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Check Out New Images and Details From ‘Halloween’

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New Images from Halloween

The smell of falling leaves, aisles of fun size candies in every store, and the sight of blood, even if it is fake, can only mean one thing: Fall is near! As Halloween inches around the corner, and the kiddies are preparing their trick-or-treat costumes, fans of John Carpenter’s Halloween are gearing up for a new holiday tradition.

Blumhouse Productions and Universal Pictures have released some sweet, never-before-seen, treats from the upcoming Halloween.

Nine new photos have been unleashed to whet our appetites for the already highly anticipated return of Michael Myers and Laurie Strode. While the masked villain is not featured in any of the shots, the collection does give us a peek behind the scenes and a few glimpses from the film.

Jamie Lee Curtis returns to reprise her iconic role as Laurie Strode, but unlike before, Strode is ready for Michael’s return, preparing for an epic showdown 40 years in the making.

The cast also includes Judy Greer and Andi Matichak as three different generations of Strode females.

iHorror writer Kelly McNeely attended TIFF and witnessed the rebirth of Halloween. Just like Carpenter himself said in a featurette, Michael is back with vengeance and has not been “this good [as I’ve seen] since we did the first movie.”

https://youtu.be/aE0M0WC_u1M

Danny McBride, co-writer of Halloween, hopes the new sequel won’t ruin too many childhoods.

“In this day and age, Hollywood is tapping into so many beloved franchises that it seems like any time anything comes out there’s the contingency of people that are stoked, and the contingency of people that are fucking pissed off and saying you ruined their childhood somehow,” McBride told IndieWire.

McBride and Green are known for their comedic past working together on projects like the HBO original series Vice Principals. McBride promises this movie will be far from comedy, however.

“I hope this thing tips more into the world of people liking it. I hope we don’t ruin too many childhoods,” McBride continued. “I think it will be interesting for people to see what David Green has pulled off as a director, going from things like Stronger and Pineapple Express and being able to segue into something that’s just straight, gritty horror. I’m always impressed with the different genre hats that David finds himself putting on, and I think people will be pleased with what he’s done.”

Green revealed his original plan for the opening of the new Halloween while speaking at a press junket in Los Angeles. Since the new film is a continuation to the 1978 film – ignoring every sequel spawned after – Green initially wanted to begin with the ending of the original.

“We had this very complicated overhead view of Loomis shooting the gun, Michael going over and then the apprehension, assuming everybody was going to need a little bit to get back up to speed with where we are and we haven’t seen the movie in a long time or we’ve never seen the movie, had to invite everyone to the party and that kind of thing,” said Green according to ScreenRant. “We kept pushing it off.”

Halloween

via Variety

That would have called for a complete refilming of the 40-year-old scene.  Green explained the extensive procedure of how they were going to de-age Curtis  and bring Donald Pleasence back – Pleasence passed away in 1995 – with the help of modern day movie magic.

However (and thankfully), Carpenter stepped in and convinced Green to trash the idea.

“This was Carpenter actually calming me down on set,” said Green. “I’m like, ‘Nobody’s going to know what’s happening and where we’re coming from.’ He’s like, ‘Just trust ‘em and leave ‘em alone and let ‘em figure it out.’”

Carpenter is returning as executive producer, creative consultant, and composer of the film’s score. The direct-sequel to the original 1978 classic will hit theaters October 19.

Are the new stills from Halloween getting you excited for the October 19 release date? Will you be watching the return of Michael opening weekend? Let us know in the comments below.

Also, check out this little girl getting down to the tunes of the original Halloween. Relatable? I think so!

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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