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Was Jason Voorhees a Deadite in Jason Goes To Hell?

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With all the crossovers and the like, these days. It isn’t hard to imagine My Little Pony’s hooves, clip-clopping over into The Walking Dead, or Iron Man’s jets flying over into The Help. These mashups are all the rage right now and I’m not gonna lie, I’m totally into it. That’s as long as being “into it” doesn’t require me to sit with a bladder filled with beer in order to wait out a slew of credits VFX artist, all to watch Sam Jackson recruit so-and-so into the larger so-and-so. Looks like Jason Goes To Hell: The Final Friday was getting in on the trend early on thanks to director Adam Marcus. In a recent interview with HorrorGeekLIfe, Marcus went into a detailed explanation that paints hockey mask-wearing Jason Voorhees, as a Necrinomicon-born Evil Dead Deadite.

“I was populating the film with Easter eggs, and at that time I was on set while writing the script, and spending time with Bob Kurtzman for The Evil Dead part 3 [Army of Darkness]. I had become friendly with Sam Raimi, so much so that he had shot several commercials in LA and I had hung out with him on set. Sam’s an amazing guy, and one of my heroes. So while I was there, I asked Sam if I could borrow the Necronomicon to put into my movie. Sam gave a bewildered “Why?!” and I explained the story. I was trying to create a mythology for Jason in this movie, because it had driven me nuts as a viewer.

I was there for the first Friday the 13th. I was ten years old when Sean Cunningham made that film, I’m best friends with his son Noel since we were six. Sean never expected this to turn into anything. He made a little thriller about a mom who murders a bunch of teenagers because she thinks they represent the teenagers who let her son die. But at the end of the movie – because he wanted to rip off Carrie, since it was a huge success – he thought, wouldn’t it be great if the kid leaps out of the water and grabs the girl? It ended up being the best scare in the movie.

Jason

Here’s the thing though, he never thought they were going to make a series of movies about the kid in the lake. Cut to several months later and Alice from the first movie is in her home and this full-size man (who was a boy two months ago) murders her- I know for me I was only twelve when part two came out, and even as a kid myself, I asked “What? Why isn’t it a boy, and how did he live for thirty years in a lake?” So what I told Sam was “I think it’s more fun if I have the Necronomicon in Pamela Voorhees’ house. She makes a deal with the devil by reading from the Necronomicon to bring back her son. This is why Jason isn’t Jason. He’s Jason plus The Evil Dead,” and now I can believe that he can go from a little boy that lives in a lake, to a full grown man in a couple of months, to Zombie Jason, to never being able to kill this guy.

That, to me, is way more interesting as a mash-up, and Raimi loved it! He literally went and picked up the book, put it in a plastic bag and told me to put it in the movie. So only Sam, myself, and Bob Kurtzman ever knew that was my agenda. It’s not like I could tell New Line my plan to include The Evil Dead, because they don’t own The Evil Dead. So it had to be an Easter egg, and I did focus on it… there’s a whole scene that includes the book, and I hoped people would get it and could figure out that’s what I’m up to.

So yes, in my opinion, Jason Voorhees is a Deadite. He’s one of The Evil Dead.”

The Final Friday was definitely an experiment in all things Jason and went a ways out of the way to explain exactly what Jason was. It’s nutty and over the years it has grown on me as a fun and weird exploration of a mythos that may exist on a parallel dimension. I mean at the very least it gave us the showdown that was Jason Vs. Freddy which was another one of my guilty pleasures.

Ultimately, I say run with it. Let’s explore this further. Let’s get Bruce Campbell up in a Deadite-driven Jason film. Could be a blast.

Where my Jason Goes to Hell fans at? What do you guys think?

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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