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[REVIEW] ‘Haunt’ Is All Bloody, Well & Good

A group of college kids find themselves stalked inside an extreme haunted house attraction in Scott Beck and Bryan Woods' (A Quiet Place) violent...

‘Riot Girls’ is a Punk Rock Call to Arms [REVIEW]

In an alternate version of 1995, a mysterious plague has wiped out all the adults and left one town’s teens in a violent gang...

TIFF Review: ‘The Platform’ Takes it to a Whole Other Level

For Spanish director Galder Gaztelu-Urrutia’s first feature film, he did not hold back. The Platform (El Hoyo) is a daring debut, melding political allegory...

TIFF Review: ‘Color Out of Space’ Paints a Messy Picture

Director Richard Stanley returns to narrative filmmaking after over 20 years with Color Out of Space, a hypnotic H.P. Lovecraft adaptation. Published in 1927,...

Micah Gallo’s ‘Itsy Bitsy’ Fails to Successfully Spin its Web

Micah Gallo's new eight-legged creature feature Itsy Bitsy is a film that has all the elements needed for a fun popcorn movie. Unfortunately, those elements...

TIFF Review: ‘Synchronic’ is Inventive, Heartfelt Sci-Fi at its Finest

Justin Benson and Aaron Moorhead are a talented team of filmmakers who have yet to disappoint. They burst onto the scene with Resolution in...

Kurtis David Harder’s ‘Spiral’ is Unnerving Psychological Horror at Its Best

There is something powerfully insidious about Kurtis David Harder's new psychological horror film, Spiral. The film which recently played FrightFest in the UK on August...

TIFF Review: ‘The Lighthouse’ is Not For the Faint of Heart

Robert Eggers’ sophomore follow-up to 2015’s The Witch is a gradual descent into madness; a journey not for the faint of heart. The Lighthouse follows...

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