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‘The Haunting of Bly Manor’ is Dread-Inducing Gothic Romance At Its Finest

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The Haunting of Bly Manor premieres this week on Netflix. Ostensibly billed as season two to The Haunting of Hill House, this new season reunites familiar faces to spin an entirely different tale about a majestic haunted manor and those ultimately affected by it.

Much like the first season with Shirley Jackson’s classic novel, Mike Flanagan and his production team have proven themselves masters and mistresses of storytelling this time mining the tales of prolific author Henry James to create something far greater than the sum of its parts.

The primary focus of the The Haunting of Bly Manor draws upon the The Turn of the Screw–arguably one of James’s most famous tales and certainly the most often adapted–which tells the story of a young governess named Dani (Victoria Pedretti) hired by a wealthy bachelor (Henry Thomas) to care for his niece and nephew, Miles (Benjamin Evan Ainsworth) and Flora (Amelie Bea Smith) at their sprawling, isolated ancestral home.

T’Nia Miller, Amelie Bea Smith, and Benjamin Evan Ainsworth all three give remarkable performances throughout the The Haunting of Bly Manor

Once there, she meets a rather eclectic and somewhat eccentric staff including the manor’s maid Mrs. Grose (T’Nia Miller), chef Owen (Rahul Kohli), and gardener Jamie (Amelia Eve).

Almost immediately, strange events begin to occur and Dani soon realizes that surface life at Bly Manor is paper-thin and what goes on just beneath it is not only troubling but ultimately terrifying.

Flanagan is an incredible storyteller, and this series is no different. He painstakingly draws you into his world, introducing you to his characters and almost forcing you to care about their safety and well-being so that dread soon creeps into every moment of each episode. We don’t simply want these characters to survive. We want them to emerge whole and happy, but we know what kind of story this is and how very small the likelihood of a happy ending truly is.

Flanagan further filled out the story of Bly Manor by pulling in more than one of James’s stories to complete his tale. Those familiar with the author’s work will no doubt recognize The Jolly Corner and The Romance of Certain Old Clothes, but by making Pedretti’s governess character American rather than British, they were also able to dig into some of the author’s larger themes.

His stories often took place at intersections where characters from the older European world met characters from America examining the ways in which they contrasted. This is heightened in Flanagan’s version by moving the action of the story to 1987 making Dani a far different young woman than the governess in James’s original tale could be.

Victoria Pedretti’s Dani is the undisputed heart of The Haunting of Bly Manor.

But, I digress. Back to Bly.

Ghost stories, much like stories about zombies or vampires or really any other scary horror creature, are almost always about something else. The Haunting of Hill House was about family. The Haunting of Bly Manor is ultimately about love and relationships.

Now before you skip out on me, understand that I’m not only talking about romantic love–though that certainly plays out here. This series is about the love between siblings, the love of caregivers for their charges no matter the age, unrequited love, and the ways in which those emotions tear us apart, change us for good and bad, and when mishandled can create monsters.

And while this season may lack some of the scares of the first, what it does perhaps even better than The Haunting of Hill House is create a sense of atmosphere and place.

Bly is real. Its residents are real. The dangers they face are real, and most importantly, the fear we feel for them is very, very real.

For their part, the cast of the series is quite amazing. Miller, Eve, and Kohli stand out in a season filled with great performances with their raw, subtle storytelling, conveying so much with a look or gesture. Ainsworth and Smith prove themselves as young actors to watch, with Ainsworth in particular presenting an unexpected maturity that can still give way to wide-eyed looks and reactions more fitting his age.

Benjamin Evan Ainsworth as Miles in Netflix’s The Haunting of Bly Manor

Oliver Jackson-Cohen also returns this season as Peter Quint, former driver and right hand man to Thomas’s character. I have seen this role played many times, but few have brought the complexity and emotional range the actor does here. It’s rather stunning to watch.

But in the end, it all comes back to Pedretti as Dani. One could easily argue that she was–in her own way–the heart of the first season, but she is undeniably so in the second. She comes to Bly Manor with a weight on her shoulders and we witness her adjust, carry, and manage it all so beautifully, throughout, even when she seemingly falls apart.

And of course, one can’t talk about The Haunting of Bly Manor without discussing the house itself. It is an absolutely stunning and painstakingly put together. It feels like a real place with halls that seemingly go one forever, creepy dolls that stare out from shelves and the confines of a lovely dollhouse, and corners just dark enough to make one wonder who or what might be lurking there.

The Haunting of Bly Manor is not for everyone, certainly. There will be those who will undoubtedly spend days talk about how boring it is, but for those who are open to classic, atmospheric ghost stories with well-written characters and masterful performances, this series is required viewing. You will, as I did, love every twist and calculated turn, but fair warning, you may be completely emotionally exhausted as the final credits roll.

My only question for Flanagan now, is what classic ghost story will you dig into next, sir?

Look for all nine episodes of The Haunting of Bly Manor this Friday on Netflix.

https://www.youtube.com/watch?v=tykS7QfTWMQ

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Melissa Barrera Says Her ‘Scream’ Contract Never Included a Third Movie

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The Scream franchise has done a major overhaul to its original script for Scream VII after its two main leads departed production. Jenna Ortega who played Tara Carpenter left because she was overly booked and blessed while her co-star Melissa Barrera was fired after making political comments on social media.

But Barrera isn’t regretting any of it. In fact, she is happy where the character arc left off. She played Samantha Carpenter, the latest focus of the Ghostface killer.

Barrera did an exclusive interview with Collider. During their talk, the 33-year-old says she fulfilled her contract and her character Samantha’s arc finished at a good spot, even though it was meant to be a trilogy.

“I feel like the ending of [ Scream VI ] was a very good ending, and so I don’t feel like ‘Ugh, I got left in the middle.’ No, I think people, the fans, were wanting a third movie to continue that arc, and apparently, the plan was a trilogy, even though I was only contracted for two movies.

So, I did my two movies, and I’m fine. I’m good with that. I got two – that’s more than most people get. When you’re on a TV show, and it gets canceled, you can’t harp on things, you gotta move on.

That’s the nature of this industry too, I get excited for the next job, I get excited for the next skin I get to put on. It’s exciting to create a different character. So yeah, I feel good. I did what I set out to do. It was always meant to be two movies for me, ’cause that was my contract, and so everything is perfect.”

The entire production of the original seventh entry has moved on from the Carpenter’s storyline. With a new director and new script, production will resume, including the return of Neve Campbell and Courtney Cox.

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Read Reviews For ‘Abigail’ The Latest From Radio Silence

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The review embargo has lifted for the vampire horror movie Abigail and the reviews are abundantly positive. 

Matt BettinelliOlpin and Tyler Gillett of Radio Silence are getting early praise for their latest horror movie which opens on April 19. Unless you’re Barbie or Oppenheimer the name of the game in Hollywood is about what kind of box office numbers you pull on opening weekend and how much they drop thereafter. Abigail could be this year’s sleeper. 

Radio Silence is no stranger to opening big, their Scream reboot and sequel packed fans into seats on their respective opening dates. The duo are currently working on another reboot, that of 1981’s Kurt Russel cult favorite Escape From New York

Abigail

Now that ticket sales for GodzillaxKong, Dune 2, and Ghostbusters: Frozen Empire have gathered patina, Abigail could knock A24’s current powerhouse Civil War from the top spot, especially if ticket buyers base their purchase off reviews. If it is successful, it could be temporary, since Ryan Gosling and Emma Stone’s action comedy The Fall Guy opens on May 3, just two weeks later.

We have gathered pull quotes (good & bad) from some genre critics on Rotten Tomatoes (score for Abigail currently sits at 85%) to give you an indicator of how they are skewing ahead of its release this weekend. First, the good:

“Abigail is a fun, bloody ride. It also has the most lovable ensemble of morally grey characters this year. The film introduces a new favorite monster into the genre and gives her room to take the biggest swings possible. I lived!” — Sharai Bohannon: A Nightmare On Fierce Street Podcast

“The standout is Weir, commanding the screen despite her small stature and effortlessly switching from apparently helpless, terrified child to savage predator with a mordant sense of humor.” — Michael Gingold: Rue Morgue Magazine

“‘Abigail’ sets the bar as the most fun you can have with a horror movie of the year. In other words, “Abigail” is horror on pointe.” — BJ Colangelo: Slashfilm

“In what may become one of the greatest vampire movies of all time, Abigail provides an extremely bloody, fun, humorous & fresh take on the subgenre.” — Jordan Williams: Screen Rant

“Radio Silence have proven themselves as one of the most exciting, and crucially, fun, voices in the horror genre and Abigail takes this to the next level.” — Rosie Fletcher: Den of Geek

Now, the not-so-good:

“It’s not badly made, just uninspired and played out.” — Simon Abrams: RogerEbert.com

A ‘Ready or Not’ redux running on half the steam, this one-location misfire has plenty of parts that work but its namesake isn’t among them.” –Alison Foreman: indieWire

Let us know if you are planning to see Abigail. If or when you do, give us your hot take in the comments.

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Ernie Hudson To Star In ‘Oswald: Down The Rabbit Hole’

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Ernie Hudson

This is some exciting news! Ernie Hudson (Ghostbusters 1984, The Crow 1994) is set to star in the upcoming horror film titled Oswald: Down The Rabbit Hole. Hudson is set to play the character Oswald Jebediah Coleman who is a brilliant animator that is locked away in a terrifying magical prison. No release date has been announced yet. Check out the announcement trailer and more about the film below.

ANNOUNCEMENT TRAILER FOR OSWALD: DOWN THE RABBIT HOLE

The film follows the story of “Art and some of his closest friends as they help track down his long-lost family lineage. When they find and explore his Great-Grandpa Oswald’s abandoned home, they encounter a magical TV that teleports them to a place lost in time, shrouded by dark Hollywood Magic. The group finds that they are not alone when they discover Oswald’s come-to-life cartoon Rabbit, a dark entity that decides their souls are it’s for the taking. Art and his friends must work together to escape their magical prison before the Rabbit gets to them first.”

First Look Image at Oswald: Down the Rabbit Hole

Ernie Hudson stated that “I am excited to work with everyone on this production. It’s an incredibly creative and smart project.”

Director Stewart also added “I had a very specific vision for Oswald’s character and knew I wanted Ernie for this role from the start, as I’ve always admired iconic cinematic legacy. Ernie is going to bring Oswald’s unique and vengeful spirit to life in the best way possible.”

First Look Image at Oswald: Down the Rabbit Hole

Lilton Stewart III and Lucinda Bruce are teaming up to write and direct the film. It stars actors Ernie Hudson (Ghostbusters 1984, The Crow 1994), Topher Hall (Single Drunk Female 2022), and Yasha Rayzberg (A Rainbow in the Dark 2021). Mana Animation Studio is helping produce the animation, Tandem Post House for post-production, and VFX supervisor Bob Homami is also helping. The budget for the film currently sits at $4.5M.

Official Teaser Poster for Oswald: Down the Rabbit Hole

This is one of many classic childhood stories that are being turned into horror films. This list includes Winnie the Pooh: Blood and Honey 2, Bambi: The Reckoning, Mickey’s Mouse Trap, The Return of Steamboat Willie, and many more. Are you more interested in the film now that Ernie Hudson is attached to star in it? Let us know in the comments below.

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