News
Fantastic Fest 2018 Brings ‘Overlord’ And More With Its First Wave Lineup
It’s that particularly magical time of year again when dark forces begin to culminate behind the scenes in Austin TX, to create the jaw dropping, bone rattling genre film festival that is Fantastic Fest.
This year’s first wave announcement exceeds expectation with inclusion of the much-anticipated, and J.J. Abrams produced, OVERLORD along with the folklore terror that is Gareth Evans’ APOSTLE.
Along with those beautiful genre announcements, comes surprises in the form of a very special 4K restoration of the Bill Lustig, blood-soaked and mannequin-filled MANIAC. And the Argentinian scare-fest that is TERRIFIED.
It’s a heck of an lineup that also features a couple of highly-praised films coming out of Fantasia Fest in the form of LUZ and some awesome AGFA screenings for BLOOD LAKE, I WAS A TEENAGE SERIAL KILLER and MARY JANE’S NOT A VIRGIN ANYMORE.
Get a look at the full first wave list below, and head over to Fantastic Fest to get your badges before they are all gone.
Fantastic Fest 2018 will be held in Austin, TX from Sept. 20-27 at Alamo Drafthouse South Lamar.
APOSTLE
United Kingdom, 2018
World Premiere, 129 min
Director – Gareth Evans
The year is 1905. Thomas Richardson travels to a remote island to rescue his sister after she’s kidnapped by a mysterious religious cult demanding a ransom for her safe return. It soon becomes clear that the cult will regret the day it baited this man, as he digs deeper and deeper into the secrets and lies upon which the commune is built.
BAN GEUM-RYEON
South Korea, 1981
Regional Premiere, 90 min
Director – Kim Ki-young
From Park Chan-wook’s idol comes a twisted tale of lecherous lords and murderous mistresses. Presented outside of Korea for only the second time, Kim Ki-young’s masterpiece BAN GEUM-RYEON is a lush smorgasbord from Korea’s most demented cinematic mind.
AGFA and BLEEDING SKULL PRESENT: BLOOD LAKE
USA, 1987
World Premiere of New Preservation, 82 min
Director – Tim Boggs
The finest vacation from hell ever captured on VHS, rescued from the original 1″ master tapes!
BURNING
South Korea, 2018
Texas Premiere, 148 min
Director – Lee Chang-dong
Lee Chang-dong’s latest triumph weighs the delicate balance between creation and destruction as a writer runs into an old classmate who gets him caught up in a mystery bigger than both of them.
CAM
USA, 2018
US Premiere, 94 min
Director – Daniel Goldhaber
In Attendance – Writer/Producer Isa Mazzei
Alice is a camgirl with principles. She doesn’t do public shows, she doesn’t tell her fans she loves them, and she doesn’t fake her orgasms. But when a mysterious lookalike takes over her channel, the rules no longer apply.
DOG
France, 2017
US Premiere, 87 min
Director – Samuel Benchetrit
A dark fable about loneliness, perfectly illustrated by Jacques Blanchot’s loss of humanity and slow transformation into a dog. Director Samuel Benchetrit shares a subtle commentary on our current world, and its social, interpersonal, and political issues.
AN EVENING WITH BEVERLY LUFF LINN
USA, 2018
Texas Premiere, 108 min
Director – Jim Hosking
Fantastic Fest alumni director Jim Hosking (THE GREASY STRANGLER; RENEGADES) is back with a second feature as absurd, crazy, and funny as his first. Follow Lulu Danger’s very own revolution in a Lynch-meets-Waters run-down version of America.
THE GUILTY
Denmark, 2018
Austin Premiere, 85 min
Director – Gustav Möller
A horrific crime; an emergency responder struggling to stay off the edge; a kidnapping victim calling in for help. This is all we’re going to tell you about first-time feature filmmaker Gustav Möller’s unmissable and gripping debut thriller.
HOLIDAY
Denmark, The Netherlands, Sweden, Turkey, 2018
Texas Premiere, 93 min
Director – Isabella Eklöf
The sun-drenched dream of the eponymous summer vacation has its dark side revealed in Isabella Eklöf’s powerful debut feature HOLIDAY, an unforgettable exploration of the fraught, brutal experience of young womanhood.
HOUSE OF SWEAT AND TEARS
Spain, 2018
World Premiere, 104 min
Director – Sonia Escolano
In Attendance – Director Sonia Escolano
“She,” the leader of a violent cult, rules her flock with an iron fist to ensure they never stray from the path. But a series of events and a mysterious outsider threaten the pattern of their reality in this electrifying exploration of faith and belief.
AGFA PRESENTS: I WAS A TEENAGE SERIAL KILLER
USA, 1993
World Premiere of New Restoration, 27 min
Director – Sarah Jacobson
Sarah Jacobson’s punk-spirited DIY films combine B-movie aesthetics and riot grrrl feminism in brand new 2K preservations.
KEEP AN EYE OUT
France, 2018
North American Premiere, 73 min
Director – Quentin Dupieux
An absurd all-night interrogation set in a camp ’70s police station, Quentin Dupieux’s latest opus, KEEP AN EYE OUT, is a celebration of his own brand of quirky, offbeat humor, performed by France’s most refreshing comedic talents.
LADYWORLD
USA, 2018
US Premiere, 93 min
Director – Amanda Kramer
In Attendance – Director Amanda Kramer and Actor/Co-Editor/Production Designer Noel David Taylor
In Amanda Kramer’s daring low-budget debut LADYWORLD, a birthday party quickly devolves into chaos when a mysterious earthquake traps eight teenage girls alone in a house, challenging their friendships, identities, and eventually their grip on reality.
LAIKA
Czech Republic, 2017
Regional Premiere, 88 min
Director – Aurel Klimt
In Attendance – Director Aurel Klimt
This is the story of Laïka the space dog who, unlike in real life, did not die aboard Sputnik 2 in 1957. In this bizarre and charming stop-motion musical, Laïka crashes on a peculiar planet where she meets new friends.
LUZ
Germany, 2018
US Premiere, 70 min
Director – Tilman Singer
In Attendance – Director Tilman Singer
Luz enters a police station at night to report an assault. As the interrogation progresses, it becomes clear a demonic entity wants to possess her in this audacious, psychotropic horror film shot on 16mm.
MADAM YANKELOVA’S FINE LITERATURE CLUB
Israel, 2018
International Premiere, 90 min
Director – Guilhad Emilio Schenker
Desperate, aging, Sophie only needs to seduce one more handsome victim – excuse me, date – to become a worry-free Lordess in MADAM YANKELOVA’S FINE LITERATURE CLUB, Israeli director Guilhad Emilio Schenker’s delightfully twisted debut feature.
MANIAC
USA, 1980
World Premiere of New 4K Restoration, 88 min
Director – William Lustig
In Attendance – Director William Lustig
The 4K restoration of grindhouse auteur Bill Lustig’s 1980 slasher landmark features splatter SFX artist Tom Savini’s gnarliest work, as well as one of horror’s finest, sweatiest performances from legendary character actor/co-writer Joe Spinell.
AGFA PRESENTS: MARY JANE’S NOT A VIRGIN ANYMORE
USA, 1997
World Premiere of New Restoration, 98 min
Director – Sarah Jacobson
Sarah Jacobson’s punk-spirited DIY films combine B-movie aesthetics and riot grrrl feminism in brand new 2K preservations.
MURDER ME, MONSTER
Argentina, France, Chile, 2018
North American Premiere, 109 min
Director – Alejandro Fadel
Visual horror masterpiece MURDER ME, MONSTER lures you into the fascinating and opaque underworld of serial murder, supernatural obsession, metaphysical hallucinations, forbidden love – and one nightmarishly gross monster.
THE NIGHT COMES FOR US
Indonesia, 2018
World Premiere, 121 min
Director – Timo Tjahjanto
A former triad enforcer must protect a young girl while trying to escape his former gang, setting off a violent battle on the streets of Jakarta.
THE NIGHT SHIFTER
Brazil, 2018
US Premiere, 110 min
Director – Dennison Ramalho
An attendant at a busy morgue who can also converse with the dead puts his loved ones in peril using his forbidden knowledge for vengeance in Dennison Ramalho’s (NINJAS; ABCS OF DEATH 2) twisted and gleefully icky feature debut.
ONE CUT OF THE DEAD
Japan, 2018
Texas Premiere, 96 min
Director – Shinichiro Ueda
A filmmaker sets out to shoot a zombie film in an abandoned factory, but something is lurking on the outside. Is it a zombie apocalypse or just another shoot gone wrong?
OPEN 24 HOURS
USA, Serbia, 2018
North American Premiere, 100 min
Director – Padraig Reynolds
In Attendance – Director Padraig Reynolds
A young woman who had previously set her serial killer boyfriend on fire is now seeking normalcy by getting a job working the overnight shift at a 24-hour convenience store, where things are most definitely not going to be normal.
OVERLORD
USA, 2018
World Premiere, TBD min
Director – Julius Avery
In Attendance – Director Julius Avery and cast including Jovan Adepo, Wyatt Russell, Pilou Asbaek, John Magaro, and Mathilde Ollivier
In the upcoming WWII horror-thriller OVERLORD, a group of American paratroopers drop into Nazi-occupied France on the eve of D-Day. As they struggle to carry out their seemingly impossible mission, they discover a secret Nazi lab carrying out terrifying and bizarre supernatural experiments.
PIERCING
USA, 2018
Texas Premiere, 81 min
Director – Nicolas Pesce
From the twisted mind of Nicolas Pesce (THE EYES OF MY MOTHER) comes a provocative two-hander chamberpiece – a tense battle of wits and desire between prostitute and trick, predator and prey.
QUIT YOUR LIFE
South Korea, 1971
North American Premiere, 82 min
Director – Park Nou-sik
Presented in English for the first time, actor-director Park Nou-sik balances the scales of justice as he stalks around Korea with his noose of judgment in the relentless revenge drama QUIT YOUR LIFE.
SCHOOL’S OUT
France, 2018
North American Premiere, 103 min
Director – Sébastien Marnier
In this dread-soaked cerebral thriller, a handsome young substitute teacher gets in over his head when taking on a class of gifted students after their former teacher’s dramatic in-class suicide.
TERRIFIED
Argentina, 2017
US Premiere, 87 min
Director – Demián Rugna
In Attendance – Director Demián Rugna
Strange things are going on in a Buenos Aires neighborhood. Demián Rugna’s constantly surprising and truly spine-chilling horror film has one goal: to scare the shit out of everyone.
THE UNTHINKABLE
Sweden, 2018
World Premiere, 129 min
Director – Crazy Pictures
Something unthinkable is happening in Sweden. It starts with a few isolated incidents but suddenly, it’s all over the country. There are some who were prepared and others who weren’t. Ready or not, things will go out with a bang!
VIOLENCE VOYAGER
Japan, 2018
Regional Premiere, 83 min
Director – Ujicha
En route to visit a friend in another village, two kids go looking for a fabled shortcut through the mountain. Instead, they stumble upon an amusement park called Violence Voyager, and that’s when everything goes to shit.
WHEN THE TREES FALL
Ukraine, Poland, Macedonia, 2018
North American Premiere, 88 min
Director – Marysia Nikitiuk
In Attendance – Director Marysia Nikitiuk
Scar and Larysa are desperately in love and suffocating under the tradition and archaic demands of their Ukrainian village. When the frustrations of each finally detonate, their world and the lives of those surrounding them are tragically shattered.
THE WOLF HOUSE
Chile, 2018
North American Premiere, 73 min
Directors – Cristóbal León & Joaquín Cociña
In Attendance – Director Cristóbal León
An animated tale, supposedly restored from the archives of a German colony by the Chilean government, THE WOLF HOUSE is the unsettling story of Maria, punished with a hundred nights alone in a cabin in the woods.
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News
Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel
Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.
According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.
Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.
As for The Exorcism, Collider provides us with what it’s about:
“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “
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Movies
New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie
Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.
This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.
Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.
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News
Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film
Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.
This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.
However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.
Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”
At this time, Lionsgate has not offered any comment about this issue.
The full statement made by the cast can be found below.
OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):
1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.
2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.
Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!
3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.
A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:
As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.
While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.
We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.
Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello
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