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Critical Punching Bag Uwe Boll Retires

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Critically, he has been one of the most loathed filmmakers of the last few decades. Audience wise, he didn’t fare much better. But the filmmaker who was known as “The Raging Bull” for beating up film critics who hated his movies, going on angry rants towards crowd-funders, his hatred for The Avengers, and making all around terrible movies is retiring. We are of course talking about Uwe Boll. Whether you like his movies or not, you have to admit, the man has been a constant source of entertainment outside of his films.

The director behind such loathed films Alone in the Dark, BloodRayne 1-3, Blubberella and House of the Dead is finally throwing in the towel. He reasoning, unsurprising, is not because of the universal hatred for his films or the fact that he tried to crowd fund his films three times unsuccessfully, instead he blames the fall of the home video market and the rise of streaming. When talking about his latest film Rampage 3: Capital Punishment he says:

“Rampage 3 will be watched on Netflix, DVD or iTunes or whatever,”

“They’ll say, ‘That wonderful movie! I liked it blah, blah, blah,’ then watch Avengers. With streaming everywhere there is just a big wave of movies flooding around and you have no impact.”

“The market is dead,” he adds, “you don’t make any money anymore on movies because the DVD and Blu Ray market worldwide has dropped 80 per cent in the last three years. That is the real reason; I just cannot afford to make movies.”

“I can’t go back to student filmmaking because I have made so many movies in my life, and I can’t make cheaper and cheaper movies at my age. It’s a shame. I would be happy to make movies but it is just not financially profitable.”

He is honestly making some solid points on the changing tides for the home video market, though according to Fortune there has been an 11% decline of DVDs/Blu Rays in 2014 and another 12% in 2015. While his facts are wrong, he means well enough. The differences in revenue from physical media and streaming for filmmakers/distributors is pretty big, as seen with indie musicians and filmmakers. This mixed with a flooded market of films of similar calibers, its easy to see why a filmmaker like Uwe Boll would be discouraged from continuing to make films. Especially since he claims he has been financing his one films since 2005’s Postal.

“I’ve been using my money since 2005 and if I hadn’t made the stupid video game based movies I would never have amalgamated the capital so I could say, ‘Let’s make the Darfur movie.’ I don’t need a Ferrari, I don’t need a yacht. I invested in my own movies and I lost money.”

So this is the end of everyone’s favorite critical punching bag. The sun sets on the man whose films were once compared to “the film on your teeth after a three-day drunk possesses more cinematic value” by Scott Brown. Uwe Boll came into our lives like a pissed off cow at the bottom of a basement filled with glassware and is leaving like a glorious bird. His films will more than likely not be missed, but his assholery antics will be. Lets take a moment to enjoy the trailer for one of his worst movies and most early 2000’s trailer ever:

Original source: Metro News

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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