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‘Dead By Midnight’ is a Love Letter to the Retro Horror Anthology – Review

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Dead By Midnight

I love horror anthologies, so when I had the opportunity to watch Dead By Midnight (11pm Central), I was thrilled. And I have to say, I was thoroughly impressed. It’s a wildly entertaining collection of cautionary tales that brilliantly executes the creative potential of the anthology format.

Dead By Midnight (11pm Central) is a collection of 6 stories – five separate short segments with one comprehensive plot tying them together. The description is as follows:

It’s Halloween at WKIZ when the malicious Mistress of Midnight arrives to host her annual horror movie marathon ‘Dead by Midnight’. When the WKIZ staff begins disappearing only to turn up in the increasingly darker films, it’s up to line producer Candice Spelling to stop the Mistress of Midnight before her final and most diabolical film goes to air.

And check out this awesome poster design!

via You42

Each of the anthology chapters have a great premise and a solid execution. There’s honestly not a weak entry among them.

The anthology’s main storyline (known as Dead Air, directed by Torey Haas) shows the characters gradually shifting over as “actors” in the movie marathon entries, allowing the film’s cast to showcase their talent with double duty roles. This is a great creative choice that ties everything together very well, giving Dead By Midnight an overarching plot that clearly builds a full story.

It’s also just a very clever way to present an anthology that ties back to the roots of the sub-genre; shows and films like Tales From the Crypt, Thriller, Trilogy of Terror, Waxworks, Hammer House of Horror and The Vampira Show.

I was so happy to see Hannah Fierman (SiREN, V/H/S) as line producer Candice Spelling – she’s such a great talent and she can communicate so much with her physicality and facial expressions (take into consideration that her role in SiREN is mainly non-speaking, and you’ll know what I mean).

Each segment is introduced by the Mistress of Midnight (Erin Brown, Masters of Horror: Sick Girl), the saucy hostess of the Dead By Midnight TV special. She’s basically a hybrid of Elvira and Evelyn (Barbara Crampton’s VHS game guide character from Beyond the Gates) and her coy quips mask her dark intentions.

The first “official” short entry, titled Jersey Devil (directed by Tony Reames), features a punchy script that I greatly enjoyed (written by the segment’s lead actress, Davi Crimmins). The comedic timing of this entry is fantastic and I definitely appreciated the Evil Dead homage of the camera-rushing-at-the-cabin visual gag. Delightful!

The next segment, Creepy Dolls (directed by Eric Davis) stood out for me because of Emma Green’s character, Toni. She’s wise to the ways of a spooky story and shows that it really is easy to incorporate diversity of sexual orientation into the genre.

Director Jay Holloway’s segment, Lost Laundry, uses a combination of stop-motion animation and practical gore effects to turn his story into a fun creature feature. Anyone who has ever had an uncomfortable roommate situation will definitely identify with this short.

Day Three – written and directed by Anissa Matlock – is beautifully subdued in comparison to the previous segments. It’s full of emotion and communicates a deep trauma with characters that are struggling to cope. The climax is stunning with phenomenal practical effects and design. It really won me over.

Dead By Midnight

The last segment, Blind Side (directed by Torey Haas and written by Melissa Oulton) is the nightmare of anyone who relies on prescription glasses. The short’s main character, Rebecca (Jenni McCarthy), finds herself blurrily struggling through a horrific situation and still follows all the logical steps – for once – which deserves applause.

Overall, the film had such a strong group of stories that it would be difficult to pick a favorite. Dead By Midnight (11pm Central) is a killer indie anthology that fully embraces the format and does a damn good job.

Dead By Midnight (11pm Central) will screen as part of the Atlanta Film Festival on April 14th (9:30pm at the Plaza Theatre). You can check out the trailer below.

Craving more horror anthologies? Check out the teaser trailer for Lilith!

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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