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‘The Witch’ and ‘The Lighthouse’ Director Tells His Top 26 Films
Robert Eggers is a whirlwind of awesome influence. His film, The Witch was in my top 5 the year it came out and The Lighthouse is probably landing somewhere in my top 3 for this year. Each speaks volumes from a new voice in the genre and each comes with a barrage of hefty influences.
In a recent AMA on Reddit, Eggers pulled back the tarp on twenty-six of his favorite films and boy is it an all encompassing list. It’s easy to see where Eggers is pulling some of his ideas from, as well as how much of himself he is putting into them.
With films like Onibaba and Possession on the list it completely wins me over, the rest of the list just furthers the dudes great taste in cinema.
The Lighthouse follows two stranded lighthouse (William Dafoe, Robert Pattinson) keepers that begin to go through the throws of absolute madness. It is currently playing in theaters.
- Nosferatu, Murnau, 1922
- The Shining, Kubrick, 1980
- Possession, Żuławski, 1981
- Alien, Scott, 1979
- Psycho, Hitchcock, 1960
- The Innocents, Clayton, 1961
- The Piano Teacher, Haneke, 2001
- Cries & Whispers, Bergman, 1972
- The Tenant, Polanski, 1976
- Angst, Gerald Kargl, 1983
- Rosemary’s Baby, Polanski, 1968
- Onibaba, Kaneto Shindo, 1965
- Cabinet of Dr Caligari, Wiene, 1920
- The Devil, Żuławski, 1972
- Hour of the Wolf, Bergman, 1968
- Blue Velvet, Lynch, 1986
- Lost Highway, Lynch, 1997
- Mulholland Drive, Lynch, 2001
- Twentynine Palms, Bruno Dumont, 2003
- The Exorcist, Friedkin, 1973
- Don’t Look Now, Roeg, 1973
- The Birds, Hitchcock, 1963
- Fall of the House of Usher, Epstein, 1928
- Repulsion, Polanski, 1965
- The Hunger, Tony Scott, 1983
- Häxan, Benjamin Christensen, 1922
How many of these have you guys seen? Let us know in the comments section. Also, don’t miss The Lighthouse, it’s a must-see.
The full AMA can be found here:
Hi, I’m Robert Eggers, co-writer/director of THE LIGHTHOUSE… ask me anything! from movies
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Movies
‘Evil Dead’ Film Franchise Getting TWO New Installments
It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.
We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.
“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”
That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”
Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:
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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening
Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.
Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.
Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.
Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.
Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.
The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.
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News
Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date
Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.
Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.
These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:
According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”
Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.
Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.
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