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New Horror Novel Reviews: Featuring new eBooks from Brian Moreland, Patrick Lacey, Adam Cesare, and Adam Howe

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Okay, so part of my job here at iHorror is to bring you sweet reviews for forthcoming, new, or new-ish horror novels. I’ve been reading like a madman, so I thought I’d share four of my latest reviews with you in one post! I read the two Samhain Publishing novellas last month, but wanted to wait until you could purchase them before posting these reviews…so, without further procrastination:

darkness-rising

It’s all fun and games until…

Marty Weaver, an emotionally scarred poet, has been bullied his entire life. When he drives out to the lake to tell an old friend that he’s fallen in love with a girl named Jennifer, Marty encounters three sadistic killers who have some twisted games in store for him. But Marty has dark secrets of his own buried deep inside him. And tonight, when all the pain from the past is triggered, when those secrets are revealed, blood will flow and hell will rise.

 

 

“…a wise man once told her, Poetry has an invisible power that transcends the soul.”

Far and away the best new piece of fiction I’ve read this year. With Darkness Rising, Brian Moreland reminded me why he’s one of my two favorite (not King, Laymon, Ketchum…etc.) authors out there (the other being Ronald Malfi). I’m a huge fan of his novel, Shadows in the Mist, but I think this novella rivals it.

Darkness Rising goes so many places, it’s hard to get across just how awesome this novella is. It is dark and gritty in places and beautiful and poetic in others. It is completely vicious in spots, but counters that with moments of uplifting magic.

I connected instantly with the main character, Marty Weaver, the same way I did with Laymon’s Ed Logan in Night in the Lonesome October (my favorite Richard Laymon book). That alone speaks volumes for me. And much like that Laymon novel, Moreland’s ability to balance the light and dark sides in a romantic waltz over a floor made from dead flesh and macabre visions is nothing short of inspiring.

Add in a soundtrack featuring the Stones, The Doors, and possibly some Alice Cooper…and you’ve got me hook, line, and sinker.
Darkness Rising is a perfect example of how amazingly good novellas can be. This is a Moreland masterpiece.

5 stars. Easy. It’s available now…go grab a copy : Amazon    Barnes and Noble

 

26032129

 

Prohibition-era 1930s… After an affair with the wrong man’s wife, seedy piano player Smitty Three Fingers flees the city and finds himself tinkling the ivories at a Louisiana honky-tonk owned by vicious bootlegger Horace Croker and his trophy wife, Grace. Folks come to The Grinnin’ Gator for the liquor and burlesque girls, but they keep coming back for Big George, the giant alligator Croker keeps in the pond out back. Croker is rumored to have fed ex-wives and enemies to his pet, so when Smitty and Grace embark on a torrid affair…what could possibly go wrong?

Inspired by true events, Gator Bait mixes hardboiled crime (James M. Cain’s The Postman Always Rings Twice) with creature horror (Tobe Hooper’s Eaten Alive) to create a riveting tale of suspense.
It took me a couple chapters to get used to Howe’s style, but he did hit his groove. Unfortunately, just as I was thinking “this is going to be so cool,” it sort of fell flat.
The characters were written pretty well (Horace and his gator.Big George, stole the show).
Some of my pet peeves showed up in here, but most readers probably won’t have an issue with them (I’m more of a write it as it happens kind of guy. I don’t like out of place flashbacks, especially in shorter works).
When the story was flowing, I found myself happily transported back to that Bruce Willis film, Last Man Standing. Unlike that movie, where once Willis’s character is in too deep you can’t help but feel the tension, Howe starts to build that same strong vibe, but then simply seems to let go.
His writing skills are definitely present, I just found myself not caring about the end.

For a novella, Gator Bait is a decent read. Not amazing, but not bad.
I’m firmly standing in the middle of the road on this one.

I give Gator Bait 3 stars   Grab a copy at Amazon

 

a-debt-to-be-paid

Nowhere to run!

Gillian Foster is desperate. She received a very strange letter in the mail not long ago. Since then, she’s been seeing shadowy figures everywhere. Coming for her. Frantic to find a safe place, she leaves home with her daughter Meg, only to find there is no way to outrun her pursuers.

Twenty years later, Gillian has been admitted to Hawthorne Psychiatric Facility. Meg receives a similar letter and is hunted by an unseen force. Is Meg also mentally ill, or are these creatures real? And if so, was her mother right all those years ago? Is there no place to hide?

“It was a shadow, void of any features, and it was looking through the living room window, directly toward her.”

This is the first novella from Mr. Lacey with Samhain Publishing. You ever worry about those student loans? That first (or next) bill?  I think Mr. Lacey has had some nightmares over them. Lucky for us, he let his dark mind whirl up a devilishly fun tale.

There’s a Teenage Bottlerocket song called, “They Came from the Shadows”, I always wanted to write a short story around that, but I think A Debt to be Paid fills the slot so that I don’t have to.

There’s a lot of fun in this one, not in the tongue-in-cheek, B-movie sort of way, just in reading Lacey’s easy going style. Everything feels real. And that’s not an easy trick when taking “shadowy” entities and bringing them into the real world.  Lacey pulls it off perfectly.

He starts us up with just enough frights to glide into our introduction to Meg and Brian. For me, it’s little things like the phantom phone calls at work, and the realistic bar scene near the beginning that instantly bond you to a character and put you in their shoes. And that’s how it’s supposed to be done.

There’s also the sadness of Meg’s broken home. Growing up with a mom that could be, might be nuts, and a father that believes an institution is the right place for her, Meg is set to find out the truth behind it all, whether she wants to or not.

My only issues (and they are small ones) is how easily Brian agrees to follow Meg (but then again, I’ve fallen for girls at first sight and know I probably would have followed them on any adventure) and the sort of abrupt ending. I would have liked a little more on the back end.

A very solid debut novella from a promising new voice in horror. A Debt to Be Paid delivers sharp writing, frights that jump from the pages, and Lacey’s flair for teasing you with what waits in the darkness. This is the start to a fun career. I’m now a fan. Bring on the next one, Mr. Lacey!

I give A Debt to be Paid 4 stars. Definitely worth the read, and I look forward to Mr. Lacey’s debut novel, Dream Woods (Samhain Publishing 2016) coming sometime in the first half of next year. Grab a copy:  Amazon  Barnes and Noble

9780553392807

Welcome to Mercy House, a state-of-the-art retirement home that appears perfectly crisp, clean, and orderly . . . but nothing could be farther from the truth. In Adam Cesare’s thrilling novel, the residents will find little mercy—only a shocking eruption of unfathomable horror.
 
Harriet Laurel notices the odor at Mercy House as soon as she sets foot inside, brought there against her will by her son, Don, and his wife, Nikki. In the early stages of dementia, Harriet has grown resentful of Nikki, blaming her daughter-in-law for failing to supply grandchildren. Yet even Harriet must admit that her mind becomes clearer as soon as she crosses the threshold. If it wasn’t for that annoying smell.
 
Arnold Piper is an eighty-five-year-old ex-Marine, a proud man who has cared for himself his whole life. But no longer. Betrayed by his aging body, Arnold is learning that the trials he survived long ago in war-torn Korea pale beside the daily indignities of growing old. Little does he know that his greatest nightmares are still ahead of him.
 
Sarah Campbell is an idealistic nurse whose compassion has been stretched to the breaking point at the chronically understaffed facility that is Mercy House. But now Sarah’s list of unpleasant duties is about to take a terrifying turn. For something wicked is brewing in Mercy House. Something dark and rotten . . . and deadly.

Adam Cesare is one of my favorite newer writers. His past works that I’ve enjoyed– The Summer Job (his most serious novel-and my favorite), Video Night (a very fun B-movie ride), and Tribesmen–are proof that this guy has IT.

I knew going in to Mercy House (Cesare’s new eBook from Random/Hydra) that the name of the game this time was gore and mayhem times ten. On that front, he scored. Cesare eases us into the work by introducing us to a few members of the staff of Mercy House and some of its residents. Just when you think that the book might not live up to its gory reputation, we get to the dinner scene. From that point on, the blood and body parts are flying. Madness and some unexplained body altering thing have taken over the geriatric tenants in Mercy House and death, sex, and more death ensue. There’s also a turf war of sorts.

My two favorite bits are Arnold Piper’s Vietnam flashback with Klopic (specifically Klopic’s death!), and the aforementioned “dinner” scene. The former showcases Cesare’s ability as a writer: “The entry wound was right below Klopic’s cheekbone and his whole head had collapsed inward as if a black hole had formed in one of his feelings.” While the “dinner” scene gives you his flair for being gross: “There was something glossy and tubular now visible between the slashes as Marta pulled out the woman’s intestines with the tines of her fork.”

One of Cesare’s strengths as a writer is his skill in quickly crafting interesting characters. I enjoyed the creation of many in Mercy House (especially Nikki and Paulo), but thought he missed out on a few opportunities with Sarah and Teddy. I couldn’t help but feel like Sarah got off easy in respects to what kind of hell she was put through (as far as what Cesare actually shows us) , especially compared to the unrelenting tone with which Gail, Queen Bea and Harriet dole out the violence. As for Teddy, I thought his role in the book was too small. It seemed like Cesare could have done more with the guy.

Cesare’s fans seem to covet the nastier side of his work. They should gobble this one up. Unfortunately, my favorite parts of the book were all in the front half. Mercy House was still a pretty good read. Personally, I’m looking forward to Adam’s next swing at something with more depth. I know he has the chops and can’t wait for him to take the plunge.

I give Mercy House 3 stars.  Grab a copy:  Amazon  Barnes and Noble

 

I will be posting my Halloween Reads (October Read-a-palloza) In a couple weeks.

Stay tuned!

 

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Thrills and Chills: Ranking ‘Radio Silence’ Films from Bloody Brilliant to Just Bloody

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Radio Silence Films

Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

#1. Abigail

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.

Abigail

#2. Ready or Not

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

Ready or Not

#3. Scream (2022)

While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Scream (2022)

#4 Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

Southbound

#5. V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

V/H/S

#6. Scream VI

Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

Scream VI

#7. Devil’s Due

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.

Devil’s Due

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Perhaps the Scariest, Most Disturbing Series of The Year

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You may have never heard of Richard Gadd, but that will probably change after this month. His mini-series Baby Reindeer just hit Netflix and it’s a terrifying deep dive into abuse, addiction, and mental illness. What is even scarier is that it’s based on Gadd’s real-life hardships.

The crux of the story is about a man named Donny Dunn played by Gadd who wants to be a stand-up comedian, but it’s not working out so well thanks to stage fright stemming from his insecurity.

One day at his day job he meets a woman named Martha, played to unhinged perfection by Jessica Gunning, who is instantly charmed by Donny’s kindness and good looks. It doesn’t take long before she nicknames him “Baby Reindeer” and begins to relentlessly stalk him. But that is just the apex of Donny’s problems, he has his own incredibly disturbing issues.

This mini-series should come with a lot of triggers, so just be warned it is not for the faint of heart. The horrors here don’t come from blood and gore, but from physical and mental abuse that go beyond any physiological thriller you may have ever seen.

“It’s very emotionally true, obviously: I was severely stalked and severely abused,” Gadd said to People, explaining why he changed some aspects of the story. “But we wanted it to exist in the sphere of art, as well as protect the people it’s based on.”

The series has gained momentum thanks to positive word-of-mouth, and Gadd is getting used to the notoriety.

“It’s clearly struck a chord,” he told The Guardian. “I really did believe in it, but it’s taken off so quickly that I do feel a bit windswept.”

You can stream Baby Reindeer on Netflix right now.

If you or someone you know has been sexually assaulted, please contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673) or go to rainn.org.

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The Original ‘Beetlejuice’ Sequel Had an Interesting Location

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beetlejuice in Hawaii Movie

Back in the late ’80s and early ’90s sequels to hit movies weren’t as linear as they are today. It was more like “let’s re-do the situation but in a different location.” Remember Speed 2, or National Lampoon’s European Vacation? Even Aliens, as good as it is, follows a lot of the plot points of the original; people stuck on a ship, an android, a little girl in peril instead of a cat. So it makes sense that one of the most popular supernatural comedies of all time, Beetlejuice would follow the same pattern.

In 1991 Tim Burton was interested in doing a sequel to his 1988 original, it was called Beetlejuice Goes Hawaiian:

“The Deetz family moves to Hawaii to develop a resort. Construction begins, and it’s quickly discovered that the hotel will be sitting on top of an ancient burial ground. Beetlejuice comes in to save the day.”

Burton liked the script but wanted some re-writes so he asked then-hot screenwriter Daniel Waters who had just got done contributing to Heathers. He passed on the opportunity so producer David Geffen offered it to Troop Beverly Hills scribe Pamela Norris to no avail.

Eventually, Warner Bros. asked Kevin Smith to punch up Beetlejuice Goes Hawaiian, he scoffed at the idea, saying, “Didn’t we say all we needed to say in the first Beetlejuice? Must we go tropical?”

Nine years later the sequel was killed. The studio said Winona Ryder was now too old for the part and an entire re-cast needed to happen. But Burton never gave up, there were a lot of directions he wanted to take his characters, including a Disney crossover.

“We talked about lots of different things,” the director said in Entertainment Weekly. “That was early on when we were going, Beetlejuice and the Haunted MansionBeetlejuice Goes West, whatever. Lots of things came up.”

Fast-forward to 2011 when another script was pitched for a sequel. This time the writer of Burton’s Dark Shadows,  Seth Grahame-Smith was hired and he wanted to make sure the story wasn’t a cash-grabbing remake or reboot. Four years later, in 2015, a script was approved with both Ryder and Keaton saying they would return to their respective roles. In 2017 that script was revamped and then eventually shelved in 2019.

During the time the sequel script was being tossed around in Hollywood, in 2016 an artist named Alex Murillo posted what looked like one-sheets for a Beetlejuice sequel. Although they were fabricated and had no affiliation with Warner Bros. people thought they were real.

Perhaps the virality of the artwork sparked interest in a Beetlejuice sequel once again, and finally, it was confirmed in 2022 Beetlejuice 2 had a green light from a script written by Wednesday writers  Alfred Gough and Miles Millar. The star of that series Jenna Ortega signed on to the new movie with filming starting in 2023. It was also confirmed that Danny Elfman would return to do the score.

Burton and Keaton agreed that the new film titled Beetlejuice, Beetlejuice wouldn’t rely on CGI or other other forms of technology. They wanted the film to feel “handmade.” The film wrapped in November 2023.

It’s been over three decades to come up with a sequel to Beetlejuice. Hopefully, since they said aloha to Beetlejuice Goes Hawaiian there has been enough time and creativity to ensure Beetlejuice, Beetlejuice will not only honor the characters, but fans of the original.

Beetlejuice, Beetlejuice will open theatrically on September 6.

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