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Late To The Party: ‘Salem’s Lot (1979) – iHorror
It’s taken me over thirty years but I’ve finally had the chance to sit down to this Stephen King bloody-sucking classic. ‘Salem’s Lot came to life in King’s masterful imagination when he first dared to ponder what would happen if Count Dracula moved into town? Being the genius that he was, Stephen King then turned that spark of curiosity into a modern day horror classic.
Salem’s Lot was the first of King’s books I ever read. I picked up my copy for seven pounds (plus some outrageous import tax) back at Anglia, the only English bookstore (back in the 90’s) we had in St. Petersburg, Russia, and could not put it down. It became the first of many more of the King’s books I would eventually add to my library. For the longest time, ‘Salem’s Lot was in fact my favorite Stephen King book, even beating the stellar accomplishments of The Stand and Pet Sematary for me. As of 2016 IT has become my King favorite, but ‘Salem’s Lot still holds that special place for me. So much so that I had to re-read this past Spring. The same awe and wonder are still there.
So, with the novel still freshly imprinted on my mind, how does the movie hold up? Filmed in 1979, by horror legend Tobe Hooper of Texas Chainsaw Massacre fame, the movie has picked up a wild cult following over the years.
Immediately I’m reminded what this movie could have been. Previously I discussed how George Romero (Dawn of the Dead, Creepshow) was set to collaborate with Stephen King and bring the vampire tour de force to life on the big screen. No disrespects to our beloved Mr. Hooper, but I do feel we were robbed as horror fans. Especially when you compare the demonic duo’s gruesome work with the fan-beloved Creepshow.
Hooper’s movie is good, if not, perhaps, just a little dated. The same slow burn build that he used in his titanic hit TCM was reused for ‘Salem’s Lot. However, whereas I feel the style worked brilliantly for his cannibal masterpiece the same praise cannot exactly be employed for his blood-sucking fiends. Mood, atmosphere, character build – these are all established in the novel. Stephen King brilliantly makes the town of ‘Salem’s Lot a lead character. That’s almost impossible to do, and only a master of the art can pull it off. Not only that, but his main character for the story is the Marsten House, a demonic abode standing – looming – over the sleepy town and acting like a live beacon drawing to itself very evil things. Naturally, drawn to the house is our ancient vampire, Barlow.
The movie follows this same thought, but it would be damned tricky to make a movie where the main characters are both a haunted house and a doomed town. And here is where we stop comparing to the book, because otherwise that would be self-destructive. Last I’ll say on the subject: go read the book!
This may not be my favorite Stephen King film adaptation, but I did enjoy it. The movie works in spite of it’s flaws. The differences from book to film are certainly there, but not enough to ruin some good-old fashioned spooky cinematic fun. Yeah sure, Barlow’s looks are taken straight out of Nosferatu, and his suave old-world hypnotism is replaced by grunts and growls; and yeah ok, his right hand man is no longer the gaunt, bald, menacing presence as he was in the novel, but here acts more like a Disney villain, but it’s still a fun watch nonetheless.
That being said I can’t neglect to praise where this film rocks! I have to give it to the ‘window scene.’ That moment still works and it’s been the nightmare fuel for many viewers over the years. Also, even though I may not have cared for Barlow’s (Reggie Nalder) growling performance, I did love the vampire makeup and effects. Seeing the undead fiends hovering above the ground with eternal hunger and predatory patience makes the movie a must-see experience.
There is a 2004 remake floating around out there, and yeah I’ve seen it. I just can’t remember the damn thing at all. It was that forgettable. This one though will stay with me and it deserves to be considered a classic.
Ok with all that said, I can’t help but think this story is set for a PROPER remake. Stephen King’s works all seem to be part of a remake craze right now, and good thing too! I’m excited. With things like IT, The Stand, and Tommy Knockers all slated for the future I’d like to return to the shadowy streets of ‘Salem’s Lot.
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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’
If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.
Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.
But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production.
Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end.
“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”
Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”
Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.
“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”
Deadline describes the plot of Shelby Oaks as follows:
“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”
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Movies
New ‘MaXXXine’ Image is Pure 80s Costume Core
A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.
His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”
The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.
MaXXXine is set to open in theaters on July 5.
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Netflix Releases First BTS ‘Fear Street: Prom Queen’ Footage
It’s been three long years since Netflix unleashed the bloody, but enjoyable Fear Street on its platform. Released in a tryptic fashion, the streamer broke up the story into three episodes, each taking place in a different decade which by the finale were all tied together.
Now, the streamer is in production for its sequel Fear Street: Prom Queen which brings the story into the 80s. Netflix gives a synopsis of what to expect from Prom Queen on their blog site Tudum:
“Welcome back to Shadyside. In this next installment of the blood-soaked Fear Street franchise, prom season at Shadyside High is underway and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider is unexpectedly nominated to the court, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.”
Based on R.L. Stine’s massive series of Fear Street novels and spin-offs, this chapter is number 15 in the series and was published in 1992.
FEAR STREET: PROM QUEEN IS NOW IN PRODUCTION 🩸 Welcome to Shadyside High. We're gonna have a killer time. pic.twitter.com/jDl0zRa2CH
— Netflix (@netflix) April 30, 2024
Fear Street: Prom Queen features a killer ensemble cast, including India Fowler (The Nevers, Insomnia), Suzanna Son (Red Rocket, The Idol), Fina Strazza (Paper Girls, Above the Shadows), David Iacono (The Summer I Turned Pretty, Cinnamon), Ella Rubin (The Idea of You), Chris Klein (Sweet Magnolias, American Pie), Lili Taylor (Outer Range, Manhunt) and Katherine Waterston (The End We Start From, Perry Mason).
No word on when Netflix will drop the series into its catalog.
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