the duration of Fantastic Fest for attendees to attempt to break the current world record.
THE MARTIAN
United States, 2015
Special Screening, 120 min
Director – Ridley Scott
Get ready to be blown away by Fox’s latest action-packed 3D adventure, THE MARTIAN starring Matt Damon, Jessica Chastain, Chiwetel Ejiofor and Kristen Wiig with a special screening of the upcoming film directed by Ridley Scott. THE MARTIAN is the story of what happens during a manned mission to Mars, when Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring “the Martian” home, while his crewmates concurrently plot a daring, if not impossible rescue mission.
MEN AND CHICKEN
Denmark, 2015
US Premiere, 100 min
Director – Anders Thomas Jensen
Mads Mikkelsen as only his longtime absurdist Danish collaborator Anders Thomas Jensen could conceive, a chronic masturbator with a hair-trigger temper, desperately searches for his true identity.
THE MIND’S EYE
United States, 2015
US Premiere, 87 min
Director – Joe Begos
On the heels of his Fantastic Fest debut ALMOST HUMAN, Joe Begos returns with a classic battle of good versus evil. A drifter with suppressed psychic powers must learn to unleash them to save the woman he loves.
THE MISSING GIRL
United States, 2015
US Premiere, 89 min
Director – A.D.Calvo
Mort, a lonely and disillusioned owner of a comic book shop, has fallen for his new employee Ellen, a smart, aspiring graphic novelist. A dark past and a missing girl, however, will complicate their story more than anyone can imagine.
THE PASSING
United Kingdom, 2015
World Premiere, 87 min
Director – Gareth Bryn
After their car is driven off the road and crashed into a river, a young couple on the run is taken in by a simple man living with his secrets in his isolated home.
RABID DOGS
France, 2015
US Premiere, 99 min
Director – Eric Hannezo
Four violent criminals escaping a robbery take a man, an ailing child and a young woman on a nightmarish road trip in this remake of Mario Bava’s near-lost Euro-crime nasty.
THE RIVER
Canada/Laos, 2015
US Premiere, 88 min
Director – Jamie Dagg
John, a volunteer doctor, finds himself on the run in a strange country when he tries to stop the rape of a drunk girl at the hands of an Australian man.
TOO LATE
United States, 2015
Regional Premiere, 107 min
Director – Dennis Hauck
A troubled private eye trawls through the belly of Los Angeles looking for a missing young woman, slowly revealing a careful web of intrigue, lies and connections.
WHAT WE BECOME
Denmark, 2015
World Premiere, 85 min
Director – Bo Mikkelsen
An idyllic suburban summer is shattered with the outbreak of an unexplained disease. With residents forced into quarantine with no explanation, the situation quickly spirals out of control.
THE WITCH
Canada/United States, 2015
Texas Premiere, 90 min
Director – Robert Eggers
Sixty years before the Salem witch trials, a Puritan moves his family away from civilization to a homestead which shares its borders with inescapable evil.
YAKUZA APOCALYPSE
Japan, 2015
Texas Premiere, 115 min
Director – Takashi Miike
After a yakuza vampire boss is struck down, his most loyal disciple takes it upon himself to avenge his mentor’s death and eliminate the assassins and their giant plush frog leader in Miike’s classic yakuza tale turned inside out.
ZINZANA
United Arab Emirates, Jordan, 2015
World Premiere, 91 min
Director – Majid Al Ansari
Talal wakes up in a cell with no memory of the night before with no I.D. and no escape. Nothing can prepare him, however, for the arrival of a brilliant psychopath and the games he wants to play.
Attend:
DAYTIME ONLY Badges, FAN Badges, and 2ND HALF Badges for Fantastic Fest 2015 are available for purchase here.
For the latest developments, visit the Fantastic Fest official site www.fantasticfest.com and follow us onFacebook & Twitter.
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Lists
Thrills and Chills: Ranking ‘Radio Silence’ Films from Bloody Brilliant to Just Bloody
Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.
They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.
We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.
We didn’t include movies they produced but didn’t direct.
#1. Abigail
An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.
#2. Ready or Not
This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.
#3. Scream (2022)
While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.
#4 Southbound (The Way Out)
Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.
#5. V/H/S (10/31/98)
The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.
#6. Scream VI
Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.
#7. Devil’s Due
Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.
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News
Perhaps the Scariest, Most Disturbing Series of The Year
You may have never heard of Richard Gadd, but that will probably change after this month. His mini-series Baby Reindeer just hit Netflix and it’s a terrifying deep dive into abuse, addiction, and mental illness. What is even scarier is that it’s based on Gadd’s real-life hardships.
The crux of the story is about a man named Donny Dunn played by Gadd who wants to be a stand-up comedian, but it’s not working out so well thanks to stage fright stemming from his insecurity.
One day at his day job he meets a woman named Martha, played to unhinged perfection by Jessica Gunning, who is instantly charmed by Donny’s kindness and good looks. It doesn’t take long before she nicknames him “Baby Reindeer” and begins to relentlessly stalk him. But that is just the apex of Donny’s problems, he has his own incredibly disturbing issues.
This mini-series should come with a lot of triggers, so just be warned it is not for the faint of heart. The horrors here don’t come from blood and gore, but from physical and mental abuse that go beyond any physiological thriller you may have ever seen.
“It’s very emotionally true, obviously: I was severely stalked and severely abused,” Gadd said to People, explaining why he changed some aspects of the story. “But we wanted it to exist in the sphere of art, as well as protect the people it’s based on.”
The series has gained momentum thanks to positive word-of-mouth, and Gadd is getting used to the notoriety.
“It’s clearly struck a chord,” he told The Guardian. “I really did believe in it, but it’s taken off so quickly that I do feel a bit windswept.”
You can stream Baby Reindeer on Netflix right now.
If you or someone you know has been sexually assaulted, please contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673) or go to rainn.org.
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Movies
The Original ‘Beetlejuice’ Sequel Had an Interesting Location
Back in the late ’80s and early ’90s sequels to hit movies weren’t as linear as they are today. It was more like “let’s re-do the situation but in a different location.” Remember Speed 2, or National Lampoon’s European Vacation? Even Aliens, as good as it is, follows a lot of the plot points of the original; people stuck on a ship, an android, a little girl in peril instead of a cat. So it makes sense that one of the most popular supernatural comedies of all time, Beetlejuice would follow the same pattern.
In 1991 Tim Burton was interested in doing a sequel to his 1988 original, it was called Beetlejuice Goes Hawaiian:
“The Deetz family moves to Hawaii to develop a resort. Construction begins, and it’s quickly discovered that the hotel will be sitting on top of an ancient burial ground. Beetlejuice comes in to save the day.”
Burton liked the script but wanted some re-writes so he asked then-hot screenwriter Daniel Waters who had just got done contributing to Heathers. He passed on the opportunity so producer David Geffen offered it to Troop Beverly Hills scribe Pamela Norris to no avail.
Eventually, Warner Bros. asked Kevin Smith to punch up Beetlejuice Goes Hawaiian, he scoffed at the idea, saying, “Didn’t we say all we needed to say in the first Beetlejuice? Must we go tropical?”
Nine years later the sequel was killed. The studio said Winona Ryder was now too old for the part and an entire re-cast needed to happen. But Burton never gave up, there were a lot of directions he wanted to take his characters, including a Disney crossover.
“We talked about lots of different things,” the director said in Entertainment Weekly. “That was early on when we were going, Beetlejuice and the Haunted Mansion, Beetlejuice Goes West, whatever. Lots of things came up.”
Fast-forward to 2011 when another script was pitched for a sequel. This time the writer of Burton’s Dark Shadows, Seth Grahame-Smith was hired and he wanted to make sure the story wasn’t a cash-grabbing remake or reboot. Four years later, in 2015, a script was approved with both Ryder and Keaton saying they would return to their respective roles. In 2017 that script was revamped and then eventually shelved in 2019.
During the time the sequel script was being tossed around in Hollywood, in 2016 an artist named Alex Murillo posted what looked like one-sheets for a Beetlejuice sequel. Although they were fabricated and had no affiliation with Warner Bros. people thought they were real.
Perhaps the virality of the artwork sparked interest in a Beetlejuice sequel once again, and finally, it was confirmed in 2022 Beetlejuice 2 had a green light from a script written by Wednesday writers Alfred Gough and Miles Millar. The star of that series Jenna Ortega signed on to the new movie with filming starting in 2023. It was also confirmed that Danny Elfman would return to do the score.
Burton and Keaton agreed that the new film titled Beetlejuice, Beetlejuice wouldn’t rely on CGI or other other forms of technology. They wanted the film to feel “handmade.” The film wrapped in November 2023.
It’s been over three decades to come up with a sequel to Beetlejuice. Hopefully, since they said aloha to Beetlejuice Goes Hawaiian there has been enough time and creativity to ensure Beetlejuice, Beetlejuice will not only honor the characters, but fans of the original.
Beetlejuice, Beetlejuice will open theatrically on September 6.
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