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Editorial: No, Jordan Peele Isn’t a Racist for Not Wanting to Cast White Leads

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Jordan Peele

In a recent speaking engagement with the Upright Citizens Brigade, writer/director Jordan Peele, while addressing a group of students, was quoted as saying, “I don’t see myself casting a white dude as the lead in my movie. Not that I don’t like white dudes, but I’ve seen that movie.”

Naturally, a vocal portion of the white internet blew up, proclaiming the statement was racist and that the director of US and Get Out, himself, was obviously a racist for his remarks.

Sigh…

It’s hard to believe that in 2019, we have to have this discussion. You’d think, by now, that diversity would be the rule instead of the exception. Instead, every time a director, writer, author, actor, politician, fill-in-the-blank, speaks about diversifying the landscape, people get angry, loud, and mean while simultaneously contradicting statements they’ve previously made themselves.

What do I mean?

As a gay man, I have spent a great deal of time writing about the need for more diverse characters and portrayals in genre filmmaking. Not only does this give us new stories, but it also serves the wider audience, allowing fans to see themselves more clearly included in their favorite genre.

Seemingly every time I do this, however, I’m met with the pushback of straight, white, cis, (predominantly) male voices commenting that the very idea is anything from “gross” to “unnecessary” to “a political agenda.” These are the same people, by the way, who whine about nothing new or original ever being made.

The other point they make is “If you want to see it, go make your own movies.”

Jordan Peele Get Out

Peele won an Oscar for his debut horror film, Get Out. The film was lauded for its story and earned more than $250 million worldwide.

This is, in essence, what Jordan Peele is doing. As he said, he has “seen that movie” and so he is making something different.

But let’s look at some statistics. According to a diversity report by UCLA in 2018, it was estimated that white leads were cast three times more often than any other ethnicity in film and the same number holds true for white directors over directors of other ethnic groups.

Last Sunday, I posted a review of the new iteration of The Twilight Zone, which Peele is hosting, and the comments immediately began to fill about Peele being a racist. They defended their point of view by saying, “If a white man had said he was only casting white leads, he would be called a racist.”

The point is, looking back at the numbers above, white men don’t have to say it. They don’t have to say it because they’ve been actively doing it since cinema began.

Peele spoke to this and the privileged place he has found himself in since the release of Get Out after his statement about casting black leads in his films.

“The way I look at it, I get to cast black people in my films,” he said. “I feel fortunate to be in this position where I can say to Universal, ‘I want to make a $20 million horror movie with a black family’ and they say yes.”

It’s a position in which few black filmmakers in the studio system have found themselves, but most people didn’t read this portion of the statement because they never got past the “not hiring white dudes” quote which was included in almost every single headline from media covering the event that night.

Jordan Peele Us

Peele’s followup film, Us, opened to record sales for its first weekend.

Do I think if the headline read “Jordan Peele Discusses Diversity at Event” would have appeased those who are determined to be angry about it? No, but I do think most of them would have rolled their eyes and kept scrolling instead of jumping to the conclusion that the man was a racist.

I’ve spoken to numerous screenwriters and directors over the years who have bemoaned the fact that they’ve been told that they can’t get a film make with non-white leads in Hollywood because studios tell them they can’t sell and “urban” film overseas.

“Urban” is one of those fun little catchwords used to denote that the lead isn’t white, if you’re wondering.

Take, for instance, Lucy Cruell.

The award-winning screenwriter has a fantastic award-winning script for a film called 7 Magpies which she has been shopping for years. Despite the accolades the script has received, she simply cannot get the funding to move ahead in production, and predominantly because she’s been told that the studios just don’t know how to sell it.

Why?

It’s a horror anthology script based on stories by black authors, written by a black screenwriter, to be directed by black female directors, starring a predominantly black cast.

That, white folks, is racism. It is systemic. It is a part of the DNA of what goes on in Hollywood, and while things are changing, they are hardly equal.

Movies with big screen releases are still predominantly white and about straight white characters. Jordan Peele making films with black leads isn’t going to take away from that dominance, but it does add color to the landscape. It adds diversity to the conversation.

But most importantly, the appearance of more films featuring people of color, queer people, etc. is not going to slow down the production of predominantly white led films.

As a wise man said, this isn’t pie, so what are you really worried about?

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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