Connect with us

News

REVILED – The Underground World of Zombie Pit Fighting

Published

on

Written by Brian Linsky

From writer and director Jim Stramel (Degenerate’s Ink, Thrillbillies), comes REVILED, a five-part film series which tells the story of a desperate father and his deceased daughter lost in the underground world of zombie vs zombie pit fighting.

Filmed in the backwoods of Powhatan, Virginia, Frank Sonney (Randall Robinson) finds himself in a post apocalyptic world trying to survive, while also trying to protect his daughter Jessie (Gabbi Herzberg / Sara Carpenter) who’s become zombified.

When Frank sees an opportunity to capitalize on the situation by entering Jessie into a zombie pit fighting ring, he turns to an acquaintance named Moonie (J.R. Foster), who points Frank and Jessie in the direction of the pit leader, Bern.

Following Jessie’s brutal first fight, in which she takes on a one-eyed oddity with a beer can embedded in his head, Frank realizes he didn’t make as much money as he had hoped for, and is approached by Moonie with a proposal to take Jessie on the road where there’s larger crowds and more money to be made.

Each new fight pit along the way introduces us to a new cast of deranged and deviant characters, and a different pit leader for each location. In REVILED, the atmosphere is savage, the fights are violent, and the consequences of cheating are severe, as seen at the end of the second episode.

Not sure who he can fully trust, Frank Sonney only has one thought running through his mind… How do you save your daughter when she’s already dead?

Frank and Jessie enter the underground world of zombie pit fighting.

Frank (Randall Robinson) leads Jessie into the underground world of zombie pit fighting in REVILED.

With 3 more episodes of REVILED still to come, I’m excited to see where Frank and Jesse’s journey takes them next, what wacky freaks they’ll encounter along the way, and what new ways the director will think up to rip the zombies apart during their fight scenes.

Wanting to know more, I recently caught up with director Jim Stramel to see if he’d answer some questions for iHorror.

iH: In 2015, REVILED won an award for Best Short Film at Dead Walk Fest, the same year Randall Robinson won for Best Actor. He really did a great job owning that role, how rewarding is it for you as the director to know that you not only made a bad ass film, but also cast the right guy for the role?

JS: It’s incredibly rewarding. You get so close to actors and their characters while making the movie that it’s hard to keep a proper perspective, so it’s great when people with no connection or expectations see the movie and respond to an actor and his or her character. I mean, I know Randall’s a scumbag, but it’s rewarding that others can see it too!

iH: The REVILED series is beautifully shot and avoids the shaky footage usually seen in a lot of zombie films. How long did it take you to film the fight scenes?

JS: Each fight scene was filmed in half a day or less. It’s pretty much all of the time we had because the make-up was a build done that morning and recreating it would be really difficult, plus the budget and schedule didn’t allow for more than that anyway.

We filmed other bits while the zombies were being made up and then shot until we ran out of light. Once the sun went down, that was it. Which is why I feel that I still haven’t been able to get the fight scenes to where I want them yet, but I’ve learned a lot and ironed out some issues so episode 3 is going to make up for it!

iH: Can’t wait to see it. I understand your wife Renee does a lot of the make up and special effects, How long have you worked together on films?

JS: Renee’s been there from the beginning, from the first short film all those years ago, before we were married. She’s the only one who understands what the hell I’m trying to say or do when everything’s going wrong and I’m reduced to pointing, grunting and swearing. She can do and has done about everything, except wise up and kick me out, for which I am eternally grateful.

iH: You’re a lucky man. Congratulations on winning 6 Horror awards to date, and also for getting your films on ibleedindie.com. There’s a lot of great independent horror films out there and its great people now have a place to check ’em out on demand. Do you think the future of films will be through streaming services? Do you like the direction the industry is heading?

JS: Having REVILED streaming on ibleedindie is a huge deal to an independents like myself. Having a platform that’s willing to showcase and support truly independent films is vital for a project like REVILED to reach a broader audience outside of our normal social media, word of mouth sphere. I don’t know if streaming will replace physical media, I’m sure for some viewers it will.

Personally I like having a dvd, blu ray, vhs, etc, but streaming is a great platform to introduce people to movies and projects that they wouldn’t have heard of or had access to otherwise. Like us.

REVILED features the violently savage world of zombie vs zombie pit fighting.

iH: Most of your work involves a profuse amount of blood and guts. In fact you’ve won Best Gore at the Independent Horror Movie Awards, and Best Blood & Gore at Things2Fear Film Fest 2016, but is there ever a time when you’re thinking to yourself, “Wow, this may go a little too far.”?

JS: No. You can’t over do blood in a scene that screams for it, if it’s supposed to be raining blood then you got to make it rain blood, or do the best you can. Which is not to say that every scene needs it either.

Sometimes a few drops are going to punch an audience in the face much harder than a bathtub full of the stuff, it depends on the scene, what you’re trying to do. But when the gore calls, answer the phone. The funny thing I was actually pretty disappointed in the amount of blood in ep. 2, I really envisioned those scenes much redder and wetter and was disappointed in how, for whatever reason, dry they turned out, but then it goes out and gets 2 blood awards, ha ha ha ha. I guess I’m a little jaded.

iH: Do you find it difficult thinking of new ways to end each pit fight? There’s only so many ways you can get ripped apart, right?

JS: Yeah, that’s a challenge, but also the fun of it. Trying to figure out what these things are going to do to each other, something that’s going to be really fun for somebody sitting in the audience. But once again, in my mind they’ve all, so far, been compromised to one extent or another, never reaching what we had written on the page – I’m really looking at episode 3 to get it right!

iH: I love that several of your films feature music from Angry Johnny and the Killbillies, what is it about their music that works so perfectly with your films?

JS: I feel really fortunate to have had, and continue to have, Angry and the Killbillies be a cornerstone of our movie making. You can’t underestimate their contribution. They definitely have the ability to tap into a dark, dirty, bloody, and at the same time lonely, musical current, so as long as I keep shooting stories about degenerates, drunks and broken-hearted down and outers we’re going to be set for soundtracks!

iH: Awesome. What else are you working on?

JS: I have a story about a young woman fighting to save her soul from the devil that I really like.

I’m working on that now, writing it as one segment of a three-story horror omnibus movie. Then there’s another bloody crime story that I’m tinkering with. There’s always bits and pieces of movies floating around, in various stages, ready to take flight.

We also just finished shooting a music video for the band BAT and are editing that now, due out at the end of the year, and we’re in the early planning stages for a larger, multi-song video project for another band. But the main thing, the big one, is to tell the rest of the REVILED story. That’s my prime obsession.

iH: Right on Jim, it’s a great story and thanks for talking to iHorror about it. We’ll do our part to tell the world.

Episodes 1 and 2 are currently streaming right now on ibleedindie.com, and you can get more info on the film’s official website  Reviledzombieseries.com  Check out the trailers below.

 

'Civil War' Review: Is It Worth Watching?

Click to comment

You must be logged in to post a comment Login

Leave a Reply

Movies

Melissa Barrera Says ‘Scary Movie VI’ Would Be “Fun To Do”

Published

on

Melissa Barrera might literally get the last laugh on Spyglass thanks to a possible Scary Movie sequel. Paramount and Miramax are seeing the right opportunity to bring the satirical franchise back into the fold and announced last week one might be in production as early as this fall.

The last chapter of the Scary Movie franchise was almost a decade ago and since the series lampoons thematic horror movies and pop culture trends, it would seem they have a lot of content to draw ideas from, including the recent reboot of slasher series Scream.

Barerra, who starred as final girl Samantha in those movies was abruptly fired from the latest chapter, Scream VII, for expressing what Spyglass interpreted as “antisemitism,” after the actress came out in support of Palestine on social media.

Even though the drama wasn’t a laughing matter, Barrera might get her chance to parody Sam in Scary Movie VI. That is if the opportunity arises. In an interview with Inverse, the 33-year-old actress was asked about Scary Movie VI, and her reply was intriguing.

“I always loved those movies,” the actress told Inverse. “When I saw it announced, I was like, ‘Oh, that would be fun. That would be so fun to do.’”

That “fun to do” part could be construed as a passive pitch to Paramount, but that’s open to interpretation.

Just like in her franchise, Scary Movie also has a legacy cast including Anna Faris and Regina Hall. There is no word yet on if either of those actors will appear in the reboot. With or without them, Barrera is still a fan of the comedies. “They have the iconic cast that did it, so we’ll see what goes on with that. I’m just excited to see a new one,” she told the publication.

Barrera is currently celebrating the box office success of her latest horror movie Abigail.

'Civil War' Review: Is It Worth Watching?

Continue Reading

Lists

Thrills and Chills: Ranking ‘Radio Silence’ Films from Bloody Brilliant to Just Bloody

Published

on

Radio Silence Films

Matt Bettinelli-Olpin, Tyler Gillett, and Chad Villella are all filmmakers under the collective label called Radio Silence. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film Abigail exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s Escape From New York.

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

#1. Abigail

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of Ready or Not, but manages to go one better — make it about vampires.

Abigail

#2. Ready or Not

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, Ready or Not proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

Ready or Not

#3. Scream (2022)

While Scream will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Scream (2022)

#4 Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled The Way Out, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

Southbound

#5. V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the segment that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

V/H/S

#6. Scream VI

Cranking up the action, moving to the big city and letting Ghostface use a shotgun, Scream VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was Scream VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

Scream VI

#7. Devil’s Due

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.

Devil’s Due

'Civil War' Review: Is It Worth Watching?

Continue Reading

News

Perhaps the Scariest, Most Disturbing Series of The Year

Published

on

You may have never heard of Richard Gadd, but that will probably change after this month. His mini-series Baby Reindeer just hit Netflix and it’s a terrifying deep dive into abuse, addiction, and mental illness. What is even scarier is that it’s based on Gadd’s real-life hardships.

The crux of the story is about a man named Donny Dunn played by Gadd who wants to be a stand-up comedian, but it’s not working out so well thanks to stage fright stemming from his insecurity.

One day at his day job he meets a woman named Martha, played to unhinged perfection by Jessica Gunning, who is instantly charmed by Donny’s kindness and good looks. It doesn’t take long before she nicknames him “Baby Reindeer” and begins to relentlessly stalk him. But that is just the apex of Donny’s problems, he has his own incredibly disturbing issues.

This mini-series should come with a lot of triggers, so just be warned it is not for the faint of heart. The horrors here don’t come from blood and gore, but from physical and mental abuse that go beyond any physiological thriller you may have ever seen.

“It’s very emotionally true, obviously: I was severely stalked and severely abused,” Gadd said to People, explaining why he changed some aspects of the story. “But we wanted it to exist in the sphere of art, as well as protect the people it’s based on.”

The series has gained momentum thanks to positive word-of-mouth, and Gadd is getting used to the notoriety.

“It’s clearly struck a chord,” he told The Guardian. “I really did believe in it, but it’s taken off so quickly that I do feel a bit windswept.”

You can stream Baby Reindeer on Netflix right now.

If you or someone you know has been sexually assaulted, please contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673) or go to rainn.org.

'Civil War' Review: Is It Worth Watching?

Continue Reading