Connect with us

News

[Review] Black Mirror’s ‘Bandersnatch’ Could Use Some Tweaking

Published

on

If any show on Netflix was going to tackle a choose your own adventure type of viewing experience, the logical choice would be Black Mirror. And when this turned out to be the case, the logical expectation would be for the episode to be absolutely amazing.

But Bandersnatch is really only interesting on a surface level and doesn’t get much deeper than a novelty – not quite the standard for Charlie Brooker’s mind-bending science fiction series.

The story follows a young man named Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on a choose your own adventure novel titled Bandersnatch. The viewer is able to make choices for Stefan as he works towards creating his game in 1984. The first acts a tutorial – you choose which cereal he will eat, and later on you’ll see a commercial on Stefan’s TV for the chosen cereal. It’s kind of neat and will serve as a hint of what you will be able to do.

It starts out pretty interesting, and retains that interest for the most part. If you fail early on at making the right choices for Stefan (there are a couple of choices that will break the narrative completely and force you to “go back” and correct it), Stefan will comment that he’s been there before. He’ll simply “know” certain things and predict what others will say, setting the episode up for some very meta situations.

At one point, you can even inform Stefan that you are from Netflix, influencing what he does in every situation. It is at the same time both funny and bizarre to watch his reaction as he tries to understand the concept of a streaming service as the episode takes place in 1984. From there, you can really branch out and make some crazy decisions – but the episode will end with a wacky predicament and have you go back to do another one, leaving you feel like there are actual “right” and “wrong” outcomes for Stefan.

The conclusions to this episode are really where Bandersnatch falls apart, simply for that fact that many of the endings don’t really feel like an ending. Many of the endings just left us with the option to “go back”, leaving us to wonder whether or not Stefan was to be stuck in a loop or the viewer just isn’t able to finish the episode.

But when the credits finally did roll and all of the endings had been exhausted, the whole experience just feels somewhat fatiguing. None of the endings gave the feeling of definitive dread or absolute conclusion – and though part of me thinks that it may just due to the fact that you can essentially cycle through all the endings by going back, a bigger part of me is decided on the endings simply not being satisfying enough.

In fact, the cohesive story as a whole seems to be a tad one-dimensional despite the choices and meta experience of Bandersnatch. It’s not awful; it’s just that if you take out the element of choice from this Netflix event, none of the story lines are strong enough or fleshed out enough to stand on its own.

On this one, I would choose “Go back.” I don’t doubt Black Mirror is more than capable of pulling this off in a better way; they just need to make some better choices next time.

'Ghostbusters: Frozen Empire' Popcorn Bucket

4 Comments

You must be logged in to post a comment Login

Leave a Reply

News

‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

Published

on

Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

News

Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

Published

on

Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

News

‘The First Omen’ Almost Received an NC-17 Rating

Published

on

the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

Embed Gif with Clickable Title