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Jeffrey Combs, Kid Cudi, and Big Boi Join Shudder’s Creepshow!

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Yes, you read that crazy headline right. There were loads of new updates on the Creepshow TV series released this week, outlining not only new additions to the cast but also plot details for all of the episodes in the first season.

Fans of both Kid Cudi and fellow rapper Big Boi of Outkast will be pleased to know that they’ll both have roles in the show. Also announced is cult horror star Jeffrey Combs of Re-Animator – but you and I are both aware that Combs needs no introduction.

Bruce Davison, who is no stranger to horror anthologies having been featured in Tales from the Crypt, has also been added. Finally, DJ Qualls is also joining the show – he’s been in a ton of movies and TV shows, but to me, he’ll always be from The New Guy. You know who I’m talking about.

The cast has already been spectacular, but these new additions to Creepshow come as a welcome surprise nonetheless.

Slash Film also gave us the details on all of the episodes for the first season of the show’s return. Read them below, and follow this link to make sure you’re up to date on all Creepshow news!

All Hallows Eve

Written by: Bruce Jones

Directed by: John Harrison

Even then they’re a little too old, this group of friends still want to trick-or-treat but getting candy isn’t all they are looking for.

Bad Wolf Down

Written by: Rob Schrab

Directed by: Rob Schrab

A group of American soldiers, trapped behind enemy lines during World War II, finds an unconventional way to even the odds.

By the Silver Water of Lake Champlain

Story by: Joe Hill, adapted by Jason Ciaramella

Directed by: Tom Savini

Her dad died looking for the monster living at the bottom of Lake Champlain, and now, will she?

The Companion

Story by: Joe R. Lansdale, Kasey Lansdale & Keith Lansdale, adapted by Matt Venne

Directed by: Dave Bruckner (The Ritual)

A young boy, bullied by his older brother, sneaks into an abandoned farm that is protected by a supernatural force.

The Finger

Written by: David J. Schow (The Crow)

Directed by: Greg Nicotero

An unhappy man discovers a severed, inhuman appendage on the street and brings it home, where it grows into a loyal companion with some deadly quirks.

Gray Matter

Story by: Stephen King, adapted by Byron Willinger and Philip de Blasi

Directed by: Greg Nicotero

Doc and Chief, two old-timers in a small, dying town, brave a storm to check on Richie, an alcoholic single father, after encountering his terrified son at the local convenience store. The story, first published in 1973, is part of King’s best-selling 1978 collection, Night Shift.

The House of the Head  

Written by: Josh Malerman (Bird Box)

Directed by: John Harrison

Evie’s discovers her new dollhouse might be haunted.

Lydia Layne’s Better Half

Story by: John Harrison & Greg Nicotero, adapted by John Harrison

Directed by: Roxanne Benjamin (Body at Brighton Rock)

A powerful woman denies a promotion to her protégée and lover but fails to anticipate the fallout.

The Man in the Suitcase  

Written by: Christopher Buehlman

Directed by: Dave Bruckner (The Ritual)

A college student brings the wrong bag home from the airport only to find a pretzeled man trapped inside, afflicted by a strange condition that turns his pain into gold.

Night of the Paw

Written by: John Esposito

Directed by: John Harrison

A lonely mortician finds company in the ultimate  ‘be careful what you wish for’ story.

Skincrawlers

Written by: Paul Dini & Stephen Langford

Directed by: Roxanne Benjamin (Body at Brighton Rock)

A man considers a miraculous new treatment for weight loss that turns out to have unexpected complications.

Times is Tough in Musky Holler

Written by: John Skipp and Dori Miller, based on their short story

Directed by: John Harrison

Leaders who once controlled a town through fear and intimidation get a taste of their own medicine.

 

Are you excited for Creepshow in a TV format? Let us know!

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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