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Review: ‘Godzilla: King Of The Monsters’ Is A Battle Of Titanic Proportions
We are truly living in a time of gods and monsters, or in this case, monster gods. It’s been five years since the first Legendary made Godzilla film and two years since their ‘Monsterverse’ was further established with Kong: Skull Island. All building up to to what will stand as perhaps one of the biggest Kaiju movies ever made: Godzilla King Of The Monsters.
The story takes place five years after Godzilla’s destructive battle in San Francisco. The world is in a panic as more “Titans” begin to awaken from their primordial slumber. The no-longer covert organization MONARCH attempts to shield the public from these ancient beasts and keep them contained, but Alan Jonah (Charles Dance) and his eco-terrorist group are hellbent on unleashing them on the world and returning things to a ‘natural order.’ He kidnaps MONARCH scientist Dr. Emma Russell (Vera Farmiga) and her daughter Madison Russell (Millie Bobby Brown) to further his goals, leading to the freeing of King Ghidorah, an ancient beast of apocalyptic power. Now, Madison’s father and Emma’s ex-husband Dr. Mark Russell (Kyle Chandler) must team-up with MONARCH and Godzilla to put a stop to a war of colossal beasts that could destroy the world.
The set-up is pretty evocative of of the more classical Godzilla movies of the 1960’s and 70’s, most prominently Destroy All Monsters, featuring a united group of humans, in this case MONARCH, trying to stop the evil monsters and giving our hero, Godzilla a helping hand. The ensemble cast for MONARCH is impressive and engaging, with returning characters/actors such as Ken Watanabe as Dr. Serizawa and Bradley Whitford as Dr. Rick Stanton. There’s a lot of fun banter between characters, cheesy sometimes, but it gives the film some dialogue and humans to root for.
Godzilla: King Of The Monsters delivers in what any kaiju fan wants: lots and lots of monster fighting action. Particularly, Godzilla and King Ghidorah throw down a few times over the course of the film along with volcano bird Rodan and ‘Queen Of The Monsters’ Mothra. Considering the kind of budget this movie has, they look spectacular and inspire awe at seeing god-like monstrosities throw down in mortal combat. Of course, they’re all-but entirely CG as opposed to the classical ‘man-in-suit’ style of the Toho films, which does make it feel different. There is some clunkiness in pacing and dialogue between these epic battles and some deaths happen a bit too fast to digest (even when characters get eaten), but per the franchise, it’s par for course and in many ways the cheeziness adds to the charm.
Michael Dougherty really outdid himself as a director/co-writer on the movie and it shows he has a lot of heart for Godzilla. Having helmed such genre favorites like Trick r Treat and Krampus it should come as no surprise there are plenty of horror references and homages hidden about. For example, pay attention to the number of the Antarctica MONARCH Outpost. As well, there is some pretty good build-up to next year’s Kong VS Godzilla coming to us from Adam Wingard.
I was fortunate enough to have seen Godzilla: King Of The Monsters in two different formats: Imax and 4DX. Of course, if you want as epic a screening as possible, Imax will be the way to go. When Godzilla gives his signature roar, it will blow you to the back of the auditorium. If you want a full-on immersion experience, 4DX is loads of fun and adds to the action. When Rodan did a barrel roll, it felt like I was spinning with that fire demon. The water, smoke, and air effects also adding details that put you into the heat of the action, especially as these monster gods duke it out.
So, if you’re a fan of Godzilla, giant monsters, and the like, Godzilla: King Of The Monsters is one kaiju movie you’ll want to see in theaters with the biggest screen and the loudest sound possible.
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Movies
The Original ‘Beetlejuice’ Sequel Had an Interesting Location
Back in the late ’80s and early ’90s sequels to hit movies weren’t as linear as they are today. It was more like “let’s re-do the situation but in a different location.” Remember Speed 2, or National Lampoon’s European Vacation? Even Aliens, as good as it is, follows a lot of the plot points of the original; people stuck on a ship, an android, a little girl in peril instead of a cat. So it makes sense that one of the most popular supernatural comedies of all time, Beetlejuice would follow the same pattern.
In 1991 Tim Burton was interested in doing a sequel to his 1988 original, it was called Beetlejuice Goes Hawaiian:
“The Deetz family moves to Hawaii to develop a resort. Construction begins, and it’s quickly discovered that the hotel will be sitting on top of an ancient burial ground. Beetlejuice comes in to save the day.”
Burton liked the script but wanted some re-writes so he asked then-hot screenwriter Daniel Waters who had just got done contributing to Heathers. He passed on the opportunity so producer David Geffen offered it to Troop Beverly Hills scribe Pamela Norris to no avail.
Eventually, Warner Bros. asked Kevin Smith to punch up Beetlejuice Goes Hawaiian, he scoffed at the idea, saying, “Didn’t we say all we needed to say in the first Beetlejuice? Must we go tropical?”
Nine years later the sequel was killed. The studio said Winona Ryder was now too old for the part and an entire re-cast needed to happen. But Burton never gave up, there were a lot of directions he wanted to take his characters, including a Disney crossover.
“We talked about lots of different things,” the director said in Entertainment Weekly. “That was early on when we were going, Beetlejuice and the Haunted Mansion, Beetlejuice Goes West, whatever. Lots of things came up.”
Fast-forward to 2011 when another script was pitched for a sequel. This time the writer of Burton’s Dark Shadows, Seth Grahame-Smith was hired and he wanted to make sure the story wasn’t a cash-grabbing remake or reboot. Four years later, in 2015, a script was approved with both Ryder and Keaton saying they would return to their respective roles. In 2017 that script was revamped and then eventually shelved in 2019.
During the time the sequel script was being tossed around in Hollywood, in 2016 an artist named Alex Murillo posted what looked like one-sheets for a Beetlejuice sequel. Although they were fabricated and had no affiliation with Warner Bros. people thought they were real.
Perhaps the virality of the artwork sparked interest in a Beetlejuice sequel once again, and finally, it was confirmed in 2022 Beetlejuice 2 had a green light from a script written by Wednesday writers Alfred Gough and Miles Millar. The star of that series Jenna Ortega signed on to the new movie with filming starting in 2023. It was also confirmed that Danny Elfman would return to do the score.
Burton and Keaton agreed that the new film titled Beetlejuice, Beetlejuice wouldn’t rely on CGI or other other forms of technology. They wanted the film to feel “handmade.” The film wrapped in November 2023.
It’s been over three decades to come up with a sequel to Beetlejuice. Hopefully, since they said aloha to Beetlejuice Goes Hawaiian there has been enough time and creativity to ensure Beetlejuice, Beetlejuice will not only honor the characters, but fans of the original.
Beetlejuice, Beetlejuice will open theatrically on September 6.
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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel
Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.
According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.
Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.
As for The Exorcism, Collider provides us with what it’s about:
“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “
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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie
Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.
This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.
Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.
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