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Review: ‘The Nun’ Is An Enlightening Experience In ScreenX

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One of the biggest success stories in mainstream horror the past few years has been The Conjuring film franchise. The supernatural horror series following The Warrens and their encounters with the unknown has managed to grow with spin-off films of sinister elements and characters, starting with Annabelle, and continuing with The Conjuring 2‘s featured villain, The Nun.

Via IMDB

A prequel, the story takes place in post-war Romania circa 1952. A local deliveryman, Frenchie (Jonas Bloque, Elle) discovers a nun hung to death on the steps of an ancient abbey. Notifying The Vatican, they dispatch ‘miracle hunter’ Father Burke (Demián Bichir, Alien: Covenant) and young Sister Irene (Taissa Farmiga, The Final Girls) who supposedly has some sort of connection to the area. Traveling to the foreboding abbey, they slowly discover that the nunnery is holding secrets of biblical proportions and is home to the demon, Valak… the titular Nun.

Via IMDB

The Nun was a stand-out character of The Conjuring 2, so anticipation was high for a sequel revolving around the nefarious nun. Directed by Corin Hardy of 2015’s Irish supernatural horror movie, The Hallow, which seems like a natural fit.  For the most part, the movie works in terms of aesthetic and themes. The sinister abbey that’s the setting for a majority of the film has a creepy presence and decor, that despite taking place in 1952, gives things a medieval feeling. The grounds around the nunnery being a large graveyard, complete with still attached bells for any poor soul that gets buried alive… foreshadowing a particular scare.

 

In a lot of ways, I felt The Nun was in homage to many euro-horror creators. The style of the castle and eerie, misty graveyards brought to mind the gothic landscapes of Hammer Films. The hanged nun, supernaturally disturbed eyes, and infernal figures were evocative fo Lucio Fulci. Specifically his ‘Gates Of Hell’ trilogy of The BeyondCity Of The Living Dead, and The House By The Cemetery and his lesser known ‘nunsploitation’ film, Demonia. Without spoiling things, a major plot point felt gleamed from Tales From The Crypt: Demon Knight.  The pedigree rather clearly shows, but with enough for The Nun to stand on its own. Featuring some cool frights involving ghoulish or faceless nuns and mad visions.

 

The cast really shines through as well with our main trio. Bichir as a priest tortured by a past exorcism gone wrong, Bloque as the lighthearted Frenchie and his genuine reactions to hellish horror, and Farmiga as the shaken novitate nun, Irene. Oddly, despite Taissa Farmiga being the sister of Vera Farmiga who plays Lorraine Warren in the main Conjuring films, there’s never any real connection made in-story. And of course, Bonnie Aarons as the sinister sister, Valak. A force of fearful nature in every scene she appears in her ‘true’ form.

Via IMDB

The largest fault of the film is unfortunately underutilizing the titular demonic nun. Every time Valak, The Nun in question appears it’s always memorable. But it appears in different forms in many scenes, which is cool for shaking things up, but just having Valak bringing more terror in it’s main image would have been preferable. While the movie does provide some good frights, it falters at certain points from tone and pay-off. This entry in The Conjuring verse is oddly more comical than some of the other stories, and while some jokes pay-off, things veer a bit more toward action/adventure in the climax which depresses the potential horror.

Via IMDB

I was able to see The Nun in ScreenX, a cinematic format where the feature includes an expansion of the silver screen to 270 degrees by addition of the walls of the theater. Being a fan of the William Castle gimmicks of old, this did nothing but enhance my viewing experience, especially for a horror movie such as this with wide environments. It only activates during certain, more scare/action oriented scenes and it expands upon it. Like seeing an even wider landscape of graves or a montage of death bells ringing and the encroaching horror just in the corners of your eyes. Despite whatever flaws the movie may have, ScreenX certainly was a positive addition to the experience.

 

While there are definitely some faults to be had with the film, The Nun is an entertaining gothic horror movie to behold and worth a watch, especially if you’re a Conjuring fan wanting some more connections between the series

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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