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Why 2010’s ‘A Nightmare on Elm Street’ was actually a really good remake

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So many remakes fall into the trap. They are either so different from the original that they might as well not be a remake, but instead a new movie (Total Recall), or they emphasize the wrong part of the movie, missing the underlying storyline that made the original so great (Robocop).  Why does this happen? Well, in my view this comes down to wrong script choice, bad direction and not enough research.  I will explain myself, because I can hear squid-like noises from thousands of fans eyes rolling in their sockets as I write.

All great movies have an underlying storyline that can be applied to everyday life. The amazing 1987’s Robocop, for example, the story was not simply a man turned robot who fought crime. The backbone of the story was more about man playing God, and the world’s reaction to a miracle or monster, resulting in a movie more like a Mary Shelley novel.  The overall moral of the story is that the desire to be human is still too powerful to be controlled by technology.  The remake seemingly didn’t bother too much with the battle between human consciousness and technology, only having a small scene where the human mind overtakes the robot mind towards the end and influences the robot’s decision. The movie was more interested in whether or not they should turn off the human mind altogether. Maybe they were trying to take it in a new direction, but I think they hoped the viewers would be distracted by the special effects, or have not seen the original.

The director can influence the movie enough to keep what is important to the fans of the classic. When a director decides to not pay homage to the original, and does not include any references that the fans will notice, is either because the director was not a fan of the first one themselves, or they are afraid they will bastardize it.  In my view, it is important to have a true fan direct any remake and include references as a tip of the hat to the original writers and directors.

The 2010 remake of A Nightmare on Elm Street was full of references that the fans could appreciate, and it counts as a sign of respect to Wes Craven for making such an excellent movie.  At the end of the day, Wes Craven’s movie is iconic, and so many scenes have been outlined in the horror industry for his genius practical effects.

I have heard critics say that the remake was too like the first and that it lacked originality, but I think they have forgotten what a “remake” means. A remake takes a movie that did a lot of things right, and adds to the imagery to retell the story in an attempt to make it current and possibly even better (although none that have achieved this come to mind).  This can only be a compliment if done by a true fan, and not just made by anyone trying to make a quick buck, or get their name out there.  I mean, why take away some of 1984’s A Nightmare on Elm Street amazing scenes?

Freddy coming out of the wall

Body bag scene from both movies

Bath tub scene from both movies

End twist from both movies

Even though all these great scenes were reworked, I would have loved to seen the part where Johnny Depp was splattered over his bedroom ceiling thrown in there, too.  However, there must have been a conscious reason for not including it and if I ever get to interview Samuel Bayer, I will be asking him. He did include the Depp t-shirt though. Did you notice?

Johnny Depp's tshirt used in both movies

I know, I know. I’m a movie geek. I just hope it was not a coincidence.

**Spoilers

So now that we have discussed the similarities, what about the differences? Lets start with the story. It’s pretty much all there, but they decided to give the audience an insight to Krueger’s background, which is something you didn’t see, but only heard, in 1984.  Then the storyline takes a turn for a short while, to make you believe that Freddy was innocent and that he was taking revenge for the lies the children told. When we finally find the truth, we find that Freddy was actually a pedophile, and not a child murder.  Wes Craven decide to not have Krueger as a pedophile in the original, as he felt this would have been too much for the viewers at the time.  I still think a child murderer would have been enough for the remake, but they obviously wanted to make it more sinister.

The ending of the original movie was one of many discussions had during the making, and could be why they decided to use the ending more like from 1991’s Freddy’s Dead. Once Krueger has been brought out of the dream world into the real one, they slash his throat, as opposed to simply turning their back on him to take away his power. Good move, and they set him on fire again!

Now, for some reason there is an unwritten rule that the original antagonist can not be the character again in the remake, and for good reason I think. But if they didn’t get Englund to play Freddy, then who? This was a problem they had in the casting of Freddy’s Revenge,  due to Engulnd’s management asking for too much money. When New Line Cinema auditioned others for the role, they found that Robert Englund was truly the only person that could pull it off.

Jackie Earle Haley was excellent, and I could not imagine anyone else doing it without being too much Freddy or not enough.  He brought along with him a new, twisted soul that made it darker and far less comical then his predecessor, and his scar tissue is far more believable.  If you can think of anyone that could have done better, comment below.

However, I do want to point out that there were some things they didn’t get right.  Although Rooney Mara was more then adequate covering the role of Nancy, she does not deserve the privilege, given that she feels being in the movie was a mistake, and has questioned continuing being an actor. If this is due to the fact the movie has been heavily criticized, then she needs to man the fuck up! She did a good job and needs to remember all remakes will be criticized, good or bad.

And just as a side note, the CGI used to recreate the Freddy coming out of the wall scene was shit. It was laughable and should have found itself with a slice either side of it on the film reel.

In conclusion, this movie was made by a Freddy fan, for the Freddy fans, and recreated loads of things to point out to the less fanatic one of us.  This is not only what the remake lover enjoys, but as a enormous A Nightmare on Elm Street fan, I can say the Freddy fans should love it, too.  If you watched the movie and didn’t like it, and are either of these two types of people, watch it again having heard my opinion and think… “This movie was made for me.”

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Another Creepy Spider Movie Hits Shudder This Month

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Good spider films are a theme this year. First, we had Sting and then there was Infested. The former is still in theaters and the latter is coming to Shudder starting April 26.

Infested has been getting some good reviews. People are saying that it’s not only a great creature feature but also a social commentary on racism in France.

According to IMDb: Writer/director Sébastien Vanicek was looking for ideas around the discrimination faced by black and Arab-looking people in France, and that led him to spiders, which are rarely welcome in homes; whenever they’re spotted, they’re swatted. As everyone in the story (people and spiders) is treated like vermin by society, the title came to him naturally.

Shudder has become the gold standard for streaming horror content. Since 2016, the service has been offering fans an expansive library of genre movies. in 2017, they began to stream exclusive content.

Since then Shudder has become a powerhouse in the film festival circuit, buying distribution rights to movies, or just producing some of their own. Just like Netflix, they give a film a short theatrical run before adding it to their library exclusively for subscribers.

Late Night With the Devil is a great example. It was released theatrically on March 22 and will begin streaming on the platform starting April 19.

While not getting the same buzz as Late Night, Infested is a festival favorite and many have said if you suffer from arachnophobia, you might want to take heed before watching it.

Infested

According to the synopsis, our main character, Kalib is turning 30 and dealing with some family issues. “He’s fighting with his sister over an inheritance and has cut ties with his best friend. Fascinated by exotic animals, he finds a venomous spider in a shop and brings it back to his apartment. It only takes a moment for the spider to escape and reproduce, turning the whole building into a dreadful web trap. The only option for Kaleb and his friends is to find a way out and survive.”

The film will be available to watch on Shudder starting April 26.

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Part Concert, Part Horror Movie M. Night Shyamalan’s ‘Trap’ Trailer Released

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In true Shyamalan form, he sets his film Trap inside a social situation where we aren’t sure what is going on. Hopefully, there is a twist at the end. Furthermore, we hope it’s better than the one in his divisive 2021 movie Old.

The trailer seemingly gives away a lot, but, as in the past, you can’t rely on his trailers because they are often red herrings and you are being gaslit to think a certain way. For instance, his movie Knock at the Cabin was completely different than what the trailer implied and if you hadn’t read the book on which the film is based it was still like going in blind.

The plot for Trap is being dubbed an “experience” and we aren’t quite sure what that means. If we were to guess based on the trailer, it’s a concert movie wrapped around a horror mystery. There are original songs performed by Saleka, who plays Lady Raven, a kind of Taylor Swift/Lady Gaga hybrid. They have even set up a Lady Raven website to further the illusion.

Here is the fresh trailer:

According to the synopsis, a father takes his daughter to one of Lady Raven’s jam-packed concerts, “where they realize they’re at the center of a dark and sinister event.”

Written and directed by M. Night Shyamalan, Trap stars Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills and Allison Pill. The film is produced by Ashwin Rajan, Marc Bienstock and M. Night Shyamalan. The executive producer is Steven Schneider.

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Woman Brings Corpse Into Bank To Sign Loan Papers

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Warning: This is a disturbing story.

You have to be pretty desperate for money to do what this Brazilian woman did at the bank to get a loan. She wheeled in a fresh corpse to endorse the contract and she seemingly thought the bank employees wouldn’t notice. They did.

This weird and disturbing story comes via ScreenGeek an entertainment digital publication. They write that a woman identified as Erika de Souza Vieira Nunes pushed a man she identified as her uncle into the bank pleading with him to sign loan papers for $3,400. 

If you’re squeamish or easily triggered, be aware that the video captured of the situation is disturbing. 

Latin America’s largest commercial network, TV Globo, reported on the crime, and according to ScreenGeek this is what Nunes says in Portuguese during the attempted transaction. 

“Uncle, are you paying attention? You must sign [the loan contract]. If you don’t sign, there’s no way, as I cannot sign on your behalf!”

She then adds: “Sign so you can spare me further headaches; I can’t bear it any longer.” 

At first we thought this might be a hoax, but according to Brazilian police, the uncle, 68-year-old Paulo Roberto Braga had passed away earlier that day.

 “She attempted to feign his signature for the loan. He entered the bank already deceased,” Police Chief Fábio Luiz said in an interview with TV Globo. “Our priority is to continue investigating to identify other family members and gather more information regarding this loan.”

If convicted Nunes could be facing jail time on charges of fraud, embezzlement, and desecration of a corpse.

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