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Fantastic Fest 2017 First Wave Announcement Is Upon Us

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When Mortal Kombat’s Shang Tsung announced “It has begun!” we all knew shit just got real. The tournament to save the masses had begun. The only thing that comes slightly close to that sort of high stakes announcement in my world is the announcement for another Fantastic Fest. The first sign of which, just so happens to be the first wave of films that the gluttonous, gargantuan, genre fest will include. Also, just so happens we have the that first wave for you guys. It has begun and shit just got real, you guys.

The thirteenth year of the genre love letter of festivals is almost nigh. With the first wave comes all kinds of great stuff in the form of My Friend Dahmer. Steven King’s Gerald’s Game, a new Takashi Miike film and a ton more, you guys!

Fantastic Fest runs from Sept. 21 – 28 at Alamo Drafthouse South Lamar in Austin, Texas.  To attend head over to, the Fantastic Fest site.

 

1922

USA, 2017

World Premiere, 101 mins

Director – Zak Hilditch

1922 is based on Stephen King’s 131-page story telling of a man’s confession of his wife’s murder. The tale is told from from the perspective of Wilfred James, the story’s unreliable narrator who admits to killing his wife, Arlette, in Nebraska. But after he buries her body, he finds himself terrorized by rats and, as his life begins to unravel, he becomes convinced his wife is haunting him.

 

78/52

USA, 2017

Regional Premiere, 91 min

Director – Alexandre O. Philippe

This masterful documentary focuses on a single aspect of Hitchcock’s PSYCHO to demonstrate the master’s technical ability in storytelling. With expert interviews and rollicking analysis, 78/52 sets a new bar in how to examine film overall.

 

ANNA AND THE APOCALYPSE

Scotland, 2017

World Premiere, 107 min

Director – John McPhail

Anna’s life is dominated by the typical concerns of her youthful peers until the Christmas season in her small town brings not Santa, but an outbreak of the undead in this genre-mashing holiday horror musical. Yep. Musical.

 

ANYAB

Egypt, 1981

Repertory, 100 min

Director – Mohammed Shebl

ANYAB (FANGS) is an oddity worth rediscovering! An Egyptian take on THE ROCKY HORROR PICTURE SHOW, this eye-popping musical of madness manages to cram horror, science fiction and even social commentary together while charming with its outrageous costumes and action.

 

BLADE OF THE IMMORTAL

Japan, 2017

US Premiere, 141 min

Director – Takashi Miike

Takashi Miike’s 100th journey is an adaptation of the BLADE OF THE IMMORTAL manga. Manji, a samurai who cannot die, crosses paths with Rin Asano, a young girl whose parents were killed. Manji swears to help Rin Asano avenge her parents’ deaths.

 

BRAWL IN CELL BLOCK 99

USA, 2017

US Premiere, 132 min

Director – S. Craig Zahler

Craig Zahler (BONE TOMAHAWK) returns with his sophomore feature, BRAWL IN CELL BLOCK 99. An exhilarating exercise in analog violence, CELL BLOCK follows the brutal exploits of a former boxer who finds himself incarcerated after a drug deal goes wrong. Trapped in a maximum security facility, he must fight to stay alive and to protect those he loves.

 

COLD HELL

Germany, 2017

US Premiere, 91 min

Director – Stefan Ruzowitzsky

A young Turkish woman living in Vienna feels increasingly lonely after she witnesses a murder and finds herself next on the killer’s agenda in this smart and gritty thriller from the director of ANATOMY and the Oscar-winning THE COUNTERFEITERS.

 

DAN DREAM

Denmark, 2017

US Premiere, 97 min

Director – Jesper Rofelt

KLOWN duo Casper Christensen and Frank Hvam reunite for a true-life tale of epic failure. Witness the non-arrival of the Danish electric car! 

 

THE ENDLESS

USA, 2017

Texas Premiere, 111 min

Directors – Justin Benson & Aaron Moorhead

When brothers Justin and Aaron return to the cult that they escaped from ten years ago, they encounter a web of secrets and mysteries that threatens to tear them apart.

 

GENERATION B (GENERATIE B)

Belgium, 2017

1-4 = North American Premiere; ep. 5-6 = World Premiere, 210 min

Director – Pieter Van Hees

The generation gap has never been wider than it is in Pieter Van Hees’ deliriously absurd satire, pitting old generation money against Millennial apathy – and the occasional naked anarchist – following Belgium’s economic collapse.

 

GERALD’S GAME

USA, 2017

US Premiere, 103 mins

Director – Mike Flanagan 

Flanagan unites with master of the macabre Stephen King for his cinematic interpretation of King’s beloved GERALD’S GAME. Starring Carla Gugino and Bruce Greenwood, GERALD’S GAME delivers pitch-perfect performances in a faithful adaptation where the horrors of the mind are much worse than what’s in front of you.

 

HAGAZUSSA – A HEATHEN’S CURSE

Germany, 2017

World Premiere, 102 min

Director – Lukas Feigelfeld

Set in the 15th Century in the Austrian Alps, Lukas Feigelfeld’s HAGAZUSSA takes us back to a dark period in which even the remotest parts of Europe suffered from the paranoia and superstition of the time.

 

JAILBREAK

Cambodia, 2017

US Premiere, 92 min

Director – Jimmy Henderson

Cambodia’s traditional martial art of bokator is unleashed in all its bone crunching fury in this action-packed tale of police trapped in the midst of a raging prison riot.

 

JUVENILE

USA, 2017

World Premiere, 87 min

Director – Bradley Buecker

The emotionally powerful story of Billy, an angry youth who spends his evenings stealing cars with best friend Mikey while attempting to cultivate a stable relationship with his girlfriend Jules.

 

THE KILLING OF A SACRED DEER

Ireland / United Kingdom, 2017

US Premiere, 120 min

Director – Yorgos Lanthimos

The life of a brilliant surgeon is thrown into disarray when his friendship with a bizarre teenager threatens the lives of his entire family. Faced with a frightening choice, the man will be forced to assess all that he’s ever done.

 

KING COHEN

USA, 2017

US Premiere, 104 min

Director – Steve Mitchell

Featuring interviews from some of the biggest names in genre cinema including Joe Dante, Robert Forster and Fred Williamson, this documentary tells the story of one of the best and hardest working exploitation filmmakers.

 

MAUS

Spain, 2017

World Premiere, 90 min

Director – Yayo Herrero

Yayo Herrero’s directorial debut is a couple’s nightmare journey into the heart of darkness. A superlative horror parable, this shocking film is an indictment of modern history, war and the difficulties of reconciliation. It is a story for our times.

 

MY FRIEND DAHMER

USA, 2017

Texas Premiere, 107 min

Director – Marc Meyers

This is the story of Jeffrey Dahmer, a high school loner whose life would shape up to be something far more frightening than anyone could have imagined.

 

THE ORIGINALS

Egypt, 2017

International Premiere, 125 mins

Director – Marwan Hamed

Samir works for a bank, provides for his ever-demanding family and dreams of being in an Egyptian talent show. When he’s unexpectedly fired, Samir finds himself recruited to be part of a secret society and finds a darker side to life in Egypt.

 

RON GOOSSENS: LOW-BUDGET STUNTMAN

The Netherlands, 2017

North American Premiere, 78 min

Directors – Steffen Haars & Flip van der Kuil

The latest from the comedic team behind the NEW KIDS films and BROs BEFORE HOs. Ron Goossens is totally shitfaced. Only by working as a movie stuntman and bedding the hottest actress in the Netherlands can Ron save his marriage.

 

THE SQUARE

Sweden, 2017

US Premiere, 150 min

Director – Ruben Östlund

An art museum director’s life becomes a comedy of errors when trying to put together his latest exhibit in FORCE MAJEURE director Ruben Ostlund’s latest, which won the Palme D’Or at this year’s Cannes.

 

SUPER DARK TIMES

USA, 2017

Regional Premiere, 102 min

Director – Kevin Phillips

A split-second act of violence forever changes the lives of two ’90s kids. Now they must cope with both the fallout of that moment and the pressures of high school in this clever and bloody coming-of-age thriller.

 

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

USA, 2017

US PREMIERE, 110 min

Director – Martin McDonagh

A grieving mother takes drastic measures in an attempt to catch her daughter’s killer. Challenging the police to solve the case, she posts a series of billboards that threaten the fabric of rural, Missouri.

 

TIGER GIRL

Germany, 2017

US Premiere, 90 min

Director – Jakob Lass

Failing to crack the ranks as a would-be cop, Maggie begrudgingly settles for a security guard job until she encounters Tiger, a fierce young woman whose rebellious antics leave Maggie questioning which side of the law she truly belongs on.

 

TOP KNOT DETECTIVE

Australia, 2016

North American Premiere, 87 min

Directors – Aaron McCann & Dominic Pearce

Aliens! Ninjas! Robots! Enormous egos! Get ready to enter the world of TOP KNOT DETECTIVE! Possibly the greatest cult TV series you’ve never heard of, TOP KNOT DETECTIVE and its creator Takashi Tawagoto come to life in this gonzo documentary.

 

 

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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