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Nightmares Film Festival is THE Place for Independent Horror

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Horror fans from across the globe descended on Columbus, Ohio last weekend to attend the second annual Nightmares Film Festival, and I think I can speak for most of them when I say it’s a weekend we won’t soon forget.

Nightmares Film Festival was brought to life by Jason Tostevin and Chris Hamel who, along with a dedicated team of horror fans, curated a program to shine a spotlight on some of the best independent horror short and feature films available on the circuit today.  They didn’t just give the fans a place to see the films, however.  No, instead, they created an environment where filmmakers and fans could come together to see, discuss, and appreciate the work that had been put into those films.

Chris Hamel and Jason Tostevin of Nightmares Film Festival

I cannot imagine the hundreds of hours of work that went into making a weekend like this look effortless, but Tostevin, Hamel, and their team did exactly that covering every detail and staffing every post so that no matter where you stepped inside the beautiful Gateway Film Center someone was ready to talk about movies.

The event began Thursday evening with a special screening of Adam Green’s brand new Victor Crowley.  Green was in attendance, introducing the film, a blood splattered love letter to his fans.  It was a fantastic experience watching Green beam at his fans when he received his second standing ovation of the night as the credits ran.  He took a few audience questions and then stepped into an adjoining room to sign autographs as we settled in for the next big screening of the evening:  Leatherface, the origin story of everyone’s favorite chainsaw wielding maniac from Texas.

Written by Seth M. Sherwood and starring Lili Taylor and Stephen Dorff, Leatherface centers on the titular character as a teenager confined to a mental asylum who escapes with three other inmates with a nurse as hostage.  Pursued by a vengeful sheriff (Dorff), the teenagers follow a twisting path back to Verna (Taylor), the single-minded criminal matriarch of the Sawyer clan.  The movie was beautifully filmed with a ratcheting tension that propelled the audience all the way to the final scene.

Thursday closed out with a selection of horror comedy shorts to end an already entertaining evening.

As Friday dawned, clear and cool, fans were treated early with Romeo’s Distress, an exciting Gothic Horror thriller from writer/director Jeff Frumess followed up by suspense thriller Midnighters that was as entertaining as it was suspenseful, keeping the audience on the edge of their seats until the final moments of the film.

Other highlights from Friday included Bong of the Living Dead, the highly anticipated She Was So Pretty 2, the found footage thriller Capture, Kill, Release, and a host of shorts like the hilariously dark The Naughty List and the disturbing Justice Served which imagines a world in which having morals and doing the right thing is punishable by death.  The crew from a brand new film called Gags asked festival goers to be their test audience and leave responses for what did and did not work in their film as they strive for a quality finished movie based on the rash of creepy clown sightings that took place all over the U.S. last year with no rhyme or reason.

I was especially taken by Torin Langen’s beautiful, dialogue-free horror film 3 Dead Trick or Treaters.  This film did more with music, atmosphere, and stunning visuals than many large studio franchises we see on big screens across the country, and Langen is to be applauded for his courageous choices.

Crowds swelled on Saturday, and it was exciting to see the host of fans who showed up to support their favorite filmmakers, actors, and writers.  Throughout the influx of people, the Nightmares crew proved once again just how prepared they were.  Everything was handled smoothly from the lines for concessions to the smooth transitions from one film to the next.

Nightmare Award Winner Lukas Hassel and Ahlissa Eichornn of MorbidlyBeautiful.com were both featured panelists!

The festival added a couple of panels this year focusing on the boon and boom of social media and online horror film coverage by major websites like iHorror, Morbidly Beautiful, HororHound, and Bloody Disgusting as well as a panel focused on the very real ways that horror can and does contribute to social progress through its many varied themes.

The day was filled with exciting world premieres and the presentation of the coveted Nightmare awards.  Watching these filmmakers and actors and actresses receive their awards was certainly a highlight of the day, but it also proved something else about the men and women running the festival.  They genuinely care about the filmmakers they bring together.  This is a labor of love and devotion, not only to the genre, but also to those who spend their days and nights in the trenches to bring their films to life.

The iHorror team was also excited to present Preston DeFrancis with the iHorror Excellence in Horror award for his direction and writing of the fantastic Ruin Me, one of the finest films of its kind that I’ve seen in a long time.  It brought new life to the slasher in the woods genre and gave the classic April Fool’s Day a run for is money in the “Is any of this really happening?” category.

Writer/director of Ruin Me Preston DeFrancis (left) with Glenn Douglas Packard from iHorror

There were more frights to come for festival attendees, however.  As darkness fell over the theater, scare actors began to creep about, terrifying ticketholders as they waiting in line to enter theaters and more than one filled the lobby with screams as they came face to face with evil voodoo carrying witches and other dark characters.

The evening’s entertainment consisted of a plethora of short films including the mind bending Vexed from Marc Cartwright and the darkly comic Your Date is Here which turns the old Mystery Date board game on its head and would certainly make me nervous about answering a toy phone ever again.

Fans were then treated to Luke Macfarlane’s stellar performance in Rock, Paper, Dead  from horror legends Tom Holland and Victor Fleming as well as the highly entertaining and innovative Found Footage 3D!

By Sunday, it was clear to everyone in attendance that we’d all been a part of something truly special.  No detail was missed in making the Nightmares Film Festival a huge success.  In fact, it was hard for me to believe that this was only their second year!  One thing is certain, however, this festival should already be on every horror fan’s calendar for next year. You can keep up with all the latest Nightmares Film Festival news on their website and by following them on Facebook!

To Jason Tostevin, Chris Hamel, Bridget Oliver, Grace Cole, Rachael Barbash, and the entire crew of Nightmares Film Festival, we here at iHorror salute you!

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“Mickey Vs. Winnie”: A Horrific Clash of Icons from Director Glenn Douglas Packard and iHorror

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iHorror is diving deep into film production with a chilling new project that’s sure to redefine your childhood memories. We’re thrilled to introduce ‘Mickey vs. Winnie,’ a groundbreaking horror slasher directed by Glenn Douglas Packard. This isn’t just any horror slasher; it’s a visceral showdown between twisted versions of childhood favorites Mickey Mouse and Winnie-the-Pooh. ‘Mickey vs. Winnie’ brings together the now-public-domain characters from A. A. Milne’s ‘Winnie-the-Pooh’ books and Mickey Mouse from the 1920s ‘Steamboat Willie’ cartoon in a VS battle like never before seen.

Mickey VS Winnie
Mickey VS Winnie Poster

Set in the 1920s, the plot kicks off with a disturbing narrative about two convicts who escape into a cursed forest, only to be swallowed by its dark essence. Fast forward a hundred years, and the story picks up with a group of thrill-seeking friends whose nature getaway goes horribly wrong. They accidentally venture into the same cursed woods, finding themselves face-to-face with the now monstrous versions of Mickey and Winnie. What follows is a night filled with terror, as these beloved characters mutate into horrifying adversaries, unleashing a frenzy of violence and bloodshed.

Glenn Douglas Packard, an Emmy-nominated choreographer turned filmmaker known for his work on “Pitchfork,” brings a unique creative vision to this film. Packard describes “Mickey vs. Winnie” as a tribute to horror fans’ love for iconic crossovers, which often remain just a fantasy due to licensing restrictions. “Our film celebrates the thrill of combining legendary characters in unexpected ways, serving up a nightmarish yet exhilarating cinematic experience,” says Packard.

Produced by Packard and his creative partner Rachel Carter under the Untouchables Entertainment banner, and our very own Anthony Pernicka, founder of iHorror, “Mickey vs. Winnie” promises to deliver an entirely new take on these iconic figures. “Forget what you know about Mickey and Winnie,” Pernicka enthuses. “Our film portrays these characters not as mere masked figures but as transformed, live-action horrors that merge innocence with malevolence. The intense scenes crafted for this movie will change how you see these characters forever.”

Currently underway in Michigan, the production of “Mickey vs. Winnie” is a testament to pushing the boundaries of the horror genre. As iHorror ventures into producing our own films, we’re excited to share this thrilling, terrifying journey with you, our loyal audience. Stay tuned for more updates as we continue to transform the familiar into the frightful in ways you’ve never imagined.

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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