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Review: ‘Clive Barker’s Hellraiser’ Comic is the Third Installment Fans Deserve

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Clive Barker’s Hellraiser brings the master of the Stygian lore back to his dark roots to explore the demonic mythos that made him legendary. And how very fitting, dear reader, that we – after celebrating the thirtieth anniversary of the original film – now dare to unlock further revelations into this hellish saga and explore deeper into the undiscovered depths of the Carnal House of Pain.

Hell awaits us in Clive Barker’s Hellraiser

 

Image via Comics Alliance

The dimension of horror is no stranger to the searing visions of Clive Barker’s resplendent imagination. When we think of his work we typically get a visceral display of crimson images. Torn flesh strung wetly across dripping chains. Long passages leading to perpetual depths of yet-to-be discovered agony. And standing in the sickening glow of sweet decay are the misshapen visages of graceful beings disfigured beyond recognition but ripe with repulsive elegance. This is a peek into Hellraiser, Clive Barker’s most successful contribution to horror

 

Image via popmatters

 

After its initial success the little independent project became a franchise that’s spawned a throng of sequels, many of which I’ve seen, but admittedly they all get lost in each other. Mainly because their stories are embarrassingly too similar. With very little distinction, the Hellraiser franchise became all about – “oh no! We’ve found the Box! Oh no! We’ve opened it! Oh no! Pinhead! Oh fuck, now I’m dead” and that was as deep as it got.

 

Lacking in each succeeding film – from Hell on Earth onward – was the primal philosophies introduced to audiences by Clive Barker. Those being – the terrors of the flesh, and the price of carnal demands. Pinhead was gradually degraded into another slasher villain, rather than the Hell Priest who looked on with dull indifference to the fetid affairs of Mr. and Mrs. Everyday Man. It was a far cry from the original inspiration, and was not the vision Clive Barker had in store for his obsidian creation.

 

Image via In The Mouth of Dorkness

 

Clive Barker’s idea for the third-film installment was expected to take a grand departure from the franchise we already knew.

 

Image via Wicked Horror

 

The third segment of the trilogy would have taken us back into the ancient past. To the times of mystic Egypt. In Clive Barker’s Hellraiser III we would have been introduced to the first Cenobite, the mighty Pharaoh, a man obsessed with the secrets of the dead and seeking the key to immortality. In that movie-that-never-was the first Lament Configuration would have been the great pyramid itself. Its entire structure being a magnanimous construction of the Occult, making it a conduit of enormous supernatural energy. Enough energy to split open the fabric of reality and pry open the forbidden lairs of the Underworld.

 

Image via flickering myth

 

The scale of such imagination for a horror film is titanic, as would have been its undertaking. In a perfect world Clive Barker would have been given a budget befitting to Lord of the Rings and this movie would have happened. No doubt going on to be a master-class horror trilogy worthy of the name Hellraiser.

 

We do not live in a perfect world though. What we were given instead was Hell on Earth, a decent enough slasher, but nowhere near the depth of Barker’s genesis concepts. What then followed was Pinhead in space and a myriad of sequels that lost both fans and respect for the original lore along the way.

 

Image via Art Abyss

 

The fans deserved far better, and Clive Barker knew this. That’s why he treated us to Clive Barker’s Hellraiser, the continuation of Kirsty Cotton’s battle against the pale denizens of the Labyrinth. And the true third installment to the trilogy according to many.

 

Image via comixology

 

This time around Kirsty – together with Tiffany (survivor of Hellbound) – has formed a group known as The Harrowers, an esoteric team dedicated to ridding the world of the Lament Configuration and all of its many differing forms. That in itself is one of the many incredible insights this comic series offers us. The Lament Configuration is not limited to the box alone, but has several different incarnations, each one opening a new door to an altered dimension in the many levels of Hell.

 

Image via popmatters

 

Yet Kirsty is not the only one with followers. The Hell Priest has disciples of his own on Earth. Lost souls locked away inside the decaying husk of humanity, desperate and eager to gain the favors of Hell and serve its masters by shedding as many liters of innocent blood the Beast may require. If you’re wanting gore, look no further. This comic delivers.

 

Image via popmatters

 

This story also continues the peculiar dynamic between Kirsty Cotton and the Hell Priest which was established in the original two films. Overall this comic-book run genuinely feels like a more fitting third installment to the dark saga we’ve always wanted. It ties the beautiful cord between both Kirsty and Pinhead, entwining their bizarre connection even tighter.

 

Image via wall.alphacoders

 

If you’re a Hellraiser fan or if you love horror comics Clive Barker’s Hellraiser is a must read. This has been Manic Exorcism, and once again thank you for joining me in Hell

To preorder your copy of the upcoming Clive Barker’s Hellraiser Omnibus be sure to click here. You won’t regret it.

Or – if you have a little Manic in you too – you can visit your local comic book stores and collect each of the individual comic issues just like I did. The stunning cover art alone is worth the price.

 

 

 

 

 

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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