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Blu-ray Review: ‘A Girl Walks Home Alone At Night’

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What do you get when you combine elements of a spaghetti western, an Iranian vampire film and a love story? You get a new kind of film that is a different chemical composition all together, in the form of “A Girl Walks Home Alone At Night.”

Visionary writer/director (and all around cool person) Ana Lily Amirpour digs deep for the black and white Iranian vampire movie that is one of those films that you know instantly while watching is going to be timeless.

The story follows both Arash, (Arash Marandi) a good hearted guy who is helping his father pay off his debts that were born from drug use and “The Girl,” (Sheila Vand) a vampire who watches the streets of Bad City and feeds on those unlucky enough to get on her bad side. Through a series of events their paths are crossed and fates become entwined.

Vand, plays the vampire with ferocity with a splash of vulnerability. The black and white film adds to her pale skin and predatory big eyes. She makes vampires entrancing and scary again in the same way that Bela Lugosi made the iconic role of “Dracula” in 1931.

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“A Girl Walks Home Alone At Night” gets everything right and transports you into a black and white dreamscape that is filled with characters cut from a caring creators mind.

This is one of those films you could literally pause at any time and have a still of art for your art collection or at the very least your computer desktop.

Small items and moments make this movie what it is. “The Girl” skateboarding around Bad City looking for prey is one of those cool things in films that are instantly burned into your memory forever.

Amirpour is a film fanatic first. In one of the special features on the Blu-ray, she talks about her inspiration for the look and feel of this film and high on that list is none other than David Lynch and his film “Wild At Heart.” Her passion for film not only comes out in conversation but also in vision. She manages to create the same droning dreadful feelings that accompany many of Lynch’s films.

Much like the vampire in the film, “A Girl Walks Home At Night” is simultaneously beautiful and menacing and haunting. Amirpour and the cast create a world that is supposed to be based in Iran but also feels alien. It feels like a world that is not of this earth, which adds to the spell that the film casts from opening frame to closing frame.

My favorite thing about purchasing a Blu-ray is the physical product first and a special features second. I like my Blu-ray purchases to have weight to them that way when you are pulling away the shrink wrap when opening it for the first time, you are not only greeted by the intoxicating new Blu-ray smell but also a handful of content to discover.

“A Girl Walks Home Alone At Night” on Blu-ray does not disappoint in that direction. Distributor Kino Lorber did a fantastic job with this release, which includes beautiful artwork from top to bottom and then some.

The Blu-ray comes inside of slipcover with a foldable inner sleeve and a graphic novel of more dark adventures of the vampire from the film.

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The graphic novel features beautiful artwork done by Michael DeWeese and is written by Ana Lily Amirpour. The stories give some background on the character and explain how she arrived in Bad City.

The special features on the disk are plentiful and lengthy as well. The range from behind the scenes footage of Shelia Vand as she is fitted for her fangs and Dominic Rains getting molded for prosthetics. Vice also does a featurette on Ana Lily and features some behind the scenes stuff as well as conversations with executive producer Elijah Wood.

The crowning special feature has Ana Lily doing a Q&A session with none other than the legendary Roger Corman about “A Girl Walks Home Alone At Night.” During the Q&A Ana Lily discusses her influences, while Corman confirms that “Little Shop of Horrors” was indeed shot in two days and one night.

The special features are good and give a great look at what went into “Girl “while giving an up close look at the director. For me the packaging (and of course the brilliant vampire story) really makes this release worth adding to your collection.

Ana Lily Amirpour is a director that we will all be seeing a ton of in the future. Her next project “The Bad Batch” stars Jim Carrey and Keanu Reeves and takes places in a Texan wasteland where cannibalism has taken over certain group’s appetites. Get in on the ground floor with the seductive and dangerous “A Girl Walks Home Alone At Night” now on Blu-ray and DVD.

 

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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