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Revisiting Clive Barker’s ‘The Scarlet Gospels’ and the End of Pinhead

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Cliver Barker hates the name Pinhead.

In fact, it was never his intention for his creation to be called such a silly name; one that Barker has called “undignified”. Truth be told, he hasn’t really been happy with his Hell Priests onscreen representation for some time. Though numerous sequels have depicted the demon, he’s only ever appeared in one piece of the horror author’s writings.

That changed in 2015 when Barker set out to reclaim and subsequently kill his creation in The Scarlet Gospels, a novel detailing Pinhead – er, the Hell Priest’s final days. And don’t worry, I’m not spoiling anything the author himself wouldn’t want you to know. All things considered, it would be nothing short of anticlimactic if Barker decided to let his iconic cenobite return for even more after promising his demise for so long.

The book is nothing short of fascinating due to Barker’s less-than-stellar outlook on the Hellraiser franchise. Truth be told, most of them haven’t been the greatest. The original 1987 and its sequel are classics. The rest? Well, some are pretty good. Some are unwatchable – especially the most recent offering. But I don’t want to talk about that, and you probably don’t either.

Not all of the reviews upon the book’s release have been favorable, but years later, it’s had some time to digest, guts and all. The prose is very straight to the point and doesn’t contain much of Barker’s usual poetic acrobatics, but there are times when his genius really shines through the blood and the exposed brain. There are also times when it’s necessary to look away from the pages and take a breather; passages containing extreme gore here dictate a moment of watching puppy videos on YouTube and a cold shower.

The Scarlet Gospels finally gives Barker and outlet for his depictions of Hell, the cenobite’s dwelling place, and this is really where the book shines. You can tell the author has been clamoring to accomplish such a feat for years – decades even – and it is completely apparent throughout the bloodsoaked pages of the book. Interestingly enough, it even shows a side of the Hell Priest the audience has never seen before. There’s true weakness and anger, desperation and grief. Who would have thought?

Clive Barker, that’s who, and that’s also the only person who should have ever been able to pilot who we have come to know and love as Pinhead. The Scarlet Gospels is an incredible look into not only the future of Barker’s hellish creation but the relationship the creator has with his monster. That alone is worth the price of admission.

With the release date of the newest Hellraiser still up in the air, now is a better time than ever to read what is intended by Barker to be the end of the Hell Priest. And please, for the love of both pleasure and pain, stop calling him Pinhead, okay? It’s demeaning. Shame on you.

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Another Creepy Spider Movie Hits Shudder This Month

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Good spider films are a theme this year. First, we had Sting and then there was Infested. The former is still in theaters and the latter is coming to Shudder starting April 26.

Infested has been getting some good reviews. People are saying that it’s not only a great creature feature but also a social commentary on racism in France.

According to IMDb: Writer/director Sébastien Vanicek was looking for ideas around the discrimination faced by black and Arab-looking people in France, and that led him to spiders, which are rarely welcome in homes; whenever they’re spotted, they’re swatted. As everyone in the story (people and spiders) is treated like vermin by society, the title came to him naturally.

Shudder has become the gold standard for streaming horror content. Since 2016, the service has been offering fans an expansive library of genre movies. in 2017, they began to stream exclusive content.

Since then Shudder has become a powerhouse in the film festival circuit, buying distribution rights to movies, or just producing some of their own. Just like Netflix, they give a film a short theatrical run before adding it to their library exclusively for subscribers.

Late Night With the Devil is a great example. It was released theatrically on March 22 and will begin streaming on the platform starting April 19.

While not getting the same buzz as Late Night, Infested is a festival favorite and many have said if you suffer from arachnophobia, you might want to take heed before watching it.

Infested

According to the synopsis, our main character, Kalib is turning 30 and dealing with some family issues. “He’s fighting with his sister over an inheritance and has cut ties with his best friend. Fascinated by exotic animals, he finds a venomous spider in a shop and brings it back to his apartment. It only takes a moment for the spider to escape and reproduce, turning the whole building into a dreadful web trap. The only option for Kaleb and his friends is to find a way out and survive.”

The film will be available to watch on Shudder starting April 26.

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Part Concert, Part Horror Movie M. Night Shyamalan’s ‘Trap’ Trailer Released

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In true Shyamalan form, he sets his film Trap inside a social situation where we aren’t sure what is going on. Hopefully, there is a twist at the end. Furthermore, we hope it’s better than the one in his divisive 2021 movie Old.

The trailer seemingly gives away a lot, but, as in the past, you can’t rely on his trailers because they are often red herrings and you are being gaslit to think a certain way. For instance, his movie Knock at the Cabin was completely different than what the trailer implied and if you hadn’t read the book on which the film is based it was still like going in blind.

The plot for Trap is being dubbed an “experience” and we aren’t quite sure what that means. If we were to guess based on the trailer, it’s a concert movie wrapped around a horror mystery. There are original songs performed by Saleka, who plays Lady Raven, a kind of Taylor Swift/Lady Gaga hybrid. They have even set up a Lady Raven website to further the illusion.

Here is the fresh trailer:

According to the synopsis, a father takes his daughter to one of Lady Raven’s jam-packed concerts, “where they realize they’re at the center of a dark and sinister event.”

Written and directed by M. Night Shyamalan, Trap stars Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills and Allison Pill. The film is produced by Ashwin Rajan, Marc Bienstock and M. Night Shyamalan. The executive producer is Steven Schneider.

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Woman Brings Corpse Into Bank To Sign Loan Papers

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Warning: This is a disturbing story.

You have to be pretty desperate for money to do what this Brazilian woman did at the bank to get a loan. She wheeled in a fresh corpse to endorse the contract and she seemingly thought the bank employees wouldn’t notice. They did.

This weird and disturbing story comes via ScreenGeek an entertainment digital publication. They write that a woman identified as Erika de Souza Vieira Nunes pushed a man she identified as her uncle into the bank pleading with him to sign loan papers for $3,400. 

If you’re squeamish or easily triggered, be aware that the video captured of the situation is disturbing. 

Latin America’s largest commercial network, TV Globo, reported on the crime, and according to ScreenGeek this is what Nunes says in Portuguese during the attempted transaction. 

“Uncle, are you paying attention? You must sign [the loan contract]. If you don’t sign, there’s no way, as I cannot sign on your behalf!”

She then adds: “Sign so you can spare me further headaches; I can’t bear it any longer.” 

At first we thought this might be a hoax, but according to Brazilian police, the uncle, 68-year-old Paulo Roberto Braga had passed away earlier that day.

 “She attempted to feign his signature for the loan. He entered the bank already deceased,” Police Chief Fábio Luiz said in an interview with TV Globo. “Our priority is to continue investigating to identify other family members and gather more information regarding this loan.”

If convicted Nunes could be facing jail time on charges of fraud, embezzlement, and desecration of a corpse.

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